Offset Prints and Multiples

Jean-Michel Basquiat The Offs 1984: "The Offs: First Record" original first printing, 1984, featuring original offset artwork by Jean-Michel Basquiat. Difficult to find in good condi...

I know Not. I know (2010) by Takashi Murakami Offset lithograph with diamond dust Numbered and signed by the artist Sheet 76 X 59 cm Framed Edition 196/300 Takashi Murakami is best...

This is a rare and iconic poster from the first printing created by the legendary Andy Warhol for a special exhibition held in Sweden in 1983. Designed as a tribute to the legendary ...

Jasper Johns Graphics and Drawings at the Louisiana Museum, Leo Castelli Collection (Hand Signed by Jasper Johns), 1992 Offset lithograph (Hand Signed and dated by Jasper Johns) Signed and dated 7 March 1997 in black ink on the front (see close up photo) Jasper Johns ink signature and date are on the outer yellow circle - see close up photo Extremely rare collectible...

Original exhibition poster for Ruckus Manhattan by Red Grooms and the Ruckus Construction Company, 1975. Presented by Creative Time, Inc. Lithograph with offset lithographic photo elements, sheet measures 23 x 29 inches; 24 x 30 inches framed. Design by M. Samuels. Produced by Polychrome Lithography Co., Inc, NYC. Condition is outstanding with no damage or conservation. No creasing, staining, toning or fading. A rare poster from an early show produced by Creative Time Inc. while only in their 2nd season. A lovely document of NYC art history. Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan on display on the ground level of 88 Pine Street. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red and Mimi Gross Grooms...

Original Absolut Vodka Absolument vintage exhibition poster. Archival linen backed invery good condition, ready to frame. Like most Warhol artwork, this is very vibrant and colorful. This 1994 poster was used for the exposition of contemporary artists at Galerie Lauvigne in Paris. Andy Warhol...

Yayoi Kusama & Takashi Murakami Skateboard Decks (2 works): A set of two individual skateboard decks featuring Kusama's dots obsession imagery & Murakami’s iconic flowers. Makes f...

The Road Across the Wolds reflects David Hockney’s lifelong love of the Yorkshire countryside, featuring sweeping roads and rolling fields rendered in his bold, expressive style. Inc...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Keith Haring The Great Peace March Rare vintage original 1986 Keith Haring (offset) illustrated announcement & VIP invitation published on the occasion of: Pro-Peace Great Peace: The...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.143 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Tracey Emin Hand Signed by Tracey Emin: Bazaar magazine homage to David Bowie, 2016 Glossy offset lithograph magazine (uniquely hand signed by Tracey Emin) Boldly signed in silver sh...

Sku: AW1114-2 Artist: Roy Lichtenstein Title: The Enemy Would Have Been Warned (Panel 2) Year: 1997 Signed: No Medium: Offset Lithograph Paper Size: 25 x 20 inches ( 63.5 x 50.8 cm )...

This 1977 billboard-size poster by John Clem Clarke, titled Flesh Things Out, was designed to promote TIME Magazine and Sports Illustrated. Clarke, known for his contemporary reinter...

C.O. Paeffgen (German, 1933-2019) Queen, 1992 Medium: Offset lithograph on card stock Dimensions: 49.5 x 50 cm Edition of 100: Monogrammed, numbered and dated Condition: Very good

Ed Ruscha Chicago International Art Exposition (Hand Signed by Ed Ruscha), 1983 Offset Lithograph. Pencil Signed and dated. Unframed. Signed and dated by Ed Ruscha in graphite pencil...

Area Nightclub 1984: A RARE original 1984 street poster for the seminal & much legendary 1980s New York nightclub Area, uniquely featuring an alien-like Ronald Reagan; a poster that ...

Offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and highly collectible. This work reflects Warhol's fascination with the in...

Vintage exhibition poster commemorating James Rosenquist's 1974 exhibition at Dundee City Art Gallery, Scotland. A flashy red border complements an abstract black and white image reproducing Rosenquist's 1972 lithograph Zone, which is based on the artist's 1961 painting with the same title. "Text reads: Rosenquist Prints. Dundee City Art Gallery Albert Square Dundee DD1 IDA April 13th - May 11th 1974 Open Weekdays 10am-5pm Closed Sundays Admission Free. A Scottish Arts Council exhibition organised in association with the Petersburg Press...

Red Flowerball (3D), 2013 by Takashi Murakami Woven paper, four-color offset print, cold foil stamp, glossy varnish Published by Kaikai Kiki Co., Ltd., Tokyo 28 in diameter 71 cm dia...

In 1990, TeNeues Publishing in Kempen, Germany, released an offset lithograph reproduction of Keith Haring's "Andy Mouse Dollar Bill," with the approval of the Keith Haring Foundatio...

Andy Warhol My Hustler and Beauty No. 2 (Extremely rare movie flyer), 1966 Offset Lithograph flier, blue ink on pink paper. 11 × 8 1/2 inches Unframed Beauty No. 2 and My Hustler Scr...

THERE ARE LITTLE PEOPLE INSIDE ME Date of creation: 2011 Medium: Offset print with silver and silkscreen with spot UV varnishing Edition: 300 Size: 66.5 x 56.4 cm Observations: Offse...

Keith Haring 1989: Keith Haring illustrated announcement card, NY, 1989. Published on the occasion of a 1989 fundraiser to help the homeless. Off-set printed, 1989. Measures: 5 x 7...

Keith Haring Galerie Paul Maenz, Cologne, Germany 1984: Super rare announcement card designed by Haring on occasion of his 1984 solo exhibition (3 May - 5 June 1984), at Paul Maenz G...

Artist: Peter Max, German/American (1937 - ) Title: Bill Clinton Inaugural, An American Reunion, New Beginnings, Renewed Hope Hand signed in marker with dedication Year: 1993 Medi...

Alex Katz Looking at Art With Alex Katz (hand signed by Alex Katz), 2018 Hardback monograph with dust jacket (hand signed in black pen on the title page) hand signed by Alex Katz in ...

Andy Warhol Album Cover Art: a set of 40 works (1955-1987): A rare collection of 40 individual Andy Warhol illustrated record covers accompanied by their respective vinyl records. Mo...

Keith Haring Resist in Concert! 1988: Vintage Keith Haring illustrated 1988 poster for a Refuse and Resist produced concert December 4,...

Andy Warhol, American (1928 - 1987) - XIV Olympic Winter Games, Year: 1982, Medium: Poster, Size: 36 x 24 in. (91.44 x 60.96 cm)

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Keith Haring record art 1983 & 1988: A set of 2 rare 1980s Japanese vinyl records featuring original artwork by Keith Haring: David BOWIE "Without You" & Hiroshima All Stars. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectibles. *1st Pressings 1983 & 1988 (not re-issues). Medium: Off-Set Lithograph on vinyl record covers. Dimensions: 7 x 7 inches. Printed signatures on lower right & left dated - 1983 & 1988 respectively. Light signs of handling; otherwise good to very overall vintage condition. Includes the original records (very good condition). Literature/References: Taschen: Art Record Covers. _ Keith Haring Album Art: a brief history:  Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.  Related Categories Keith Haring prints. Keith Haring figurative. East Village art...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

Four Hearts is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print and increasingly rare. In this vibrant composition, Warhol mul...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Vintage offset poster realized after Andy Warhol in occasion of the 1984 Winter Games in Sarajevo. Fair condition, with some visible folds. Limited edition of 1000 copies.

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, ...

Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Ghosts and is the only studio album by t...

This vibrant composition by Larry Rivers pays tribute to the legendary George and Ira Gershwin, icons of American music. Created for a 1968 exhibition at the New York City Museum, th...

Original exhibition invitation created for the opening of Jasper Johns: Trial Proofs and Proofs with Additions which took place at Brooke Alexander Galleries in 1985. In a maple wood...

Jim Dine Love for Channel 13 Lithograph. Hand signed and numbered recto 27 × 21 1/2 inches Edition 185/200 Signed and numbered 185/200 in graphite pencil on the recto Unframed Rarel...

HOMAGE TO FRANCIS BACON (STUDY FOR HEAD OF ISABEL RAWSTHORNE AND GEORGE DYER) Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 300 Size: 50 x 5...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

This authentic poster, published by PLAIZIER, Brussels, and printed by Carto, Brussels, on KNP-Leykam paper, commemorates Roy Lichtenstein's last exh...

The weightless Room (2006). Offset print by Aya Takano Offset print, numbered and signed by the artist Image: 30 × 20 in 76.2 × 50.8 cm Sheet: 30 × 20 in 76.2 × 50.8 cm Edition 15...

Andy Warhol Gagosian Gallery 1992: Rare highly decorative & classic vintage Andy Warhol exhibition poster published on the occasion of: ...

Roy Lichtenstein (after) Paintings Drawings Collages Prints at Kent State University, 1976 Historic Offset Lithograph Poster Unsigned 21 × 15 3/4 inches Unframed Vintage Roy Lichtenstein poster. It was acquired from the estate of Ohio artist Joseph O' Sickey, a personal friend of Roy Lichtenstein, who was involved with the creation of the show. Very few of these posters remain, and in fact the only other one we have seen in recent years also came from O'Sickey's estate. "Lichtenstein", 1976, exhibition invite/poster, Kent State University School of Art, January 4-23-1976, lithograph on paper. This image is a 2 color version of Lichtenstein's 1972 work "still life with goldfish bowl and painting of a golf ball", which was inspired by Henri Matisses's 1912 work "goldfish." In very good condition with original folds, as issued Over the course of his career, Roy Lichtenstein designed 70 posters...

Keith Haring New York City Subway Drawings, 1983: Rare early exhibition catalog/pamphlet illustrated by Keith Haring on the occasion of: "Keith Haring / New-York City Subway Drawings...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

CLAIRVOYANCE Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition number: 185/300 Size: 68 x 68 cm Observations: Offset lithograph with silver on paper hand ...

Keith Haring PS 122, New York, NY 1980: Rare, seldomly seen announcement card to Haring's seminal 1980 East Village, open studio exhibition and artist residency: P.S. 122, New York ...

"For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the frame inviting the vi...

Jasper Johns "Jasper Johns Paintings", vintage Leo Castelli Gallery poster, 1984 Offset lithograph Unsigned Unnumbered 30 × 22 1/2 inches Unframed Offset lithograph poster published...

Andy Warhol Banana Cover Art c. 1967-1968: The Velvet Underground & Nico: a set of 4 individual, visually striking original 1960s pressing’s accompanied by their original covers and records. Each Warhol Banana cover is presented in varying ‘peeled...

This original poster, Goddess Depot by Robert Rauschenberg, was created for his 2005 exhibition at the University of Louisiana at Lafayette. It reflects Rauschenberg’s talent for ble...

Paper Size: 37 x 22 inches ( 94 x 56 cm ) Image Size: 37 x 22 inches ( 94 x 56 cm ) Framing available upon request Shipping and Handling: We ship Worldwide. For Domestic and Interna...

Andy Warhol Exhibition Poster for Andy Warhol Exhibition at the Denver Art Museum Double Elvis (Inscribed to Maryanne and hand signed twice by Andy W...

TAKASHI MURAKAMI - PHANTASMA Date of creation: 2016 Medium: Offset lithograph with silver on paper Edition: 300 Size: 68 x 68 cm Observations: Offset lithograph with silver on paper ...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Vintage Andy Warhol Cow Skateboard Deck: This work originated circa 2010 as a result of the collaboration between Alien Workshop and the Andy Warhol Foundation. A brilliant piece of...