Monoprint Prints and Multiples

BRRHP 49, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

BRRHP 47, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

BRHHP 05, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider exudes an air of calm and stillness....

BRHHP 40, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

Change The Story 7, Original Signed Monoprint, 2020 21" x 13.5" (HxW) Mixed Media Collage on Paper A mixed media collage and print on cotton rag paper, this work by artist Casey Blanchard...

Monoprint on antique paper Burckhardt is interested in art from cultures where symbols and narrative forms are mysterious and indecipherable. Seeing artifacts independent of backg...

Color lithograph/tape/collage in 9 parts (5 x 5" each). Brad Brown uses unusual approaches in making his work. Over a period of several years he worked and re-worked a group of drawings...

Mary Knowland Poppy 18 Monoprint Unique Print Image Size: H 26cm x W 18.5cm Mount Size: H 44.5cm x W 37cm x D 0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A symbolic flower the Poppy expresses both the fullness of Spring and remembrance in the Autumn. Mary Knowland enjoys working with the Poppy’s colour and form in this original Monoprint. It is printed on a very pale cream coloured paper with a mount to match. Mary Knowland, artist, paints landscapes and life drawings. Mary Knowland is represented by Wychwood Art online and in our art gallery in Stow on the Wold...

14" x 14" Unframed Limited Edition Mono-print of 175 Hand Signed by Emanuel Babak

Jonathan Moss NV14 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 96cm x D 0.1cm Sold unframed Pl...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Rosemary Farrer Rosehips Unique Monoprint Image size: H:36cm x W:30cm Mount size: H:44.5cm x W:38cm Sold Unframed Free Shipping Rosehips is a unique st...

This original, bright yellow museum quality monoprint by renowned print maker Bill Flick features his signature skull design. Comes signed by the artist. BILL FICK is a North Caro...

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Lithography oil inks on white BFK Rives Printmaking Paper. Unframed. 11" x 8.5" At the core of the dialogue between the artist and the work is an attempt to push the medium to its l...

Empty Nest, Original Abstract Monoprint in Neutral Colors, 2022 30" x 22" (HxW) Print on Paper This unique oil print on paper by artist Oi Fortin features a...

Hannah and Ross 3 14" x 11." (HxW) Original Signed Monoprint This original monoprint by artist Casey Blanchard utilizes a variety of color and materia...

Artist: Liu Jian, Chinese (1961 - ) Title: LXIX Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

Artist: Liu Jian, Chinese (1961 - ) Title: LXXIV Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

Artist: Liu Jian, Chinese (1961 - ) Title: XXXVIII Year: 1999 Medium: Monoprint, signed and dated in pencil Size: 25 x 19 inches [63.5 x 48.26 cm]

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurrica...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: “Collage is the exploitation of the chance meeting of two distant realities on an unfamiliar plane… and the spark of poetry that leaps across the gap as the two r...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurrica...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

Change The Story 8 11.5" x 19" (HxW) Original Signed Monoprint A combination of print techniques and collage, this unique work by artist Casey Blanchard...

Change The Story 5, Original Signed Monoprint 21.5" x 15" (HxW) Mixed Media Collage on Paper An abstract still life, this unique print by artist Casey Blanchard features a yellow an...

Artist Commentary: “Matter is spirit moving slowly enough to be seen.” – Pierre Teilhard de Chardin Words that describe this piece: blue, red, lace, treasure, abstract, sea

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurrica...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

24" x 45" Unframed Hand Embellished Giclee on Canvas Monoprint Hand Signed by Jim and Kathleen Keifer

This is a one of a kind original monoprint using heat transfer onto canvas. Its dimensions are 16" x 12"x1.5". It is unframed. A certificate of authenticity follows delivery.

This is a one of a kind original monoprint using heat transfer onto canvas. Its dimensions are 16" x 12"x1.5". It is unframed. A certificate of authenticity follows delivery. The a...

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

When Many Becomes One is a series of new work exploring form and the relationship between the individual and collective. Paulo Wellman has employed vari...

Signed, titled and dated verso. Created at Zygote Press, Cleveland Edition: Unique (1/1) On her creation "I am interested in the possibilities and potentials of communication thro...

Wyona Diskin, American (1915 - 1991) Ocher And Blue Balls On Brick monoprint, signed with pencil on back. Unframed. Wyona Diskin's abstract monoprints juxtapose strong geometric for...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Wyona Diskin, American (1915 - 1991) One Black Stick Bright Blue Balls Monoprint, signed with pencil in the lower left. Unframed. Wyona Diskin's abstract monoprints juxtapose strong...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

"This image refers to the many passage ways from Paleolithic caves to human-made architecture in the ancient world used for ritual and ceremony. Mimicking the birth canal, they provi...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

Kenneth Noland (1924 – 2010) is renowned for his contribution to American abstraction. He is also one of the key artists of color-field painting. Unlike some of his contemporaries, N...

New Moon by Keith Purser, 2020 Additional information: Medium: monoprint 22.9 x 17.8 cm 9 x 7 in signed with initials, titled and dated Keith Purser lives and works on the edge of ...

Echos, Monoprint by Lizzie Wheeler B. 1996, 2023 Additional information: Medium: Monoprint Dimensions: 41 x 82 cm 16 1/8 x 32 1/4 in Signed, titled, and numbered in pencil Lizzie studied Graphic Communications at Bath Spa...

Jim’s of Lambertville is proud to offer this artwork by: Harry Bertoia (1915 – 1978) Artist, sound art sculptor, and furniture designer, Harry Bertoia, was born in Italy in 1915 be...

Tony Scherman (b. 1950) is one of the most collected and cherished Canadian artists. He is renowned internationally for his work, typically executed in encaustic (one of the most dif...

This original, museum quality monoprint by renowned print maker Bill Flick features his signature skull design in shades of bright blue and green. Comes signed by the artist. BILL ...

John Thompson, American (b. 1950), DIX I, 2012. Titled lower left: "DIX I". Signed and dated lower right: "John Thompson 2012". Titled, dated, and signed verso: "DIX I / (c) 2012 / J...

"Untitled" Medium Sized Abstraction on Paper in Cream, Gray, Black and Red. Monoprint, 30 x 22 Inches, Framed in White Wood. This monoprint has a very sophisticated sensibility in that it is purely abstract and consists of a suggestion of a gray grid on a cream ground with a powerful black and red free-wheeling biomorphic linear shape. The mark making was inspired by the artist's stay in Rome - where her then 10 year old son became addicted to Italian comic books -which adds another whimsical Pop dimension. Associations can also be made with Alexander Calder's paintings, sculptures and works on paper, and Asian art. Also available by the artist are canvases (72 x 60 inches, 40 x 32 inches, 14 x 11 inches) and a series of related paintings on paper measuring 30 x 22 inches. Margo Margolis lives and works in New York. She recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Margolis’ continuing commitment to abstraction is as fresh and invigorating as it was in the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for the 'Boston Globe,' Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for the 'Boston Globe, ' Cate, McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Margo Margolis’ works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...

One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" an...