Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Richard Beer
Trinity College, Oxford etching by Richard Beer Modern British Art

circa 1980

$1,032.56
£750
€895.58
CA$1,413.67
A$1,590.50
CHF 842.71
MX$19,640.73
NOK 10,330.75
SEK 9,926.43
DKK 6,680.49
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Richard Beer (1928 - 2017) Trinity College, Oxford (1964 / 65) Etching and aquatint 42.5 x 58 cm Numbered 27 / 100. Published by Editions Alecto. A copy of this print, owned by the Government Art Collection, is currently in the British Embassy in Saudi Arabia. Richard Beer was a painter and printmaker who focused on architecture and landscapes. He studied at the Slade School of Art from 1945 to 1950 and then studied at the École des Beaux Arts in Paris on a French Government Scholarship. He then worked and studied at Atelier 17, an art school and studio run by the artist Stanley William Hayter (arguably one of the most significant printmakers of the 20th century). The atelier was highly influential in the study and promotion of 20th-century printmaking, and it was here that Beer developed his etching skills. Beer then went on to work for the Royal Ballet choreographer John Cranko, designing the sets and costumes for "The Lady and the Fool" at the Royal Opera House in Covent Garden. He also produced several book illustrations and book jacket designs. Beer taught printmaking at the Chelsea School of Art for 40 years and was also a founding member of the Printmakers' Council. He travelled widely through Italy, France, Spain, and Morocco, sketching prolifically and painting rural and architectural landscapes. Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City of London for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.
  • Creator:
    Richard Beer (1928, British)
  • Creation Year:
    circa 1980
  • Dimensions:
    Height: 18.51 in (47 cm)Width: 24.02 in (61 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795314332592

More From This Seller

View All
1804 St George's Chapel Windsor Castle print
By Frederick Nash
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category

Early 1800s Realist Landscape Prints

Materials

Etching, Aquatint

G Cooper: Oriel College, Oxford watercolour
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. G. Cooper Oriel College...
Category

19th Century Realist Landscape Prints

Materials

Etching

G Cooper: 'St Mary's Church, Oxford' etching on paper
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category

19th Century Realist Landscape Prints

Materials

Etching

Andrew Ingamells (b.1956), Jesus College Cambridge engraving after David Loggan
By Andrew Ingamells
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...
Category

21st Century and Contemporary Realist Landscape Prints

Materials

Etching, Aquatint

Oriel College, Oxford, etching by Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) Oriel College, Oxford 20 x 12 cm Etching Mabel Oliver Rae was born in Cambridge and trained at the Slade School of Fine Art between 1888 and 1890. Rae ...
Category

Early 20th Century Realist Landscape Prints

Materials

Etching

Christ's College Gate, Cambridge, etching by Mabel Oliver Rae
Located in London, GB
Mabel Oliver Rae (1868-1956) Christ's College Gate 27 x 19 cm Etching Signed and titled. Mabel Oliver Rae was born in Cambridge and trained at the Slade School of Fine Art betwee...
Category

Early 20th Century Realist Landscape Prints

Materials

Etching

You May Also Like

Bad Gastein Church, Austria
By Luigi Kasimir
Located in Fairlawn, OH
Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...
Category

1930s Realist Landscape Prints

Materials

Etching

Sunset in Ireland
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category

Mid-19th Century Realist Landscape Prints

Materials

Drypoint, Etching

Passaic Meadows (In the Newark Meadows)
By Thomas Moran
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Category

Late 19th Century Realist Landscape Prints

Materials

Laid Paper, Etching

Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Category

Late 19th Century Realist Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Twickenham Church
By Sir Francis Seymour Haden, R.A.
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category

Mid-19th Century Realist Landscape Prints

Materials

Etching, Drypoint

Saint Moritz, Switzerland
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Saint Moritz, Switzerland" 1922 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the ...
Category

Early 20th Century Realist Figurative Prints

Materials

Etching