Photogravure Prints and Multiples

Beth Ganz, 'Cerro Paine Grande, Chilean Patagonia', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cerro Paine Grande is the highest summit of the Cordillera Paine Mountain Range located within Chile's Torres del Paine National Park, one of the most breathtaking national parks in the world and a UNESCO Biosphere Reserve since 1978. The Torres del Paine or Towers of Paine are three massive granite pillars...

Beth Ganz, 'Mount Fuji, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Salvador DALI (1904-1969) Butterfly suite : Roussillon, 1969 Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1700 copies Printed in Draeger workshop On vellum 53,5 x 37 cm (c. 21 x 15 in) References : - Catalog raisonné Field 69-2 E - Catalog raisonné Michler & Lopsinger 1227 - Catalog raisonné Sahli 130 Information : This artwork was edited by J...

Beth Ganz, 'Machu Picchu, Peru', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked i...

Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cruach Phadraig in Irish, known as Croagh Patrick...

Beth Ganz, 'Lomagnupur, South Iceland', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Juan Carlos Alom (Cuba, 1964) 'Estudio anatotécnico para abandonar una isla', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ...

Juan Carlos Alom (Cuba, 1964) 'El cielo protector', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1534-004-106 Hand-s...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

"José Manuel Ballester (Spain, 1960) 'Puerto', 1990 lithograph on paper 14.6 x 20.5 in. (37 x 52 cm.) Edition of 70 ID: BAL1266-001-070 Hand-signed by author in pencil"

Juan Carlos Alom (Cuba, 1964) 'Un libro abierto', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1534-005-106 Hand-sig...

Ange Déchu is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Tit...

Portrait is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Title...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Juan Carlos Alom (Cuba, 1964) 'Tarjetas postales', 2004 photoengraving on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 106 ID: ALO1534-006-106 Hand-si...

Juan Carlos Alom (Cuba, 1964) 'Sólo tu cabes en la palma de mi mano', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1...

Le Fleur Du Marécage is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in ...

Le Liseur is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Titl...

Figure is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Titled ...

Selection from Living 1980 -1982, 1999 Jenny Holzer Heliogravure, on Zerkall rag paper Signed and numbered from the edition of 99 Plate: 37 × 55.5 cm (14.6 × 21.9 in) Sheet: 44.5 ×...

La Première Conscience Du Chaos is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henr...

Basilica of Saint Clement is a phototype print on cardboard, with the description on the lower dated "1863". Good conditions with diffused foxing. The Medieval scene represent a si...

Les Pavots Noirs is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923...

GERHARD RICHTER b. 1932 Born in Dresden 1932 (German) Title: Canary Landscapes I b Kanarische Landschaften I b, 1971 Technique: Original Hand Signed and Numbered Heliogravure in C...

Le Masque De La Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

New York: The Society of Iconophiles, 1908. The complete portfolio containing 12 photogravures after monotypes printed on O.W. handmade paper. Each image measuring approximately 8 1/4 x 6 inches (208 x 151 mm), with full margins. Each with the Society of Iconophiles blind stamp in the lower left margin. In very good condition with no visible defects. Printed by John Andrew & Son, Boston. Presented in the original greenish-gray paper wrapper with the contents page. Edition of 100. Subjects are: 1. Van Cortland Manor House 2. Oyster Market on West Street 3. St. John's Chapel, Varick Street 4. Fraunces Tavern 5. Houses at Battery Park...

"Eve by the River (Photogravure)" Intaglio Etching On Cotton Paper, Hand Printed by Artist, Framed Dimensions 9 x 6in on 15 x 11in paper, framed 21 x 17 in Limited Edition of 6 + 1 AP This piece is signed on verso and includes certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art sculpture, "The Egg of Light," was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Cesarine’s work has been auctioned in a number of celebrated art benefits including at Sotheby’s New York, ARTWALK NY supporting the Coalition for the Homeless, Gabrielle's Angel Foundation for Cancer Research, and UPRISE supporting the ERA Coalition, among many others. Her artwork and exhibitions have been featured internationally in numerous publications including The New York Times, American Vogue, Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, i-D, Dazed, New York Magazine, and The Huffington Post. Empowering feminist themes are often a point of departure for her artwork, which is influenced by autobiographical content, her Latinx heritage, and women’s history...

Work : Original Gravure, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxhay...

Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Room with Armchair" Artist : Suzanne Moxhay (UK, Born 1976) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H30 x W25 cm H47 xW42 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

This stylish set of four early 20th-century French heliogravures depict various combinations of bedroom furniture from the period. They were published by Paul & Vigier and provide an interesting glimpse into the fashionable world of Parisian interiors. Framed and glazed. Established in 2017, Brave Fine...

after Salvador DALI (1904-1969) France : Auvergne, 1969 Lithograph and Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 170...

Hand Coloured Photopolymer Gravure with Chine Colle on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Butterfly. Work Title : "Candle" Artist : Suzanne Moxhay...

This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Romantic, Abandoned place, Nature, Window Work Title : "Open Window and Rain" Artist : Suzanne Moxhay (UK) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H21 x W29,5 cm H54 xW39 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Young Boy is a vintage phototype print realized after a drawing by Jean Cocteau (1889 -1963) in 1930 ca., French draftsman, poet, essayist, playwright, librettist, film director. Wi...

Poetry is an original photo-lithograph on ivory-colored cardboard realized by Anonymous Artist of the XX Century. The Text on the artwork: "I want to Heal like a beaten animal; I ...

Door To The East no.24 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

After Salvador DALI (1904-1969) Butterfly suite : Normandy, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition P...

Door To The East no.61 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.60 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.50 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.25 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.26 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.31 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.90 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.1 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.20 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Kentridge b...

This artwork from the suite "La Tauromaquia, Plate #23" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...

Niewygodny Kochanek - Vintage Poster is a vintage poster realized by Unknown Artist, in 1973s. Mixed colored offset print. The artwork represented a Polish film poster. Title:Unco...

Hand Coloured Photopolymer Photogravure with chine colle and watercolour on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Nature. Work Title : "Interior with Telephone" Artist : Suzanne Moxhay...