More Prints

Color monotype.

Kite with Shrimps. Signed with pencil and stamped at the verso. In Juchitán Oaxaca, the land where Toledo was born and to which he was always close, kites are flown at festivities ...

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...

NOMAD, New York, American architecture color photographs by Richard Heeps. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photogra...

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...

Harry's Corner, on the Wildwood Boardwalk. Taken in April 2013, this picture was first executed in Richard's darkroom in October 2020, he prints it full frame showing the AGFA Ultra ...

Woman is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100 prin...

Colin Moore Holkham Weather Limited Edition 3 Block Colour Linocut Print Edition of 150 Image Size: H 45cm x W80cm Sheet Size: H 57cm x W 90cm Sold Unframed (Please note that in situ...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 48 x 75 inches (122 x 191cm) edition of 7 signed 25 x 40 inches (64 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by artist on certificate label Frank Schott was born in Germany where he spends nights shooting the great bands and musicians of the 80s, while attending the Academy of Arts in Cologne under Professor Arno Jansen. His early photography work focuses on beauty and fashion, later evolving to include conceptual landscapes and large scale environments, while never losing the eye for details. In 1998 Frank moves to California. He draws inspiration from the epic landscapes and distinct architecture of the American West as much as from his travels abroad. Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2" L prints & 4" XL prints...

TABACCHI Sign, from Richard Heeps series, 'A Short History of Milan'. A Short History of Milan began in November 2018 for a special project featuring at the Affordable Art Fair Mila...

'Telephone I' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines gorgeous colours of bold red and dreamy blue and it has a mid-cent...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Color woodcut, Edition 30. In this print Morinoue uses symbolic, stylized and realistic images to evoke the play of light on water. In each of the four panels we see the reflectio...

Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

Color lithograph, Ed. 25 The artist describes this project: “I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works ser...

49 Via Dezza, Gio Ponti's iconic Milanese apartments, captured at sunset, from Richard Heeps series A Short History of Milan began as a special project fo...

Part of Richard Heeps 'Man's Ruin' Series, this cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. The artwork is a limited edition of 25 gloss photographic...

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

Signed and numbered from an edition of 50. Playful gay pride play on a Cheerios box. The text is "Queerios - Love Your Heart so you can be who you are". D...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...

A very good impression of this color screenprint on Coventry Rag paper. Signed, dated and numbered 2/108 in pencil. Published by The Lincoln Center/List Print Program, New York.

Edition of 25. "Fire (America) View 2" is a new print edition related to Teresita Fernández's wall drawing "Charred Landscape (America)." Images of raw charcoal create the illusion ...

Exhibition poster for an exhibit at Galerie de France, September-October 1984.

Luigi Ghirri is an original Poster of 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

A simple side view of a Flower head in full bloom. A combination of solid, sweeping brushstrokes with subtle botanical elements in six layers including Silver and Metallic Gold. The ...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. 'Dot's Diner', photograph from Richard Heeps' 'Dream in ...

Googie sign porn at its finest, the iconic and memorable Space Age Lodge, in Gila Bend, Arizona. Photograph by Richard Heeps from his Dream in Colou...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

Asymmetric Abstract Composition is an original lithograph realized by Marcello Avalani between 1960's and 1970. Hand signed in pencil on lower right margin and numbered in pencil on...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

Rare Limited Edition Serigraph of John Lennon's "Whatever Gets You Through The Night" originally drawn in 1974, this limited edition was released by Bag One Arts (The Lennon Estate...

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

"Light Station" is a limited edition print by contemporary artist Jing Zhiyong, known for his distinctive style that blends childlike simplicity with deeper, often humorous social co...

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...

'Lariat Motel' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's...

AILA Purple, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The viridian gre...

Chrome Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Type II Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Ri...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

DAVIES, Peter (b.1953) ‘Sandy Harbour’ 2008 Linocut 3/8 30.0 x 30.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical...

This abstract digital drawing features a regal flat pane of earthy brown layered on top of lines of red-orange, cobalt blue, and pale yellows. In the bott...

PROPHESY by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed in 13 colors using traditional hand lithography techniques on archival Somerset paper ...

This figurative art print communicates the essence of timeless style. A neutral, atmospheric background creates an evening-like ambience. This art print comes professionally framed i...

Motel Desert Shores, photograph from Richard Heeps Salton Sea Series. This artwork has the a vibe of a Southern California American road trip, the colours are so seductive, the palm ...

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

"Gobbledygook" monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper from Two Palms Publishing. Signed and dated Bochner 2017 lower right recto. Ima...

"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing. Signed and dated Bochner 2021 lower right recto. I...

Foyer VI, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become ...

'Palms' from Richard Heeps series 'On-Sea'. Richard likes to make you question where you are in his artwork and the mid-century architecture and tropical palm tree has a feeling of M...

'NOMAD V (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture illuminated by changing colours, and is part of Richard's street photography portfolio...