More Prints

"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing. Signed and dated Bochner 2021 lower right recto. I...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...

Color monotype.

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

This screen print, “A Cracked Icon,” is a reference to one of my favorite musicians, David Bowie, and his song “Cracked Actor.” I’m fascinated by how we process fragmentation and mut...

HOMAGE TO THE PANTHERS is an original limited edition lithograph created using hand printmaking techniques on white archival fine art paper, 100% acid free. Pencil signed, titled, dated by Elizabeth Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. HOMAGE TO THE PANTHERS is an impactful graphic statement by the African-American woman printmaker and sculptor, Elizabeth Catlett, created as a tribute to the famous late 1960's Black Power organization, The Black Panthers. Composition of geometric orange rust shapes, powerfully graphic dense black portrait heads, clenched fists and guns. The Black Panther Party...

Artist: John Cedarstrom Title: Water Lily Flower Year: circa 1980 Medium: Serigraph, signed in pencil Edition: AP Paper Size: 23 x 31.5 inches

Damien Hirst Forever (Large), 2020 Laminated Giclée print on aluminium composite panel digitally signed by the artist on the back 78 x 78 cm Edition of 1449 The editions titled Fru...

A timeless palette of neutrals. This art print has hand painted brush and pencil strokes added to give it a unique quality. A fusion of digital and hand painted elements add distinc...

Karma, a book kiosk on the streets of Milan. Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and...

Artist: Nikki Maloof Title: Dismemberment Size: 24 x 20 Inches Medium: Archival Pigment Print Edition: 3/25 Year: 2021 Notes: Hand Signed and Number...

Screen print in colours Edition of 50 Signed and numbered on the front Mint Since this item will be shipped directly from the consignor, the seller can only provide the specific edi...

Rare Limited Edition Serigraph of John Lennon's "On Cloud Nine" originally drawn in 1969, this limited edition was released by Bag One Arts (The Lennon Estate) in 2011 and has been ...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this rainbow print, Ricar...

"This Church of Consumption print deals with themes I've addressed pretty consistently over the years material obsession, patterns around social currency and status signifiers, and c...

Foyer VII, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become...

NOMAD, New York, American architecture color photographs by Richard Heeps. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photogra...

YO Year: 2020 Medium: Color silkscreen and flocking on Rising 2-ply Museum Board Size: 32 x 30 inches (81 x 76 cm) Edition: 40 Price: Single: $3,600 Suite: $7,000 Deborah Kass emp...

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...

Harry's Corner, on the Wildwood Boardwalk. Taken in April 2013, this picture was first executed in Richard's darkroom in October 2020, he prints it full frame showing the AGFA Ultra ...

Kite with Shrimps. Signed with pencil and stamped at the verso. In Juchitán Oaxaca, the land where Toledo was born and to which he was always close, kites are flown at festivities ...

TABACCHI Sign, from Richard Heeps series, 'A Short History of Milan'. A Short History of Milan began in November 2018 for a special project featuring at the Affordable Art Fair Mila...

'Telephone I' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines gorgeous colours of bold red and dreamy blue and it has a mid-cent...

Woman is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100 prin...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Colin Moore Holkham Weather Limited Edition 3 Block Colour Linocut Print Edition of 150 Image Size: H 45cm x W80cm Sheet Size: H 57cm x W 90cm Sold Unframed (Please note that in situ...

Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.

Color woodcut, Edition 30. In this print Morinoue uses symbolic, stylized and realistic images to evoke the play of light on water. In each of the four panels we see the reflectio...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

Color lithograph, Ed. 25 The artist describes this project: “I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works ser...

49 Via Dezza, Gio Ponti's iconic Milanese apartments, captured at sunset, from Richard Heeps series A Short History of Milan began as a special project fo...

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

Part of Richard Heeps 'Man's Ruin' Series, this cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. The artwork is a limited edition of 25 gloss photographic...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...

A very good impression of this color screenprint on Coventry Rag paper. Signed, dated and numbered 2/108 in pencil. Published by The Lincoln Center/List Print Program, New York.

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. 'Dot's Diner', photograph from Richard Heeps' 'Dream in ...

Googie sign porn at its finest, the iconic and memorable Space Age Lodge, in Gila Bend, Arizona. Photograph by Richard Heeps from his Dream in Colou...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

Luigi Ghirri is an original Poster of 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Exhibition poster for an exhibit at Galerie de France, September-October 1984.

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Signed and numbered from an edition of 50. Playful gay pride play on a Cheerios box. The text is "Queerios - Love Your Heart so you can be who you are". D...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

A simple side view of a Flower head in full bloom. A combination of solid, sweeping brushstrokes with subtle botanical elements in six layers including Silver and Metallic Gold. The ...

Original vintage poster: The Chateaux of the Loire, Go By Train, artist J. Jacquelin, size: 24" x 39", year: 1956. Original vintage European travel poster...

AILA Purple, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

'Lariat Motel' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's...

Asymmetric Abstract Composition is an original lithograph realized by Marcello Avalani between 1960's and 1970. Hand signed in pencil on lower right margin and numbered in pencil on...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The viridian gre...

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...