Lithograph Prints and Multiples

AQUEDUCT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Salvador Dalí (Spanish, 1904-1989) La Chimère d'Horace (Field 72-6H; M&L 1270a), 1970/2 Lithograph printed in colours Signed and numbered in pencil`189/250 Dali’ (lower edge) 24 x 1...

COLUMBUS DISCOVERS AMERICA(Jack of Swords) Medium: Lithograph on Japon paper, signed in pencil Print size: 29.5 x 21 Year published: 1979 Edition: I-C (100 Roman Numeral) Japon Publi...

DREAM PASSAGE is a limited edition color lithograph by the Modern master Salvador Dali, printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free...

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 6, 1956. Publ...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Untitled  is an artwork realized by the Cuban Surrealist artist Wifredo Lam (1902-1982). This is a color lithograph on wove paper, properly edited b...

Artist: Salvador Dali (1904-1989) Title: Breathing Pneumatic Armchair (Michler/Löpsinger 82; Field 75-11E), Imagination & Objects of the Future Portfolio Year: 1975 Medium: Drypoint,...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Appareil et Main  is an artwork by the Surrealist Catalan artist Salvador Dalí  (Figueres, 1904-1989). This is a color lithograph on wove paper, properly edited by the French magazi...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Jean Cocteau and Raymond Moretti Love Encounter Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Numbered EA 1/10 - Very look for proof bearing n°1 ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Original Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Extracted from the volume, Les...

Original Colour lithograph on vellum hand-signed and numbered by the artist edition of 1000 49 x 48 cm from the portfolio 'Del calendario 5 artistes catalans' catalogue raisonée: M...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/30, dated and titled on lower front 15 × 22 i...

Joan Miró - "Original Lithography VII". Lithograph in colors from Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 863. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

STEPPIN OUT is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. STEPPIN OUT is a highly detailed drawing printed in light sepia brown ink depicting a procession of muscular stone men walking...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon ...

After PABLO PICASSO (1881-1973) Carnaval Dimensions: 50 x 40 cm Signed and dated in the plate Color lithograph on Velin D'Arches realized from a drawing Edition Succession Picasso, P...

Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...

Lithograph in Colors on vélin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Les Chevaux de Dali. Publ...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 37...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 43, 1974. Pub...

Papageno original lithograph limited edition painting Original lithograph signed by hand. Perfect state

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Excellent Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 6, 1956. Publ...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mourlot. Excellent Condition; never framed or matted. Notes: From the suite, Les Enfants Trouvés de Magritte, 1968. Published by A.C. Mazo et Cie, Paris; printed by Fernand Mourlot, Paris, 1968. Les Enfants Trouvés de Magritte comprised twelve coloured lithographs, four of which, Ma Mère l'Oye, Pierreries, La Belle Captive...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 43...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 22...

ARTIST: Salvador Dali TITLE: Hans Christian Anderson The Girl Who Told on The Loaf MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Gerschmann, Sweden EDITION NUMBER: Ep...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 7, 1956. Publ...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition with centerfold, as issued; never framed or matted. Notes: From the volume, XXe Siè...

This three-part work spanning 10 feet was printed from the plates of Francesco Clemente’s mythological landscape Untitled A on the occasion of the 1986 MoMA, New York show of Clement...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition with centerfold, as issued; never framed or matted. Notes: From the volume, XXe Siè...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 10, 1958. Pub...

René Magritte - LES AMANTS, 1928 (THE LOVERS) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 143/275 Size: 60 x 45 cm Condition: New, in mint condition ...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

Original Edition Lithograph on wove paper. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe Siècle, n°8, 1957. Published b...