Aquatint Prints and Multiples
to
2
20
19
8
13
38
10
38
4
5
1
Overall Height
to
Overall Width
to
11
5
1
40
26
19
11
10
5
4
4
3
3
3
3
3
2
2
2
2
2
2
2
83
230
1,961
730
42
36
52
71
35
71
212
575
344
206
48
26
4
1
1
1
3,082
3,065
727
220
132
Period: 18th Century
Medium: Aquatint
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to ...
Category
Late 18th Century English School Aquatint Prints and Multiples
Materials
Aquatint, Handmade Paper, Watercolor
Francisco De Goya Caprichos Los Chinchillas 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Los Chinchillas (Caprichos. Estampa 50)', ca.1797-1799
burnished aquatint, etching on vellum paper
11.6 x 8.4 in....
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Hasta la muerte 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Hasta la muerte (Caprichos. Estampa 55)', ca.1881-1886
burnished aquatint, etching on vellum paper
12.1 x 8.2 in. (30.8 x 21.1 cm.)
2nd Edition ...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category
1790s Old Masters Aquatint Prints and Multiples
Materials
Engraving, Paper, Etching, Aquatint
Francisco De Goya Caprichos Nadie se conoce 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Nadie se conoce (Caprichos. Estampa 06)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.5 x 8.7 in. (31.5 x 22 cm.)
1st Edition
Iro...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Correccion 1st edition original art print Spanish
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Correccion¨ Serie Caprichos. Estampa 46, ca.1797-1799
etching, aquatint on laid paper
11.6 x 8.1 in. (29.3 x 20.5 cm.)
1st Edition
Iron without ...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Bien tirada esta 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Bien tirada está (Caprichos. Estampa 17)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.5 x 8.7 in. (31.5 x 22 cm.)
1st Edition
Ir...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Mucho hay que chupar 2nd edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Mucho hay que chupar (Caprichos. Estampa 45)', ca.1797-1799
burnished aquatint, etching on vellum paper
12.2 x 8.4 in. (30.8 x 21.1 cm.)
2nd Edi...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos El de la rollona 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'El de la rollona". Serie Caprichos. Estampa 04, ca. 1797-1799
burnished aquatint, etching on laid paper
12.6 x 8.6 in. (32 x 21.8 cm.)
1st Editi...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Ni asi la distingue 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
'Ni asi la distingue (Caprichos. Estampa 06)', ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x ...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Tal para cual 1st edition original art print Spanish
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Si quebró el Cantaro¨'Tal para cual¨ Serie Caprichos. Estampa 05, ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x 8.7 in. (31.3 ...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Francisco De Goya Caprichos Muchachos al avio 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Muchachos al avío¨ Series Caprichos. Estampa 11, ca.1797-1799
etching, aquatint, dry point on laid paper
12.4 x 8.7 in. (31.3 x 22 cm.)
1st Edi...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Etching, Laid Paper, Aquatint
Francisco De Goya Caprichos Si quebró el Cantaro 1st edition original art print
Located in Miami, FL
Francisco De Goya (Spain, 1746-1828)
¨Si quebró el Cantaro¨ Series Caprichos. Estampa 25, ca.1797-1799
etching, aquatint, dry point on laid paper
11.6 x 8.1 in. (29.3 x 20.5 cm.)
1st...
Category
1790s Romantic Aquatint Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Graphic Presence, 1975 Etching and aquatint on copper plate Signed, by artist
Located in Toronto, Ontario
Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century....
Category
1730s Abstract Expressionist Aquatint Prints and Multiples
Materials
Copper
Crucifixion: 18th Century Etching by Conrad Metz after Daniele da Volterra
Located in Alamo, CA
"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...
Category
Late 18th Century Old Masters Aquatint Prints and Multiples
Materials
Etching, Aquatint
V. Green after L. Abbott - 1790 Aquatint, Goffers At Blackheath
Located in Corsham, GB
A fine hand coloured aquatint showing a finely dressed golfer and his caddy on the old Blackheath course. The original piece was based on a painting by Lemuel Francis Abbott and was ...
Category
18th Century Aquatint Prints and Multiples
Materials
Aquatint
“Man with Magic Show”
Located in Southampton, NY
China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector.
Inscriptions read as follows:
Pu-Qua. Canton. Delin.
Dadley, London, Sculpt.
Published May 4, 1799, by W. Miller, Old Bond Street, London.
John Dadley...
Category
1790s Academic Aquatint Prints and Multiples
Materials
Aquatint
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Aquatint, Engraving, Etching
Grazing Herds with Figures - Original Print by Jean-Honoré Fragonard - 1772
Located in Roma, IT
Grazing herds with figures is a wonderful etching and aquatint realized in 1772 by the Abbot of Saint-Non, after Jean-Honoré Fragonard. Titled, dated and signed on plate on the lower...
Category
1770s Aquatint Prints and Multiples
Materials
Etching, Aquatint
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Etching, Engraving, Aquatint
OBSEQUIO á el MAESTRO (‘A gift for the master’)
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828)
OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category
1790s Old Masters Aquatint Prints and Multiples
Materials
Etching, Aquatint
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Etching, Aquatint, Engraving
El Vergponzoso (The Shamefaced One)
Located in Fairlawn, OH
El Vergponzoso (The Shamefaced One)
etching & aquatint, 1799
Unsigned (as are all Goya etchings)
From: Los Caprichos, Plate 54
From the First Edition, pri...
Category
1790s Old Masters Aquatint Prints and Multiples
Materials
Aquatint
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Etching, Aquatint, Engraving
A Cart Race
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C. (label)
Condition: Excellent
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
1780s Romantic Aquatint Prints and Multiples
Materials
Aquatint
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Engraving, Aquatint, Etching
¿De qué mal morirá? - Etching by Francisco Goya - 1799
Located in Roma, IT
¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching and aquatint on paper.
The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid.
Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition.
Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?).
Good conditions.
Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges.
A scene that makes us reflect upon the condition of poor people during the Spanish court...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Etching, Engraving, Aquatint
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Aquatint Prints and Multiples
Materials
Engraving, Etching, Aquatint
Le Compliment & Les Bouquets, pair French aquatints by Debucourt , 1787 and 1788
Located in Melbourne, Victoria
'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...
Category
Late 18th Century Romantic Aquatint Prints and Multiples
Materials
Aquatint
Tu que no puedes - Etching by Francisco Goya - 1799
Located in Roma, IT
Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799.
The work is an etching and aquat...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Al Conde Palatino from "Los Caprichos”- Etching by F. Goya - 1799
Located in Roma, IT
Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching and aquatint on paper.
The etching is part of the...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Mejor es Holgar from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Mejor es holgar from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and a...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
Correciòn - Etching by Francisco Goya - 1799
Located in Roma, IT
Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquatint on paper.
The etching is pa...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
Donde va Mama from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aqua...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Y se le Quema la Casa - Etching by Francisco Goya - 1799
Located in Roma, IT
Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching on paper.
The etching is part of the rare First Edition of "Los Ca...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Esta usted…pues ..eh!como digo…cuidado from Los Caprichos by Francisco Goya-1799
Located in Roma, IT
Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquati...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Devota Profesion from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Devota profesion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and a...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
Qual la Descañona from Los Caprichos - Etching by F. Goya - 1799
Located in Roma, IT
Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching and aquatint on paper.
...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
Zebras - Original Etching - 18th Century
Located in Roma, IT
Zebras is an original print realized by an anonymous artist in the late 19th century.
Black and white lithograph reproducing a pair of zebras, the typical African equines with black...
Category
18th Century Aquatint Prints and Multiples
Materials
Aquatint, Etching
THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category
1790s Naturalistic Aquatint Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Allà Và Eso from Los Caprichos - Etching by Francisco Goya - 1799
Located in Roma, IT
Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799.
Etching and aquat...
Category
1790s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First ...
Category
1790s Naturalistic Aquatint Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint, Aquatint
THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle.
These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect.
This rare and celebrated plate of the Roses...
Category
1790s Naturalistic Aquatint Prints and Multiples
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed.
London, 1...
Category
1790s Naturalistic Aquatint Prints and Multiples
Materials
Mezzotint, Handmade Paper, Aquatint, Engraving
Eglise de San Domeico - Aquatint After Fragonard by Abbé de Saint Non
By Jean Claude Richard Abbe de Saint-Non
Located in Roma, IT
Eglise de San Domenico is a wonderful etching and aquatint realized in 1772 by the Abbot of Saint-Non, after Jean-Honoré Fragonard. Titled, dated and sign...
Category
1770s Aquatint Prints and Multiples
Materials
Aquatint
Ni asi la Distingue - Etching by Francisco Goya - 1799
Located in Roma, IT
"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition.
Rare and in ...
Category
1790s Old Masters Aquatint Prints and Multiples
Materials
Etching, Aquatint
Hell Gate / Oyster Bay and Huntington / Huntington Bay
Located in New York, NY
HELL GATE / OYSTER BAY AND HUNTINGTON / HUNTINGTON BAY. This aquatint and line engraved map was published according to Act of Parliament Novr. 19th, 1778.
T...
Category
18th Century Naturalistic Aquatint Prints and Multiples
Materials
Engraving, Aquatint
Shop a Collection of Aquatint Prints and Other Fine Art Prints on 1stDibs
Buying art and design is one thing. Collecting it is quite another. Whether you’re looking to add a focal point to your living room or you’re introducing a new acquisition to an already thriving collection of art, the range of aquatints and other fine art prints on 1stDibs is waiting for you.
A technique named for its resemblance to watercolor or ink wash, aquatint is often combined with etching to create rich tonal variations. It’s a similar process to etching but the resin ground is more granulated, so the acid handles the metal differently.
Different degrees of darkness are created during the aquatint printmaking process based on the amount of time the plate is in contact with the acid. The process was famously deployed by Goya, but contemporary artists, ranging from Wayne Thiebaud and Susan Rothenberg to Joel Shapiro and Marcel Dzama have used it to dramatic effect.
And prints — as well as sculpture, photography and and other types of art — should help a residence feel more like itself. “Art plays such an important function in the home,” says Sophie Ashby, who founded her eponymous interior design studio in London in 2014. “Out of everything in a space, it has the most power.”
Find original aquatint prints and other prints and paintings for your home on 1stDibs.
Read More
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
Recently Viewed
View AllMore Ways To Browse
Bed Medium
Vintage Army Glasses
1974 Vintage Watch
Vintage Bat Art
Large Modern Abstract Blue Sculpture
White Abstract Sculpture Wood Large
Watches From 1929
Tourism Vintage Posters
Tourism Posters Vintage
Air France Original Poster
Film Posters Star Wars
Signed Bat
Liberty Series
Nasa Space
Coca Cola Vintage
Printed Curtains
Original Vintage Sports Posters
Vintage Revisited