Modern Landscape Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 138, 1963. Published by Aim...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 4 (Plate No. 4), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...

Linda Plotkin, American (1938 - ) - Silo II, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.75 x 8.75 inches, Size: 9....

Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.

Uses and Customs - Robes of Priests is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Map of Italy is an Etching realized in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to the suite suite "AtlasBatt" realize...

Uses and Customs - all the peoples of the universe is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Abbey of Arbroath is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservati...

Aberdeen is an engraving realized in 1845 by T.Higham. Signed in plate. The artwork is realized in a well-balanced composition.

Uses and Customs - Colleoni Chapel in Bergamo is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le Femme a la fleur, New York (The Woman with the Flower, New York), originates from the 1970 folio Fernand Leger me...

Linda Plotkin, American (1938 - ) - Landscape II, Year: circa 1965, Medium: Etching, signed, titled and numbered in pencil, Edition: 18/75, Image Size: 6 x 4.25 inches, Size: 15...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Rear), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special ...

Linda Plotkin, American (1938 - ) - Stone Valley, Year: circa 1965, Medium: Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: TP, Image Size: 8 x 7.75 inches...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Le Gerfaut is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

Landscape is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi. The State of preservation is very good. The artwork represents the scenery of a road trip by ca...

Le Sai is an etching realized in 1771 by A-J Fehrt. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

The only mention I can find of Evelyn G. Schultz is that she was a charter member of the San Diego Watercolor Society. But the medium of the linocut (here on tan paper) was frequentl...

This exquisite lithograph after Fernand Leger (1881–1955), titled Notre-Dame, Paris (Notre-Dame, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d'arag...

This exquisite lithograph after Fernand Leger (1881–1955), titled Sur le Quai, Paris (On the Quay, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d'ar...

Map of Spain and Portugal is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belong...

Uses and Customs - Egyptian Costume is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le Sacre-Coeur, Paris (The Sacred Heart, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un po...

Linda Plotkin, American (1938 - ) - Coburn, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: 5/45, Image Size: 3.75 x 4.25 inches, ...

The Fisherman's village is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching on cardboard. The artist wants to define a well-balanced composit...

Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...

This exquisite lithograph after Fernand Leger (1881–1955), titled Les Peniches, Paris (The Barges, Paris), originates from the 1970 folio Fernand Leger mes voyages avec un poeme d'ar...

Uses and Customs - Grand Canal in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - Temple of Sofia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Uses and Customs - Church of Miracles in Brescia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Uses and Customs - Certosa in Pavia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Bridge in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

This exquisite lithograph after Fernand Leger (1881–1955), titled La Marseillaise, France (The Marseillaise, France), originates from the 1970 folio Fernand Leger mes voyages avec un...

Beach is a modern artwork realized by Gaetano Giangrande in 1968 Black and white etching Hand signed and numebered on the lower margin. Edition of 123/125 Signature, date on plat...

The Scilla's garden is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Colored etching on cardboard. The artist wants to define a well-balanced comp...

The Fisherman's village is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching on cardboard. The artist wants to define a well-balanced composit...

Map of Campaign of 1814 is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs ...

Uses and Customs - Bridge of Cassano is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Uses and Customs - Temple of S Maria is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Uses and Customs - Saints is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Linda Plotkin, American (1938 - ) - Fiesole, Year: 1965, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 15.5 x 15.5 inches, Siz...

Campagne de Russie is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belongs to th...

Uses and Customs -  Ducal Palace in Modena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 36 (Plate 36), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Uses and Customs - Pompey Column, Cleopatra Obelisk is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of ...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled La Vigne de Paris (The Vineyard of Paris), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Leichtes (Lightness), from the folio Derriere le miroir, No. 118, originates from the 1960 edition published by ...

Palazzo Madama is an etching of the Late 18th century realized by the Artist Giuseppe Vasi. Signed and titled on plate lower margin.  Good conditions. Giuseppe Vasi  (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...