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William Walcot R. E. Hon. R. I. B. A.The Thames from Waterloo.1913
1913
About the Item
The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Architectural draughtsman, etcher. Born in Lustdorf, near Odessa, Russia, to a British father and Russian mother. Traveled extensively with his family before studying architecture in St Petersburg, with further studies at Ecole des Beaux-Arts and Atelier Redan, Paris. Practiced architecture in Moscow and was co-designer of the Metropole Hotel, in 1898. Moved to London in 1907 and was employed as an architectural perspectivist. After a sponsored visit to Rome and Venice he had a solo exhibit at the Fine Art Society, 1912, 'Watercolours of London and Venice'; followed by a further four shows. He also exhibited at the Royal Academy, Royal Society of British Artists, Royal Society of Painter-Etchers..., and Connell & Sons. His etchings were published in London by H C Dickens,1913-24, and a folio of his work 'Architectural watercolors and etchings of William Walcot' was published, in 1919. Elected RE, 1920; FRIBA, 1922; Associate British School at Rome. A foremost architectural draughtsman, he worked from studios in London, Oxford and Rome.
The complete set of The Arteries of Great Britain includes: The Thames, The Tyne, The Forth, The Clyde, The Mersey. Signed in pencil .Housed in a 16 x 20 inch mat suitable for framing.
Opened in 1890, the Forth Bridge is a Scottish icon that is recognised the world over as the most famous of cantilever designs. The world's first major steel structure, the Forth Bridge represents a key milestone in the history of modern railway civil engineering and still holds the record as the world’s longest cantilever bridge.
A full-scale restoration project to return the bridge to its original construction condition was completed in 2012.
In July 2015, UNESCO inscribed the Forth Bridge as the sixth World Heritage site in Scotland.
Working as a painter and printmaker, William Walcot became the most celebrated architectural artist in England during the 1920s and 30s.
Settling in London in 1907, Walcot was first employed as a draughtsman to the architect Eustace Frere. He soon became a freelance draughtsman, producing presentation drawings for a number of leading architects to show their clients and to exhibit at the Royal Academy. His treatment of these drawings as works of art rather than technical exercises led to commissions from the Fine Art Society to visit Rome and Venice, and he held a total of eight solo shows with that dealer (1908-28). He also showed watercolours and etchings with leading exhibiting societies, and was elected to the membership of the Royal Society of Painter-Etchers and Engravers (ARE 1918, RE 1920) and the Royal Society of British Artists (1913). He was additionally a Fellow of the Royal Institute of British Architects (1922) and an associate of the British School in Rome. Steeped in the culture and architecture of antiquity, he designed and illustrated luxury editions of Salammbô (1926) and Hérodias (1928) by Gustave Flaubert for Les Editions d’Art Devambez.
- Creator:William Walcot R. E. Hon. R. I. B. A. (1874 - 1943, British)
- Creation Year:1913
- Dimensions:Height: 3.75 in (9.53 cm)Width: 7.07 in (17.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335211565792
William Walcot R. E. Hon. R. I. B. A.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole in 1898. In 1907, Walcot settled in London where he was employed as a draughtsman by the South-African-born architect, Eustace Frere. In 1933, Walcot designed one London building, 61 St. James Street, but his main architectural activity was that of a freelance draughtsman. He produced drawings and etchings for architects to show their clients and to exhibit at the Royal Academy summer exhibitions. Throughout the 1920s and 1930s, Walcot was the most celebrated architectural draughtsman in England, enhancing the scale and drama of the buildings he depicted with his mastery of techniques including watercolor and gouache.
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