Aquatint Prints and Multiples

Floating by Elaine Marshall [2014] limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed W...

Etching and aquatint in colours on wove paper Edition of 250 + 30 AP's 73.7 x 106 cm (29 x 41.7 in) Condition on request

Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...

Bright red, blue and green abstract etching on paper by Moroccan artist Malika Agueznay. Limited edition. Edition 9/20. Signed. Offered framed. Malika...

Printed by Universal Limited Art Editions. Edition 65 of 100

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Aquatint etching printed on Somerset satin white 300g Geneviève L'Heureux was born in Montréal, Canada and now lives in San Francisco, CA. She practiced, then taught architecture fo...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Color hard ground etching with aquatint, spit-bite aquatint, drypoint, roulette, and scraping and burnishing ed-30

This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspaper piles. For Xie, stacks of printed pages represent not only cultural memory and the passage of time, but the ways in which history is interpreted and recorded according to various belief systems and political agendas. This is a lithograph, signed, dated 2006, and numbered 28/30 The artist continues his ongoing series of works, Fragmentary Views (2001 to present), which explores the vulnerability and fragmentary nature of historical memory, and the general and superficial perception of world events in the age of ready global media. The paintings depict stacked newspapers where only bits of information are visible-a greater understanding is implicit, but just out of view. "What interests me most is the temporary nature of this mundane object loaded with all-encompassing information of changing daily life: from the front-page news to stock market columns to birth announcements and obituaries. Newspapers are recycled. Life goes on." - Xiaoze Xie In the compressed stacks of newspapers, viewers will notice partial images of fragile life in Baghdad, distraught looks of disbelief of suicide attack victims, the building site of the World Trade Center, campaigns against Fa Lung Gong, and, more recent events that are closer to home. The gravity of these events is muffled as it is embedded in the mundane scroll of daily life. Xiaoze Xie immigrated from the People's Republic of China in 1992, where he was born and studied art and architecture. He has MFA degrees from Beijing and North Texas University, and taught at Bucknell University before assuming his post as Professor of Art at Stanford. His works are in the collections of the Museum of Fine Arts, Houston, the Scottsdale Museum of Contemporary Art and distinguished private collections. Solo Exhibitions Scottsdale Museum of Contemporary Art, AZ Dallas Visual Art Center, TX Modern Chinese Art Foundation, Gent, Belgium Charles Cowles Gallery, New York Gallery Paule Anglim, San Francisco Nicholas Metivier Gallery, Toronto China Art Archives and Warehouse, Beijing Gaain Gallery, Seoul Devin Borden Hiram Butler Gallery, Houston, TX He has participated in numerous group exhibitions including Shu: Reinventing Books in Contemporary Chinese Art at the China Institute Gallery in New York and Seattle Asian Art Museum, and the traveling exhibition Regeneration: Contemporary Chinese Art from China...

"Red Poppies, Gray Target" is an etching and woodcut in red and silver inks, printed on Hahnemühle Copperplate paper in an edition of 20. Artist's signature, title, date and edition ...

The single letter "J", from the alphabet, illustrated by a Jaguar. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...

Mary Weatherford The Robot, 2018 Spit bite aquatint on gampi paper chine collé 35 1/4 x 28 1/2 in (89.5 x 72.4 cm) Edition of 25

Signed, titled and numbered from the edition of 25. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Signed, titled and numbered from the edition of 30. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

"Silk Stocking Poppies" is an etching and aquatint in orange and black inks, printed on Hahnemühle Copperplate paper in an edition of 20. Artist's signa...

Red Grooms Aubrey Beardsley, 2008 black and white etching with spitbite aquatint on Somerset textured white, ed. of 20 22 x 18 1/2 in. (55.9 x 47 cm)

Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...

Red Grooms Napo and Josephine, 2008 black and white etching with spitbite aquatint on Somerset textured white, ed. of 20 18 x 15 in. (45.7 x 38.1 cm)

Red Grooms Goya's Demons, 2009 black and white etching with spitbite aquatint, ed. of 20 18 x 15 1/2 in. (45.7 x 38.7 cm)

Red Grooms Heavy Metal, 2009 black and white etching with aquatint, spitbite aquatint, and scraping, ed. of 20 17 1/2 x 19 in. (44.5 x 48.3 cm)

Signed and numbered in pencil from the edition of 44. Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

Wayne Thiebaud's 'Hill River' is a 2002 drypoint and aquatint in color on wove paper. The dimensions of the full sheet measure at 21.25 x 30.5 inches. This print is signed in pencil,...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

One of seven images from the Origin-Beginning series. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work b...

limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed Work: H:43 cm x W:37 cm x D:1cm Sold Unframed Please note that insitu i...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

Wayne THIEBAUD Night River, 1998/2011 Hard ground etching with drypoint and aquatint printed in blue and black, ed. 9 of 40 15 x 20 in. (unframed)

Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...

Tomma Abts (b. 1967) is a German-born visual artist best known for her rigorous paintings and hard-edge abstraction. Abts has lived and worked in London, England since 1995. Abts is...

Aquatint and soft ground etching, relief, pochoir Edition of 50 Signed, numbered and dated on the front Mint Since this item will be shipped directly from the consignor, the seller ...

Signed, titled and numbered in pencil by the artist. Image size: 8 x 6.5 inches Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Barbara Jackson. Alone- this is an etching / aquatint with a print run of 40 plus 10 artist proofs. Each print is individually inked and passed through the press by the artist, numb...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...

Manneken Press’ first project with Arizona-based artist Matt Magee was released in June 2021. Hard-edged and drawn from art historical precedents, Magee conceived “Plugs”, “Bugs” and...

Donald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...

Die Traumerin Etching and aquatint inch 9.8 x 6.2 Young Sicilian (Italy) painter, Simone Geraci was born in 1985 in Palermo, where he lives and works. In 2012, he graduated from Ac...

"Right Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Right Gatekeeper Ibis" is a companion to "Left Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

"Left Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Left Gatekeeper Ibis" is a companion to "Right Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

"Bloom" is an intaglio print made using the age-old techniques of line etching and aquatint. This portrait-like structure has lobes, appendages and swirling masses suggestive of breasts, chins, hair, eyes and other body parts in place of a head. It is printed in black ink on Arches Cover paper in an edition of 21. Published by Manneken Press. Although primarily known for his paintings, Richard Hull...

Signed, titled and numbered from the edition of 50. Aquatint and sugarlift etching. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypo...

Manneken Press’ first project with Arizona-based artist Matt Magee was released in June 2021. Hard-edged and drawn from art historical precedents, Magee conceived “Plugs”, “Bugs” and...

"Cinnabar" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogu...

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

Heath Land, Heath Pond and Heath View Diptych Overall image size cm : H28 x W32 Overall sheet size cm : H52 x W52 Phil Greenwood Heath Land Limited Ed...

"Ton" is an intaglio print made using the age-old techniques of line etching and aquatint. This portrait-like structure has lobes, appendages and swirling masses suggestive of breasts, chins, hair, eyes and other body parts in place of a head. It is printed in black ink on Arches Cover paper in an edition of 21. Published by Manneken Press. Although primarily known for his paintings, Richard Hull...

"Verdigris" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialog...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

Kit Boyd The Sacred Grove Unique hand-coloured etching and aquatint from the standard edition of 60. Imaginary coastal landscape with birds and a figure. hand printed on Hahnemuhle e...

"Benibana" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogu...

"Tyre" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogue ta...

"Gamboge" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogue...