Academic Landscape Prints
ACADEMIC STYLE
During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture.
The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds.
Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.
Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.
Find a collection of academic paintings, sculptures, prints and more art on 1stDibs.
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Style: Academic
Fisherman Boats on the Scheldt - Original Etching
Located in Paris, IDF
Carel Nicolaas STORM VAN'S GRAVENSANDE
Fisherman Boats on the Scheldt
Original etching
Printed signature in the plate
On laid paper, 26,5 x 38 cm (c. 10,4 x 14,9 inch)
Excellent co...
Category
19th Century Academic Landscape Prints
Materials
Etching
“Paris, Place du Tertre”
Located in Southampton, NY
Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...
Category
Early 1900s Academic Landscape Prints
Materials
Archival Paper, Lithograph
$360 Sale Price
20% Off
Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category
Early 18th Century Academic Landscape Prints
Materials
Engraving
$4,460 Sale Price
20% Off
Original 1917 Railroad Map of Washington State railway map
Located in Spokane, WA
This is an Original Lithograph Vintage Railroad Map of Washington State; it is not a reproduction.
“Railroad Map of Washington, 1917, The Public Servi...
Category
1910s Academic Landscape Prints
Materials
Lithograph
$680 Sale Price
20% Off
“On the Seine, Paris”
By Hans Figura
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category
Early 1900s Academic Landscape Prints
Materials
Archival Paper, Aquatint
$475 Sale Price
26% Off
Original 1924 Soviet Union Public Scientific Journal Flint vintage poster
Located in Spokane, WA
Original 1924 Soviet Union lithographic poster for a monthly magazine called "Flint". The magazine was a public scientific journal that dealt with the electrical revolution, biolog...
Category
1920s Academic Landscape Prints
Materials
Lithograph
$740 Sale Price
20% Off
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
By John Gould
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets).
These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category
1840s Academic Landscape Prints
Materials
Lithograph
DY Cameron 19th c. European Village Etching
Located in New York, NY
D.Y. (David Young) Cameron (Scottish, 1865-1945)
The Border Tower, c. 1893
Etching
Sight: 9 x 13 1/4 in.
Framed: 15 1/4 x 19 1/2 x 1/2 in.
Signed in pencil lower right
Cameron trained at the Glasgow and Edinburgh Schools of Art in the early 1880s and was at first associated with the Glasgow Boys. He became a leader in the Scottish etching...
Category
1890s Academic Landscape Prints
Materials
Etching
Botanical Triptych Cyanotype Print of Shady Majesty Palm Leaves Garden in Blue
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category
2010s Academic Landscape Prints
Materials
Lithograph, Monotype, Paper
"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
Located in New York, NY
Frank Weston Benson
Winter Wildfowling, 1927
Signed lower left
Etching on paper
Image 8 1/2 x 7 inches
Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England.
Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.”
Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.”
In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure.
In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth.
This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.”
The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house.
As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions.
Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member.
Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works.
Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.”
Like the wash drawings before them, Benson’s watercolors proved...
Category
1920s Academic Landscape Prints
Materials
Paper, Etching
Wensleydale - Signed Lithograph, Royal Art, Yorkshire, British Landscape, Dales
Located in Knowle Lane, Cranleigh
Wensleydale by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associat...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Composition, Description of a Masque, Jane Freilicher
Located in Southampton, NY
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category
1990s Academic Landscape Prints
Materials
Woodcut
$1,436 Sale Price
20% Off
'Le Louvre et La Seine, ' by Phillipe Benoist, Four-color Lithograph
Located in Oklahoma City, OK
This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame.
Phillip Benoist was a p...
Category
19th Century Academic Landscape Prints
Materials
Lithograph
Original "Your Country's Call, Enlist Now" 1915 vintage British poster
Located in Spokane, WA
Your Country's Call. Isn't this Worth Fighting For? Enlist Now. Original WW1 poster, archival linen-backed vintage military poster.
Linen-backed and ...
Category
1910s Academic Landscape Prints
Materials
Lithograph
$1,000 Sale Price
20% Off
Tetbury Church - Signed Lithograph, Royal Art, king Charles, Cotswolds
Located in Knowle Lane, Cranleigh
Tetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with ...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Composition, Description of a Masque, Jane Freilicher
Located in Southampton, NY
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category
1990s Academic Landscape Prints
Materials
Woodcut
$1,436 Sale Price
20% Off
Greek Island, Fishing Boats - Signed Lithograph, Royal Art, Greece, Hills, sea
Located in Knowle Lane, Cranleigh
Greek Island, Fishing Boats by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limit...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Original Le Puy En Velay, SNCF vintage travel poster
Located in Spokane, WA
Admiring the Original "Le Puy En - Velay" Vintage Poster The exquisite vintage poster for the old city of Le Puy En - Velay has inspired many art aficionados. ...
Category
1940s Academic Landscape Prints
Materials
Lithograph
$780 Sale Price
20% Off
Greek Architecture Blueprint of Ancient Amphitheatre Cyanotype Print, Watercolor
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
Details:
+ Title: Ancient Roman Amphitheater
+ Year: 2022
+ Edition Size: 50
+ Stamped and Certificate of Authenticity provided
+ Measurements : 70x100 cm (28x 40 in.), a standard frame size
+ All cyanotype prints...
Category
2010s Academic Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, C Print, Lithograph, Monotype, ...
Wensleydale from Moorcock - Signed Lithograph, Royal Art, Yorkshire, Landscape
Located in Knowle Lane, Cranleigh
Wensleydale from Moorcock by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Lim...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Composition, Description of a Masque, Jane Freilicher
Located in Southampton, NY
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category
1990s Academic Landscape Prints
Materials
Woodcut
$1,436 Sale Price
20% Off
Venice, Santa Chiara Island - Original etching and watercolor, 1831
Located in Paris, IDF
Dionisio MORETTI
Venice, Santa Chiara Island, 1831
Original etching
Finely enhanced by hand with watercolor
On vellum 26 x 41 cm (c. 10.2 x 16 inc...
Category
1830s Academic Landscape Prints
Materials
Watercolor, Etching
“Haughton in the County of Nottingham” (Near Newark Upon Trent)
By Johannes Kip
Located in Southampton, NY
An original hand colored engraving by Johannes 'Jan' Kip (1653-1722) of Haughton in the County of Nottinghamshire, one of the seats of Prince John Duke of ...
Category
Early 1700s Academic Landscape Prints
Materials
Engraving
$960 Sale Price
20% Off
Notre-Dame de Paris - Original Handsigned Etching
Located in Paris, IDF
Jean Michel Mathieux-Marie
Notre-Dame de Paris
Original drypoint etching
Handsigned in pencil
On BFK Rives vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch)
Numbered /100 copies
Excellent...
Category
1990s Academic Landscape Prints
Materials
Etching
Rialto Bridge, Venise - Original Handsigned Etching
Located in Paris, IDF
Jean Michel Mathieux-Marie
Rialto Bridge, Venise
Original drypoint etching
Handsigned in pencil
On vellum, 28,5 x 38 cm (c. 11,2 x 14,9 inch)
Numbered /100 copies
Excellent condition
Category
1990s Academic Landscape Prints
Materials
Etching
Venice: View of the Grand Canal - Héliogravure, 1975
By Giovanni Antonio Canal (Canaletto)
Located in Paris, IDF
After Giovanni Antonio Canaletto
Venice: View of the Grand Canal
Héliogravure after the original etching (Atelier Jacomet)
Printed signature i...
Category
1970s Academic Landscape Prints
Materials
Engraving, Etching
Venice, View of the Grand Canal - Original etching and watercolor, 1831
Located in Paris, IDF
Dionisio MORETTI
View of the Grand Canal, 1831
Original etching
Finely enhanced by hand with watercolor
On vellum 26 x 41 cm (c. 10.2 x 16 inch)
...
Category
1830s Academic Landscape Prints
Materials
Watercolor, Etching
“Flower Seller, Notre Dame”
Located in Southampton, NY
Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts a Parisian flower girl selling her bouquets with the iconic cathedral of Notre Dame. Handwritten bottom left in pencil, original etching 136/295. Handwritten in pencil by the artist lower right, L. Marianne. Condition: excellent. Provenance: Sarasota, Florida estate. Professionally matted with a one inch solid oak frame in a medium walnut stain. Overall 24 by 19 inches.
Marianne Almasy...
Category
1980s Academic Landscape Prints
Materials
Archival Paper, Etching
$396 Sale Price
20% Off
“Paris-London”
Located in Southampton, NY
Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist, Marianne L. Almasy. Depicts London with its double buses in the foreground and scenes of Paris in the background. Handwritten bottom left in pencil, original etching 206/295. Handwritten in pencil lower right, L. Marianne. Condition: Very good to excellent. Provenance: Sarasota, Florida estate. Certificate of authenticity verso (see photo). Professionally matted with a one inch solid oak frame in a medium walnut stain. Overall 24 by 19 inches.
Marianne Almasy...
Category
1980s Academic Landscape Prints
Materials
Archival Paper, Etching
$325 Sale Price
34% Off
“Returning Home”
By Hermanus Jan Hendrik Rijkelijkhuysen
Located in Southampton, NY
Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector.
Biography:
Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...
Category
1870s Academic Landscape Prints
Materials
Laid Paper, Etching
$520 Sale Price
20% Off
“On the Seine, Paris”
Located in Southampton, NY
Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...
Category
Early 1900s Academic Landscape Prints
Materials
Paper, Mezzotint
$300 Sale Price
20% Off
Balmoral Winter Scene - Signed Lithograph, Royal Art, Scotland, king charles III
Located in Knowle Lane, Cranleigh
Balmoral Winter Scene by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Signed Limited...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
17th Century map of Cumberland, UK by Robert Morden
Located in Petworth, West Sussex
Robert Morden (British, circa 1650 – 1703)
A map of Cumberland with hand colouring
An engraving
14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)
Category
17th Century Academic Landscape Prints
Materials
Engraving
Horse and Woman, Abstract Gold Leaf Screenprint by Lebadang
By Hoi Lebadang
Located in Long Island City, NY
Artist: Lebadang, Vietnamese (1922 - 2015)
Title: Untitled - Horse and Woman
Medium: Silkscreen, signed in pencil
Edition: EA
Size: 30 x 22 in. (76.2 x...
Category
1970s Academic Landscape Prints
Materials
Gold Leaf
19th century landscape color lithograph seascape buildings cityscape houses
Located in Milwaukee, WI
"Chicago in Early Days" is an original color lithograph by Kurz & Allison. This piece features multiple views of the city of Chicago.
16 3/4" x 23 1/4" art
28 1/8" x 33 7/8" frame
...
Category
1890s Academic Landscape Prints
Materials
Lithograph
Glengairn, Aberdeenshire - Signed Lithograph, Royal Art, Scotland, British
Located in Knowle Lane, Cranleigh
Glengairn, Aberdeenshire, January by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been ...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Venice, Rialto Bridge - Original etching and watercolor, 1831
Located in Paris, IDF
Dionisio MORETTI
Venice, Rialto Bridge, 1831
Original etching
Finely enhanced by hand with watercolor
On vellum 26 x 41 cm (c. 10.2 x 16 inch)
Ve...
Category
1830s Academic Landscape Prints
Materials
Watercolor, Etching
Ben Avon - Signed Lithograph, Royal Art, Scotland, British, Braemar, Mountains
Located in Knowle Lane, Cranleigh
Ben Avon, Near Braemar, January by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Sign...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Ballochbuie, Balmoral, April - Signed Lithograph, Royal Art, Scotland, forest
Located in Knowle Lane, Cranleigh
Ballochbuie, Balmoral, April by HM King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with the artworks of HIs Majesty...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Klosters - Signed Lithograph, Royal Art, Switzerland, Mountains, Hüreli, Skiing
Located in Knowle Lane, Cranleigh
The Hüreli, Klosters, Switzerland by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Si...
Category
1990s Academic Landscape Prints
Materials
Lithograph
A set of Biblical prints after the Dutch painter and engraver Gerard Hoet
By Gerard Hoet
Located in London, GB
The present collection is a set of 131 prints after Gerard Hoet, the Dutch golden age painter and engraver, depicting various biblical scenes. Hoet was a leading artist in the Classicizing Dutch Academic style, and his work is defined by history paintings, with a particular interest in mythological, classical, historical, and biblical scene, in particular Old testament scenes...
Category
Early 1700s Academic Landscape Prints
Materials
Paper, Ink, Black and White, Engraving
Sandringham - Signed Lithograph, Royal Art, Royal Homes, Sandringham House
Located in Knowle Lane, Cranleigh
Sandringham by HRH Prince Charles, The Prince of Wales - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with the artworks of HRH The P...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Balmoral - Signed Lithograph, Royal Art, Royal Homes, Balmoral Castle, British
Located in Knowle Lane, Cranleigh
Balmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could
be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation.
Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed.
“…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Highgrove - Signed Lithograph, Royal Art, Royal Homes, Highgrove House, British
Located in Knowle Lane, Cranleigh
Highgrove by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associate...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Windsor Castle - Signed Lithograph, Royal Art, Royal Homes, Architecture
Located in Knowle Lane, Cranleigh
Windsor Castle by HM King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated with the artwo...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Windsor Castle North Aspect - Signed Lithograph, Royal Art, Royal Home, British
Located in Knowle Lane, Cranleigh
Windsor Castle by His Majesty King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be asso...
Category
1990s Academic Landscape Prints
Materials
Lithograph
Overlooking Wadi, Saudi Arabia - Signed Lithograph, Royal Art, Mountains, Asir
Located in Knowle Lane, Cranleigh
Overlooking Wadi, Asir Province, Kingdom Of Saudi Arabia by His Majesty King Charles III, (created when he was HRH The Prince of Wales) - ...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Hong Kong from HMY Britannia - Signed Lithograph, Royal Art, Union Jack,
Located in Knowle Lane, Cranleigh
Hong Kong From HMY Britannia by HM King Charles III - Hand Signed Limited Edition Lithograph.
Belgravia Gallery has been honoured to be associated ...
Category
Early 2000s Academic Landscape Prints
Materials
Lithograph
Academic landscape prints for sale on 1stDibs.
Find a wide variety of authentic Academic landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Dionisio Moretti, Jean Michel Mathieux-Marie, Philippe Benoist, and Albert Brenet. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic landscape prints, so small editions measuring 9 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $216 and tops out at $20,450, while the average work sells for $950.