Snow Landscape Prints

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled The Corner, originates from the distinguished 1962 folio The Four Seasons: Pai...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the sun rising over a snow-laden town and a procession heading towards a castle. Signed in Kanji lower rig...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

These are two separate 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to t...

The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...

Mel Hunter, American (1927 - 2004) - Holiday at Sky Farm, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: 950, Size: 19 in. x 26 in. (48.26 cm x 66.04 cm)

Signed lower right, 'Morihiro Sato' (Japanese, born 1943), with artist chop mark, and dated 1985; titled, lower left, in English and Kanji 'Cherry Trees (Dusk)' with number and limitation, '3/55'. Paper dimensions: 24.25 x 35.5 inches A fresh and unfaded woodblock print showing a view of cherry tree boughs heavy with glowing blossoms before a vista of rolling hills with stylized Japanese pine beneath a luminous, golden sunset. Morihiro Sato graduated from Musashino College of Fine Art before studying under the printmaker Joichi Hoshi (1913-1979). Sato’s work focuses on the beauty of nature, particularly that of trees. Through the medium of woodblock with inclusion of metallic pigments, his delicately atmospheric prints evoke a sense of gentle sense of wonder. *With thanks to Ronin Gallery

"Distant Trees Sorachi Hokkaido Japan, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x16...

Richard Claude Ziemann (American, b 1932) 'Weland Grasses' 1980 Etching on wove paper Edition 138/175 Titled in pencil lower left Signed and dated in pencil lower right Image (plate)...

Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...

Tim Southall Snow on the Hill Limited Edition Screen print Edition of 50 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece ...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

This original signed lithograph by acclaimed American artist George Elbert Burr (1859–1939) beautifully depicts a serene winter landscape with snow-covered trees. Burr’s masterful lithograph technique captures the delicate interplay of light, shadow, and snow, evoking the quiet stillness and crisp beauty of nature in winter. The image measures 7 ¼ by 10 ¼ inches and is presented in a custom archival frame with overall dimensions of 15 x 17 ¾ inches. The artist’s signature authenticates this fine example of early 20th-century American printmaking, making it an ideal addition to collections of Western art, winter landscapes, or vintage lithographs. Born in Ohio, Burr was largely self-taught, gaining recognition for his detailed etchings and lithographs that captured the American West’s rugged beauty. After years of travel across Europe and the U.S. Southwest, he created iconic series like Mountain Moods and the Desert Set...

"Mapping the Walk - May to August" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highl...

Cities 12 – February in Prague by Susan Brown. Limited edition giclée print – The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm x 50cm Ea...

Original Vintage Poster, Moscow 1980, Olympic Games. Levi's Skiing North America. Original first printing of this poster. Official sponsors of the US team for the 1980 Olympic Games. The campaign was titled “Levi’s Olympic Opportunity Sweepstakes," and each poster emphasized the sport associated with one of the six continents: Great artwork depicting a sliding red skier with the globe behind, highlighting the North American continent. This poster is linen-backed and in excellent condition, ready to frame. One of six posters produced by Levi-Strauss for the 1980 Moscow Olympic Games. The posters were created with a sport that was associated with of the six continents. Levi's logo and stylized title text in the margin below the images. Levi's commissioned FCB Advertising in San Francisco to produce a set of six posters and designed by some of the top commercial artists of the 1970s and 1980s. The US pulled out of the Moscow Olympics due to the Soviet Union's invasion of Afghanistan. A small group of these posters was printed. Levi’s abandoned the promotions. The posters were withdrawn following the decision by US President Carter to boycott the Olympics in protest after the USSR invaded Afghanistan in December 1979. The U.S. boycott in 1980 applied to the Moscow SUMMER Olympic Games The artists who created the Levi 1980 Olympic posters...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Gerbe (The Sheaf), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Original 1975 United Airlines Ski West Vintage Travel Poster – Mid-Century Modern Artwork. Archival linen-backed and in Grade A- condition, ready for Framing. The images displayed are of the exact vintage poster you will receive. Experience the golden era of travel with this rare original United Airlines "Ski West" vintage travel poster from 1975. Created during a time when air travel embodied elegance and adventure, this striking piece provides a vibrant glimpse into mid-century advertising and ski culture. Showcasing bold typography and colorful, eye-catching artwork, the “Ski West” poster embodies the thrill of powdery slopes and the promise of unforgettable ski vacations in the American West. Ideal for vintage art collectors, travel enthusiasts, or anyone looking for a chic retro touch in their decor, this piece authentically showcases 1970s graphic design. It blends bold colors with minimalistic yet striking visuals. Whether you collect United Airlines memorabilia...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Original. SNCF Snowman Ski travel by French Railways poster. Archival linen backed and ready to frame. Je prefere le train SNCF For my snow vacations, I prefer the train, SNCF. T...

Original Ski Western Airlines vintage travel and skiing poster. Professional archival acid-free linen backed in very good condition, ready to frame. Artist: Don Weller. Capt...

This artwork titled "Shadows" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 20 x 16 inches, sheet size is 28 x 20 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Artist: Luigi Kasimir Austrian (1881-1962) Title: Grinzing, Austria Year: 1940 Medium: Color Etching Sight size: 17.5 x 22.5 inches Sheet Size: 20 x 25 inches Framed Size:27.5 x 32...

This artwork titled "Los Banos" 1969 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pe...

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

David Lee, Chinese (1944 - ) - Rainbow, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 21 x 29 in. (53.34 x 73.66 cm), Description: Da...

Red Umbrella is an archival digital pigment print on canvas made with serigraph texture plates, signed ‘Kondakova’ in the right corner and numbered 129/295 in the left corner. From t...

Mel Hunter, American (1927 - 2004) - Dodge, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 110, Size: 22 in. x 29 in. (55.88 cm x 73.66 cm), Description:...

This artwork titled "Silver Wood" 1966 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 16 x 22 inches, sheet size is 12.25 x 27 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Linda Plotkin, American (1938 - ) - Big Bird, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/70, Image Size: 7.75 x 5.75 inches, S...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 12.5 inches; image size: 7.08 x 11.02 inches Inscription: Unsigned and unnumbered, as issued No...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Télépheriques de l'Aiguille du Midi et de la Vallée Blanche...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

Cities 12 – February in Prague by Susan Brown. Discover limited edition giclée prints by Susan Brown online with Wychwood Art and in our Oxfordshire art gallery. Susan Brown (BAHons HonDArts. MCSD) is an interior architect and a painter, and has been involved in both disciplines for many years. The paintings are held in many collections including, The Royal Bank of Canada, HBOS, Universities of York and Sheffield, and the National Trust. The work has been represented and shown by many galleries throughout the UK, has been represented internationally in New York, Hong Kong and Singapore, the paintings have been included in many open exhibitions including the Royal Academy Summer Exhibition, and the Scottish...

Canyon Road, by John Hogan, lithograph, edition, black, white, Santa Fe hand pulled lithograph edition signed and numbered by the artist unframed 30 x 44 paper size John Hogan A gr...

Lamorna: Cornish Coastal Path Series by Anna Harley Hand signed by the artist Limited Edition Screen Print Edition of 12 Sheet size H 76 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Skier Allan Mardon, Canadian (1931) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 29 in. x 21 in. (73.66 cm x 53.34 cm)

St Giles Cathedral, Edinburgh by Susan Brown [2021] limited_edition Giclee print on paper Edition number 150 Image size: H:40 cm x W:40 cm Complete Siz...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Looking Back Etching with hand coloring by the artist, 1994 Signed, dated, and numbered in pencil lower left (see photo) Edition: 67 (49/67) (see photo) References And Exhibitions: Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53. Note: An important print by the artist Joel Stewart Biography Museum Collections: • Los Angeles County Museum of Art, Los Angeles, California, USA Cleveland Museum of Art, Cleveland, Ohio, USA. Portland Art Museum, Portland, Oregon, USA Library of Congress, Washington D.C., USA Allen Memorial Art Museum, Oberlin, Ohio, USA Hoehn Family Galleries, University of San Diego, USA Group Exhibitions: 2020 The Terminal, Kyoto, “Kyoen” 2019 Rijksmuseum, Amsterdam, “Long Live Rembrandt” Alt Space POST Gallery, Kyoto, “The Echo Of Songs” 2018 Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru” CWAJ Print Show, Tokyo, Japan 2017 Kyoto Municipal Museum Of Art – “Kyoten 2017” CWAJ Print Show, Tokyo, Japan 2016 CWAJ Print Show, Tokyo, Japan 2015 CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition 2014 Kyoto Municipal Museum Of Art – “Kyoten 2014” The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection 2012 CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition 2011 CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition 2008 Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints” 2007 Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints” 2006 Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists” LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings” CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition 2005 CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition 2004 CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition 2003 CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition 2002 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2001 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 2000 Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1999 Tolman Collection Gallery, Tokyo, Japan – “Miyabi” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1998 Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator” CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1997 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1996 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1995 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1994 Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters” 1993 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1992 Kato Gallery, Tokyo, Japan – Spring Show 1990 CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition 1987 Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition Osaka Modern Art Center, Osaka, Japan – Biennale 1986 Voice Gallery, Kyoto, Japan – 3 Man Show 1983 Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show 1983 Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show One Person Exhibitions: 2020 Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation 2019 Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation 2017 Hakuhou-Doh Gallery Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series” 2015 Hakuhou-Doh Gallery 2013 Nishi Bijutsu Gallery 2011 Azuma Gallery, Seattle, Washington, USA ,“Recent Works” 2010 Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation” 2005 Azuma Gallery, Seattle, Washington, USA , “Recent Works” 2004 Kato Gallery, Tokyo, Japan 2002 Kato Gallery, Tokyo, Japan Azuma Gallery Seattle, Washington, USA 2001 Keihan Art Salon, Osaka, Japan 2000 Azuma Gallery, Seattle Washington, USA, “New Works” Ren Brown...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See a...

9.25 x 12 inches (sheet), 8.75 x 12 inches (block) Linoleum block print on laid paper Framed 16 x 18.88 in Signed to lower margin

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

To see our other original vintage posters, scroll down to "More from this Seller" and below click on "See all from this Seller." Davos, Parsenne, Switzerland Vintage Ski Poster 1968 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

Linda Plotkin, American (1938 - ) - Haystacks, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.5 x 9.5 inches, Size: 9...

"Mapping the Walk" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highly intricate and ...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...