Lithograph More Prints

This is a set of five framed original 19th century duo-tone lithographs by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto edition, published in London b...

This is an original 19th century duo-tone lithograph entitled "Mosque of the Sultan Kaitbey, Cairo" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto ed...

This is an original 19th century duo-tone lithograph entitled "The Minarets at the Bab Zuweyleh, and Entrance to the Mosque of the Metwalisl" by David Roberts, from his Egypt, The Ho...

This is an original 19th century duo-tone lithograph entitled "Front Elevation of the Great Temple of Aboo Simbel" by David Roberts, from his Egypt, The Holy Land and Nubia volumes o...

This is an original 19th century duo-tone lithograph entitled "El Khasne, Petra" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto edition, published in London by Day and Son in 1856. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most collectible works. The print depicts a view of the magnificent ruins of the famous structure El Khasne at Petra in Jordan. The Khasne was thought to have been a temple, but it is now thought to represent a tomb. In Arabic, El Khasne means treasury. The front of Khasne is 131 feet high and 82 feet wide. The structure has two stories. The lower story has a portico with a pediment and it is flanked by six Corinthian columns and two colossal equestrian sculptures in bas relief. David Roberts visited Petra on March 6, 1839. He wrote in his diary: "I am more and more astonished and bewildered with this extraordinary city, which must be five or six miles each way in extent; and every ravine has been inhabited, even to the tops of the mountains. The valley has been filled with temples, public buildings, triumphal arches, and bridges, all of which have been laid prostrate, with the exception of one arch, and one temple, and of this temple the portico has fallen. The style of the architecture varies from all I have ever seen, and in many of its parts is a curious combination of the Egyptian with the Roman and Greek orders...

This is an original 19th century duotone lithograph entitled "Temple of Edfou, Ancient Apollinopolis" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto ...

This is an original 19th century duotone lithograph entitled "Portico of the Temple of Kalabashe, Nubia" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quar...

This is an original 19th century hand-colored lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is the most famous and collectible of David Roberts' works, entitled "Approach of the Simoon, Desert of Gizeh". The scene captures the dramatic moment when a fierce sandstorm, known as a simoon, approaches a caravan traveling through the desert of Gizeh in Egypt. The scene is filled with swirling clouds of sand, which obscure the figures of the travelers and their camels. The sky is dark and ominous, with lightning bolts striking the ground in the distance. The figures in the foreground appear to be huddling together for protection, while one man in the center struggles to keep his turban from being blown away. Roberts' lithograph is particularly striking for its attention to detail and its use of light and shadow to create a sense of depth and atmosphere. The figures and camels in the foreground are rendered with great precision, while the distant landscape and stormy sky are suggested with broad, sweeping strokes. Overall, "Approach of the Simoon, Desert of Gizeh" is a powerful and evocative image of the harsh realities of life in the desert, and a testament to David Roberts' skill as an artist. This is the most well known and sought-after of all Roberts prints, as well as the most difficult to find and hence most expensive. This hand-colored lithograph is printed on wove paper with wide margins. The print is in excellent condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV conservation glass. All framing materials used are archival museum quality. The frame measures 23.75" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Petra and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211969422 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

This is an original 19th century hand-colored lithograph entitled "Church of St. Helena, Bethlehem" by David Roberts, plate 43 in volume II from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print depicts a view of the interior of the Church of St. Helena (also known as the Church of the Nativity), near the altar. The church is located in Bethlehem, in the West Bank of Palestine. Roberts visited the site between April 4-6, 1839. Men, women and children dressed in colorful traditional local garb are involved in various activities, some praying at the shrine, as part of a religious service, others talking in small groups or resting on the steps. The church was originally commissioned in 327 by Constantine the Great and his mother Helena over the site that was traditionally considered to be located over the cave that marks the birthplace of Jesus. Constantine was the first Roman emperor to convert to Christianity. He made Christianity the official religion of Rome. He founded Constantinople, which became the most powerful city in the world. The Church of the Nativity site's original basilica was completed in 339, but it was destroyed by fire during the Samaritan Revolts in the 6th century. A new basilica was built 565 by the Byzantine Emperor Justinian...

This is an original 19th century hand-colored lithograph entitled "Karnac, Nov. 29, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...

"Karnac, The Hall of Columns" is a 19th century full folio sized duotone lithograph, from the Egypt and Nubia volumes of David Roberts’ large folio edition, published in London by F....

"Interior of the Mosque of the Sultan El-Ghoree" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, publishe...