Modern Landscape Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This exquisite lithograph after Jules Pascin (1885–1930), titled Salome, from the album Pascin, originates from the 1954 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and printed by Mourlot Freres, Paris, March 3, 1954. Salome captures Pascin’s delicate mastery of line and his profound sensitivity to the human form, embodying the poetic lyricism and emotional intimacy that define his work. Executed as a lithograph on grand velin Renage paper, this work measures 12.25 x 9.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Jules Pascin (1885–1930) Title: Salome, from the album Pascin Medium: Lithograph on grand velin Renage paper Dimensions: 12.25 x 9.5 inches (31.1 x 24.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Pascin, published by Editions du livre, Monte-Carlo, 1954 Notes: Excerpted from the album (translated from French), This album, published under the direction of Andre Sauret, was completed on March 3, 1954. The color plates were executed in the workshops of Mourlot Freres, lithographes, in Paris. Typography of L'Imprimerie Union. The original etchings attached to the C head examples were printed on Roger Lacouriere's presses. The total edition was drawn in MM examples, decomposing as follows: C examples numbered from I to C with III original etchings, MCM examples from CI to MM. About the Publication: Pascin, published in Monte-Carlo in 1954 under the direction of Andre Sauret and printed by Mourlot Freres, Paris, stands as one of the most refined tributes to the artist’s oeuvre within the distinguished postwar series of French art albums. The album combines impeccable lithographic craftsmanship with scholarly presentation, highlighting the poetic subtlety and expressive line central to Pascin’s artistic legacy. Printed on grand velin Renage paper, the publication exemplifies the collaboration between Sauret and Mourlot that defined a generation of fine art editions, uniting artists, printers, and publishers dedicated to preserving the vitality of modern art in print. The album reflects the technical mastery of Mourlot’s atelier—celebrated for its work with Picasso, Matisse, Chagall, Braque, and Léger—while reinforcing Editions du livre’s commitment to producing luxurious, museum-quality publications that captured the spirit and emotion of twentieth-century masters. As a fine art album, Pascin occupies a central place among mid-century European art editions, representing both a celebration of the artist’s humanistic vision and a testament to the collaborative artistry that sustained modern printmaking. About the Artist: Jules Pascin (1885–1930) was a Bulgarian-born French painter and draftsman whose exquisite sensitivity, refined draftsmanship, and poetic vision made him one of the most evocative and influential figures of early modern art. Known as “the Prince of Montparnasse,” Pascin became a central figure of the Ecole de Paris and a defining presence in the bohemian world of early 20th-century Paris. Born Julius Mordecai Pincas in Vidin, Bulgaria, to a wealthy Sephardic Jewish family, he studied in Vienna and Munich before moving to Paris in 1905, where he quickly established himself among the leading modernists of his era, including Pablo Picasso, Amedeo Modigliani, Chaim Soutine, Georges Braque, and Marc Chagall. Deeply influenced by Edgar Degas, Henri de Toulouse-Lautrec, and Paul Cezanne, Pascin created paintings and drawings distinguished by their delicate lines, soft tonal harmonies, and psychological depth. His nudes, portraits, and scenes of Parisian cafe life radiate an atmosphere of quiet intimacy and emotional nuance, capturing the fragility and beauty of human existence. Unlike contemporaries such as Picasso, Joan Miro, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, who pushed toward abstraction and surrealism, Pascin remained devoted to figuration, exploring the subtleties of light, gesture, and emotion with unmatched tenderness. His works express sensuality without artifice, revealing the vulnerability and inner life of his subjects through line and color that seem to breathe with human feeling. His studio became a gathering place for artists and writers such as Ernest Hemingway, Henry Miller, and Anais Nin, who admired his introspection and his ability to translate psychological complexity into visual poetry. Though his life was marked by emotional turbulence and melancholy, his art radiated a timeless empathy that transcended style, influencing later artists including Balthus, Lucian Freud, Francis Bacon, Egon Schiele, and Eric Fischl, who drew inspiration from his fusion of sensuality, sensitivity, and psychological depth. Today, his works are held in major institutions including the Centre Pompidou, Musee d’Orsay, Tate Modern, and the Museum of Modern Art in New York, where they continue to resonate for their humanism and grace. Standing alongside Picasso, Calder, Giacometti, Dali, Miro, Kandinsky, Duchamp, and Man Ray, Jules Pascin helped define the emotional vocabulary of modern painting, and his legacy endures as one of the most intimate and humanist voices of his century. The highest auction record for Jules Pascin was achieved by Portrait de jeune fille en robe rouge sur fond bleu (1928), which sold for $2,950,500 USD at Sotheby’s, New York, on May 8, 2008, confirming his enduring reputation as one of the most refined, psychologically profound, and collectible artists of modern art history. Jules Pascin Salome Pascin Editions du livre Monte-Carlo 1954 lithograph...

This exquisite lithograph after Jules Pascin (1885–1930), titled Nu a la chemisette rose (Nude with the Pink Blouse), from the album Pascin, originates from the 1954 edition publishe...

This exquisite lithograph after Jules Pascin (1885–1930), titled Venus de dos (Venus from Behind), from the album Pascin, originates from the 1954 edition published by Editions du li...

This exquisite lithograph after Jules Pascin (1885–1930), titled Femme dans un fauteuil (Woman in an Armchair), from the album Pascin, originates from the 1954 edition published by E...

This exquisite lithograph after Jules Pascin (1885–1930), titled Portrait de Pierre Mac Orlan (Portrait of Pierre Mac Orlan), from the album Pascin, originates from the 1954 edition ...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

This exquisite lithograph after Jules Pascin (1885–1930), titled Portrait de Daragnes (Portrait of Daragnes), from the album Pascin, originates from the 1954 edition published by Edi...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 36 (Plate No. 36), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 197, 1972. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 197, 1972. Published by Aimé Maeght, Éditeur, Paris; pr...

Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Lauren Rothstein, American - Landscape, Year: 1967, Medium: Etching on Rives, signed, titled, dated and numbered in pencil, Edition: 1/4, Image Size: 14 x 17.25 inches, Size: 19...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite etching by Jean-Gabriel Daragnes (1886–1950), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le G...

The Village is a print on paper realized by Xavier de Damanche in the late 19th Century. Etching on paper Good conditions with slight foxing and cutting 

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...

While this is probably a military airport, Kent Hagerman still shows it at its futuristic best. Hagerman was an amazing draftsman who managed to get fantastic detail into his work. This is really a portrait of a plane -- the Fairchild C-119. The words 'United States Air Force' on the side of the plane date it to 1947 or later, after the Air Force split from the Army. The design featured the 'twin boom' clearly showing in this etching. Thanks to this feature it was called the Flying Boxcar. About 1100 were built and used until 1955. It was also used by the Chinese Air...

Repos is a black and White etching realized by Auguste Mathieu in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh inkin...

Landscape is an etching realized by Paul Emile Colin in the Mid-20th Century. hand-signed. Numbered.Edition, 1/30. Good conditions with slight foxing. The artwork is realized thr...

Moulin Hollandais is a black and White etching realized by Alphonse Aufray De Roc'Bihan in the 1860s.  Titled in the lower. Image size: 15x23. Very good impression with wide margi...

Clayton Knight drew a careful rendering of the plane -- even showing how it would look in the air as it banked. Edward Stinson was an accomplished, eve...

Harvesting Young Cedars is a lovely original woodcut print from the work of the famous Japanese master Utagawa Hiroshige from an early 19th century edition. It represents an agricult...

The Bridge is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century...

Landscape is a modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Includes frame Hand signed and dated on the lower margin. Edition of...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 133-134, 1962. Published by Aimé Maeght, Éditeur, Paris...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 247, 1981. Published by Aim...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Un Terrier de Renard a Chateauneuf is a black and White etching realized by Armand Charnay in the 1860s.  Titled in the lower. Image size: 21x30. Very good impression with wide ma...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 160, 1966. Published by Aim...

Ischia Gardens is an artwork realized in 1977 by the artist Eduard Bargheer.  Hand-signed, dated on the lower right margin. Numbered by the artist in pencil on the lower left margi...

In the 1950s woodcuts were getting bigger and bigger. This one isn't gigantic, but at an image size of 17 x 11 inches it is substantial. And of course NYC's El Trains and their stati...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 247, 1981. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1961 folio Derriere le Miroir, No. 124. Published by Maeght Edit...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 171, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

Canning Dock and Custom House, Liverpool is an etching realized in 1845 by T.Higham. Signed in plate. The artwork is realized in a well-balanced composition.

The Road With Trees is a print realized by Jacques Thèvenet in the early 20th Century. Lithograph on paper. Hand-signed, Numbered, edition of 6/40 p...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Vue de Saragosse is a black and White etching realized by Henry Charles Landrin in the 1860s.  Titled in the lower. Image size: 17x32. Very good impression with wide margins and a...

Moulins dans le pas de Calais is a black and White etching realized by A. Sogé in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margins and a ...

Demolitions pour le Percement de la Rue des Ecoles is a black and White etching realized by Maxime Lalanne in the 1860s.  Titled in the lower. Image size: 24x32. Very good impress...

Houses is a print realized by Arthur Sahlen (1882-1945). Woodcut on paper. Monogrammed on the plate on the lower. Good condition with slight foxing.

Peche a la Sardine is a black and White etching realized by Pierre-Émile Berthélemy in the 1860s.  Titled in the lower. Image size: 12 x 18, 12 x 18. Very good impression with wid...

Un Rocher dans les Communaux de Rix is a black and White etching realized by A. Appian in the 1860s.  Titled in the lower. Image size: 8 x 13, 8 x 12, 16 x 27 Very good impression...

Albert Abramovitz was an amazingly skilled wood engraver. This California Mission scene is unusual in his work, but carries the subject so well. It is signed and titled in pencil.

Seascape is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Colored Lithograph on cardboard. Numbered. Edition, 100/200. Hand-signed. The artist w...

Countryside is an etching realized by Pierre-François Laurent in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

This exquisite lithograph after Fernand Leger (1881–1955), titled L’Halterophile, Paris (The Weightlifter, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un po...