Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Rudolph Ackermann
Radcliffe Astronomical Observatory, Oxford engraving by John Bluck for Ackermann

1815

About the Item

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854) Astronomical Observatory, Oxford (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the Astronomical Observatory in Oxford - that is, the Radcliffe Observatory, now a part of Green Templeton College. The observatory building commenced to designs by Henry Keene in 1772, and was completed in 1794 to the designs of James Wyatt, with a prominent octagonal tower based on the Tower of the Winds in Athens. Its tower is topped with a statue by John Bacon of Atlas holding up the World. Frederick Mackenzie (1788 - 1854) was a British watercolourist and architectural draughtsman. He first exhibited at the Royal Academy in 1804, and contributed eleven drawings between that year and 1828. He contributed to the Society of Painters in Water Colours exhibitions from 1813, becoming an associate in 1822, and a full member the following year. From 30 November 1831 till his death he was treasurer to the society. In later life Mackenzie was no longer commissioned to illustrate books. John Bluck was an aquatint engraver, mainly of topographical views, but also of marine and sporting subjects after his contemporaries. He produced plates for numerous publications. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
  • Creator:
    Rudolph Ackermann (1764 - 1834)
  • Creation Year:
    1815
  • Dimensions:
    Height: 11.82 in (30 cm)Width: 9.85 in (25 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Paper quite toned within platemark.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795314872572

More From This Seller

View All
The Radcliffe Camera library Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Chapel of Lincoln College, Oxford by Lewis after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

University of Oxford The Divinity School by Lewis after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Robert Woodlark, St Catharine's College, Cambridge founder engravings
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Woodlark Founder of Catherine Hall, Cambridge from a Picture at the Hall (1815) Hand-coloured aquatint 24 x 20 cm Published by Rudolph Ackermann (1764 - 1834). A copy of this engraving is held by the National Portrait Gallery, reference NPG D4871. Robert Woodlark (also spelled Wodelarke) was an English academic and priest. He was the Provost of King's College, Cambridge, and the founder of St Catharine's College, Cambridge. He drew up the original statutes for the governance of the college and obtained a charter from Edward IV...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

St John's College, Cambridge Library engraving by the Havells for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. D Havell (1785 - 1822) after William Westall (1781 - 1850) The Library of St John's College, Cambridge (1815) Hand-coloured aquatint 24 x 29.5 cm Published by Rudolph Ackermann...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

You May Also Like

Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
Category

Early 19th Century Realist More Prints

Materials

Engraving, Aquatint

The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...
Category

1920s Realist Figurative Prints

Materials

Engraving, Aquatint

The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...
Category

1920s Realist Figurative Prints

Materials

Aquatint

Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Landscape Prints

Materials

Engraving, Drypoint, Etching, Aquatint

"Gardiens du Logis" original etching and aquatint
By Félix Hilaire Buhot
Located in Henderson, NV
Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...
Category

Early 1900s Realist Prints and Multiples

Materials

Etching, Aquatint

George Brookshaw's Black Frontiniac Wine Grape Aquatint from "Pomona Brittanica"
By George Brookshaw
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...
Category

Early 19th Century Realist Figurative Prints

Materials

Aquatint

Recently Viewed

View All