Unframed More Prints

Clare Halifax L is for Leopard small Limited Edition 5 Colour Silkscreen Print Edition of 30 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm...

Jonathan Winters "Hung up on Strange Fruit" Original Silkscreen Hand signed and titled in pencil Artist's Proof Image Size: 18 x 25 inches Paper size: ...

ARTIST: Salvador Dali TITLE: Manhattan Skyline MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine EDITION NUMBER: 49/150 MEASUREMENTS: 29.75" x21.25" YEAR: 19...

'Tansy' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

Pablo Picasso (1881-1973) - Bacchanale Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publishe...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Pastel Landscape: Impressionist Farmhouse is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artist Nell Revel Smith...

This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838. Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...

49 Via Dezza at Sunset, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in N...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

'Tacsonia' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand ...

Pablo Picasso (1881-1973) - Dans l'Atelier de Picasso Lithograph from 1957. The edition 211/275. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, Paris. Re...

This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1984. The composition features a nude figure in the center with their back...

Color screenprint on wove paper. Signed and numbered 35/100 in pencil, lower right. Published by The 1977 Presidential Inaugural Committee, Washington, D.C. From the 1977 Inaugura...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

ARTIST: Salvador Dali TITLE: Les Amours de Cassandre Complete Suite MEDIUM: 10 Etchings SIGNED: Each etching is Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER:...

By David Hockney These lithographs are taken from the special edition of Hockney's Alphabet, which is signed on the justification page by David Hockney and Stephen Spender. A copy o...

'Winter Jasmine' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Fre...

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...

A fresh, hand-colored stone lithograph titled 'Tom, Dick and Harry' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and stamped wit...

Etruscan Vase-painting Copper-line engraving with later hand-colouring. 1808. From Millin's 'Peintures de Vases Antiques' published in Paris in 1808. Depicts scene from an ancient ...

Salvador Dali (1904-1989) - Une de Mai Lithograph from 1972. Th edition of 49/150. Dimensions of work: 120.5 x 78 cm Publisher: Edition Waintrop, Paris. Reference: Michler/Löpsi...

In 2014, Shepard Fairey asked Invader to create a print for „The Provocateurs“ exhibition, which was the occasion for making Marlboro. Size: 34 x 24 inch Material: 100% Cotton Rag ...

Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Plate 16 No. 4-2 Black-winged hawk. Falco Dispar, Temm. Male 1. Female 2. Drawn from nature by J.J. Audubon, Chromolithy, Julius Bien, lithographer New York 1860 from Audubon's Birds of America. The “Birds of America” by John James...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

This piece is a giclee after an original painting created by Jonathan Winters in 1970. Jonathan Winters was an American comedian, actor, author, and artist whose iconic career spanned from 1949-2013. This piece is hand signed, titled, dated and numbered 14/275 from the edition of 275. The sheet size measures 21.75 x 26.5 inches and the image measures 17.5 x 23.5 inches. It was published by Andrew Weiss...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Original "Beware Spreading Vital Information Will Undermine Our War Effort. Do your Part In Silence" vintage World War 2 poster. Ori...

This artwork titled "Tu B'Shvat" from the suite "The Seven Festivals" 1981, is an original colors serigraph on Arches paper by noted Israeli artist David Sharir,b. 1938. It is hand s...

Marc Chagall (1887-1985) - La Ruse de Dorcon, from Daphnis et Chloé Lithograph from 1961. The edition of 59/60 with wide margins. Dimensions of work: 53.7 x 37.8 cm. Hand signed....

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

Artist: Andy Warhol Title: Untitled (Plate 18) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signat...

Tim Engelland (American, 1950-2012) A little freshly ground black pepper?, 1996 Linocut 11 x 7 in. Signed and dated lower right: T. Engelland 996 Signed and numbered lower left: 102/200 Edition of 200 printed by hand on an 1892 Poco Proof Press A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

'Aldborough Anemones' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

The Norfolk Broads [2022] limited_edition and hand signed by the artist Oil based inks on 300GSM Somerset Velvet Paper Edition number 15 Image size:...

Emilio Sanchez (1921-1999) created this color lithograph entitled “SOL de MEDIODIA” in 1996-98. This unsigned impression came to us directly from the Sanchez estate. Estate stamped...

Marc Chagall (1887–1985, France) Springtime in the Meadow, from Daphnis and Chloe, 1961 Marc Chagall’s Springtime in the Meadow is a vibrant color lithograph from his celebrated Dap...

I am very happy to reveal my poster to raise awareness for the Equal Rights Amendment. This issue means so much to me. Equality is the central issue of our day. “Equality is the flower of democracy. Passing the Equal Rights Amendment — at long last — will be the path to gender equality for our American democracy. I am grateful to be called upon to include my voice in the collective call to bring about gender equality by amending the Constitution with passage of the ERA, and I was quick to reach out to fellow artists to join the call to action.” — Chuck Sperry, artist statement for Artists 4 ERA VoteEqualityUS is a nonpartisan grassroots effort promoting equal rights for all Americans, working to ensure the addition of the fully-ratified 28th Amendment (Equal Rights) to the United States Constitution...

'Cactus' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand an...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

David Shrigley Untitled (Cat), 2019 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 30 of 125 Hand-signed and numbered by the artist David Shrigley is a British artist know...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

This Eduardo Paolozzi screenprint is composed with primary colors and black and white photographic imagery “collaged” in. Stripes and curvilinear forms merge in a vibrant exemplar of...

Pablo Picasso (1881-1973) - Los Banderillos Lithograph from 1961. Dimensions of work: 31 x 25 cm. Reference: Bloch 1016; Cramer 113.IV. Printed by Atelier Fernand Mourlot, Paris. ...

Salvador Dali (1904-1989) - Le cheval de course Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G...

ELIZABETH CATLETT Candace - 10th Anniversary Celebration 1992, A Tribute to African American Women National Coalition of 100 Black Women, Commemorative Fine Art Poster Year printed...

Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

Poplars is a hand-pulled, limited edition serigraph, no. 117 / 185 and is signed in pencil by the artist. Published by Aspen Mountain Graphic It is...

'Seedling tuberous Rooted Begonias' Antique English flower botanical chromolithograph.

Artist: Andy Warhol Title: Untitled (Plate 5) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

Original exhibition poster; TAPIES GALERIE MAEGHT Unbacked, fine condition. Antoni Tapies was a Spanish painter, sculptor, and art theorist who became one of his generation's most famous European artists. Tàpies was perhaps the best-known Spanish (Catalan) artist to emerge in the period since the Second World War. An original lithograph exhibition poster by Spanish artist Antonie Tapies (1923-2012) titled "Galerie Maeght Expo 79", 1979. This original exhibition poster was produced for Tapies's exhibition at Galerie Maeght in 1979. Printed and published by Art Adrien Maeght in Paris, France in 1979. Reference: Catalogue Raisonne: Galfetti Ref. 719 - Los carteles de Tapies No.83. Experience art history with this original vintage exhibition poster from the celebrated Antoni Tàpies 1979...

Screenprint in colours, on Colorplan paper with full margins Edition of 100 Signed, numbered, dated and titled on the front Pristine Our mission is to connect art collectors to oppo...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition at the Galerie R.G Michel, Paris in 1954. This poster, which is based on the original lithogra...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Bungalow Bill" first released on the Beatles "White Album" in 1968. This ...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...