Paint Prints and Multiples

Paper Size: 23.5 x 23.5 inches ( 59.69 x 59.69 cm ) Image Size: 10 x 10 inches ( 25.4 x 25.4 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional ...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 72 in. $ 2,700 36 x 48 in. $ 1,800 30 x 40 in. $ 1...

Eyes serve as windows to the souls of all sentient beings, reflecting the deep connections between animals, humans, and ecosystems. This work explores the harmonious interrelationshi...

"Desert Trippin’" (FRAMED) Unique Pop Art Print 36" x 36" in by Kii Arens 4-Color Print on Canvas Framed ABOUT One of the most credible and influential in Los Angeles - the award ...

Abstract composition is an original modern artwork realized by Artist of the mid-20th century. Mixed colored drawing on paper. Hand signed on the lower margin. Includes frame.

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 60 x 48 in. $ 2,700 48 x 36 in. $ 1,800 40 x 30 in. $ 1...

This particular Madonna is a symbolic version of the subject that is recurring in various periods of the Salvador Aulestia's artistic path. Inspire at the Madonna dell'acquanera (Th...

Artist: Dan May (American, 1955-) Title: "Energizer Bunny's Birthday" *Signed by May in pencil lower left Year: 1996 Medium: Original Monoprint on unbranded heavy white wove paper Li...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 48 in. $ 2,400 36 x 48 in. $ 1,800 30 x 40 in. $ 1...

Artist: Alberto Magnelli Title: Paper Glue on Blue Background Medium: Pochoir in Gouache Date: 1957 Edition: 1500 Sheet Size: 12 1/2" x 9 3/4 Signature...

Artist: William Cavendish (English, 1593-1676) Title: "Welbeck Park Belongs to the Marquis of Newcastle" (Plate 38, Page 263) Portfolio: Methode et Invention Nouvelle de Dresser Les Chevaux (New Method and Invention of Dressing Horses) Year: 1737 (Second edition) Medium: Original Hand-Colored Engraving and Etching on watermarked laid paper Limited edition: Unknown Printer: Jean Brindley, London, UK Publisher: Jean Brindley, London, UK Reference: Brunet I, 1699; Graesse II:93; Lowndes VI:1663; Mellon/Podeschi 26, page 34-35; Mennessier de la Lance II, page 246-247; Nissen ZBI 848; Huth page 21 Sheet size: 17" x 21.25" Image size: 15" x 20" Condition: Toning to sheet and some edgewear in right margins. Centerfold is separated at very top and bottom in margins. It is otherwise a strong impression in good condition with strong colors Notes: With overlapping centerfold as issued. Engraved by Dutch artist Theodor van Kessel (1620-1696) after a drawing by Dutch artist Abraham van Diepenbeeck...

FAILE (Brooklyn-based art collective in the form of Patrick Miller and Patrick McNeill) Modern Living, 2018 Hand-painted acrylic and silkscreen ink on heavyweight archival deckled pa...

First printing Drawing, Acrylic Paint on Archival Cotton Rag Paper, Hand-Deckled, Signed and Numbered by Dave Muller. Also Hand-Colored and Intialed by a ...

Artist: Dan May (American, 1955-) Title: "At the Beach" *Signed by May in pencil lower left Year: 1993 Medium: Original Monoprint on unbranded white cotto...

Acrylic paint on masonite. The frame was painted by the artist.

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Alberto Sanchez Junto al Muelle (60cm x 60cm), 2018 Archival pigment print on fine art paper, mounted on birch panel, resin coated 60h x 60w x 7d cm 23.62h x 23.62w x 2.76d in Editio...

Intersection of the jungle and the animals living in the wild can be experienced in this work. The artwork "Hungry Eyes", a Metalamirror - a multilayered handmade sculptural work on ...

Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...

Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...

This hybrid representational and abstracted work unites wispy urban palms with world's beyond the visible eye. Influenced by tarot card and palm reading mystics, viewers can find foo...

The contemporary artwork titled "Marsden Spilling " (October 1969), attributed to an artist with an unfortunately illegible signature, serves as a homage to Marsden Hartley's 1937 pa...

Hand Finished Print by Flog 20 x 20 inches Hand-finished with different media → each print is unique Signed by the artist Edition of 10 Includes COA 2024 Comes with Certifica...

A bemused elephant performs for an audience of birds and monkeys who seem unimpressed in this slightly surreeal image. The animal presence is in Seyedin's work provides an allegorical representation for mankind. Marjan has a contemporary and poetic reinterpretation of classical engraving techniques, mostly etching, aquatint and drypoint. Medium: Etching, aquatint and roulette with gouache Year: 2024 Edition: unique Image Size:  12 x 15.75 inches Marjan's work was awarded the 2007 Grav'x prize in Paris, as well as the 2010 Pierre Cardin prize of the Academy of Fine Arts. She has also taken part in several solo and group exhibitions in France, Iran and the United States. After a solo exhibition in 2017 at the Shirin Gallery, Tehran (Iran), Marjan Seyedin...

"Royalty Greeting Townspeople" is a Persian tempera diptych from the Late 19th century. It includes multiple figures in red and blue interacting in a f...

Woman with red hair in a hat with feather, in green, black and white, Monotype ev edition 5/6 with hand coloring and mixed media work. Kim Frohsin spent 12 years working on monotype ...

Monotype ev edition 5/6 with hand coloring. the overall paper size is 23 1/2 x 23 inches. Kim Frohsin spend 12 years making monotype ev's, and works from this series are included in ...

Zeal Harris is known for creating seductive, caricaturesque, political, urban-vernacular, story paintings, with a blunt mix of high-brow/low-brow elements. Her micro-narratives offer...

Christmas in Detroit ushers in the Holiday season with super hero gusto and keeps it going on. This work exists at the crossroads of Detroit iconic sculpture and the 21st century. Th...

Burning Man 2023 was delayed by a few days, postponing the iconic burning of the man in effigy. An empath absorbed the magic sparking reflection on one's own guiding force. To create...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge)" (Triandrie Monogynie, Plate 905) Portfoli...

This hybrid representational and abstracted work unites wispy urban palms with world's beyond the visible eye. Influenced by tarot card and palm reading mystics, viewers can find foo...

Artist: Dan May (American, 1955-) Title: "Girl In City" *Signed by May in pencil lower left Year: 2006 Medium: Original Monoprint on unbranded white cotton rag...

Harmoniously balanced color fields come together, inviting viewers to witness wisteria in full bloom within a hidden urban summer garden. Blending representation with abstraction, th...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 60 x 48 in. $ 3,100 48 x 36 in. $ 2,200 40 x 30 in. $ 1...

Burning Man 2023, featured a distinctive delay in burning the effigy of the man. It was amidst those ashes on the playa that creation emerged, symbolizing the cyclical nature of life...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Artist: Kunstrasen Title: Why Reach for the Stars When This Place Could Be Heaven Too Size: 31 1/2 x 23 3/5 (80 x 60 cm) Medium: Acrylic and Spray Paint ...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Watercolor, Ink and digital retouch. Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all ...

'Your Son Just Bit My Dog' is by Jacob Taylor, a young Welsh artist currently working in a care home to subsidize his early career. His first exhibition in July 2022 at Laz Emporium ...

Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"

Andy Warhol Jean-Michel Basquiat Bearbrick 400% Figures 2021: Set of two works: Unique, timeless collectibles trademarked & licensed by the Estates of Jean-Michel Basquiat & Basquiat...

Sfhir & Luis Checa collaboration Hand-finished Fine Art print Hand-finished framed (spray paint, acrylic and varnish) Paper size: 11.7 x 16.5 inches Frame size: 20 x 26.5

tin plate painted with man in large sombrero. Edition of 500

Evening, 2019 Ian Davenport Etching on Canson Edition Bright White 320gsm paper Signed, dated and numbered from the edition of 30 Published by Cristea Roberts Image: 50 × 50 cm (19....

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Acrylic paint on masonite.

The present hand-colored lithograph is one of several decorative images of flower-filled vases published by Nathaniel Currier. This example contains roses, tulips, forget-me-nots, and others all within a vase with gold eagle head handles and an image of a beautiful young woman the belly. 16 x 11 inches, artwork 22.5 x 18.25 inches, frame Entitled bottom center Signed in the stone, lower left "Lith. and Pub. by N. Currier" Inscribed lower right "152 Nassau St. Cor. of Spruce N.Y." Copyrighted bottom center "Entered according to Act of Congress in the year 1848 by N. Currier in the Clerk's office of the Southern District of N.Y." with the number 249 Framed to conservation standards using 100 percent rag matting, housed in a lemon gold moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

Print is singed, dated and numered. It comes from limited edition of 50 copies JOANNA WISZNIEWSKA DOMAŃSKA (born in 1946) graduated from the Academy of Fine Arts, Faculty of Graphic...

Hebru Brantley Flyboy, 2018: A rare example of this coveted Hebru Brantley Flyboy - inscribed with a drawing on the outer packaging. New in its original packaging. Medium: Painted c...

PRICE IS FOR EACH FRAMED ITEM. MORE EXAMPLES AVAILABLE Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, present...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Yellow Alarm Clock Radio" *Signed and dated by Yamazaki in pencil lower right Year: 1981 M...

1/1 Hand Finished Print 1 colour screen print with hand-finished paint detail on 310gsm South Bank paper 50 x 70 cm

Here are four framed hand colored humming bird species published in the early 20th century representing the original 19th century work of Scottish naturalist, Sir William Jardine. Presented under glass with marbleized mating...

JACEK SOWICKI (born in 1948) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 60 x 48 in. $ 2,700 48 x 36 in. $ 1,800 40 x 30 in. $ 1...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 60 in. $ 2,700 36 x 48 in. $ 1,800 30 x 40 in. $ 1...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508) Portfolio: Histoire N...