Lithograph More Prints

Artist: Joan Miro Title: Plate VIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2"...

'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.

Georges Braque (1882-1963) - Carnets intimes de Braque X Lithograph from 1955. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast...

Jadé Fadojutimi (British, b. 1993) A Season’s Echo, 2022 Medium: Lithograph on paper Dimensions: 65.7 × 48.1 cm (25 9/10 × 18 9/10 in) Edition of 50 + 7AP: Hand-signed and numbered C...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

C F S I is an original hand drawn lithograph by the New York woman artist Marie Roberts printed using hand lithography techniques on archival Arches paper 100% acid free. C F S I portrays a Coney Island Sideshow Performance with several onlookers standing by the stage watching the show. C F S I is a skillfully expressed comic character figure drawing printed in black ink shaded with colored crayon line textures in shades of red, yellow and blue. C F S I is a very fine impression exemplifying the magic and artistic mastery of hand crafted lithography with its nuanced tusche brush strokes and pencil crayon line textures and shading. Print size - 29.5 x 21.25 in, unframed, excellent condition, hand signed in pencil by Marie Roberts Image size - 26.25 x 18.25 in Year published - 1995 Edition size - 25 Marie Roberts, a Coney Island native is best known for her banners for the Coney Island Circus Sideshow...

Japanese Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork rep...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XL Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museum to the National Museum of Modern in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. This certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: Kandinsky was a painter and art theorist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue...

Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...

Copyright by Stehli Freres S. A., Efiteurs, Zurich. Printed in Switzerland. Measures 17.5 x 21.25 inches and is unframed. The piece is in Fair Condition-discoloration/wrinkling/marki...

Untitled is a beautiful original colored lithograph on cream-colored paper realized by the Italian artist Primo Conti (1900-1988). An original print, repr...

The Woodstock Poster was originally commissioned by the Woodstock Book Shop and Woodstock Chamber of Commerce. It was subsequently purchased from the ...

Marc Chagall (1887-1985) - The Juggler Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

“LA CASITA AZUL” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche V Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Édition...

'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...

Diabolic Car is an original artwork realized by Jean Michel Folon. Lithograph on paper. Hand-signed in pencil by the artist on the lower right. Numbered on the lower left. Edition o...

Charles Rennie Mackintosh was a Scottish architect, designer, and visual artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow and died in London. He is among the most important figures of Modern Style (British Art Nouveau...

This is an hand signed lithograph by André Masson, with dedication. André Masson was a French artist, well-known as part of the Surrealism. He was a painter but also a sculptor and ...

Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 19 3/4" x 16 5/8" Sheet Size: ...

Henri Matisse - Fruits - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Unsigned and unumbered as issued

Pablo Picasso (1881-1973) - Bacchanale Lithograph from 1967. The edition of 89/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of the publishe...

Bernard Buffet (1928–1999, France) Portfolio: La Révolution Française 1789, 1977 Bernard Buffet’s La Révolution Française 1789 (1977) is a striking portfolio of ten color lithograph...

Pablo Picasso (1881-1973) - Femme nue Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 262. Dimensions of work: 48.5 x 36 cm Publisher: Leda, Éditions ...

OVADIA ALKARA (Israeli, b. 1939) Wash Art ’77, May 4-9, Edward Weston Graphics- New York, Paris, Los Angeles Event Poster 36 x 24 in. Unframed Plate signed Pu...

Georges Braque (1882-1963) - Carnets intimes de Braque IX Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fas...

Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialed and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio...

Henri Matisse (1869-1954) - Baigneuse Dans Les Resaux Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was origin...

"Le Port de la Rochelle" is a Limited Edition Lithograph, E/A by Marcel Mouly. It is pencil-signed by the artist. The print measures 13.75 x 24.5 i...

Pablo Picasso (1881-1973) - Jacqueline en espagnole Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second o...

Pablo Picasso (1881-1973) - Nature morte à la pipe Lithograph, pochoir from 1962. An unnumbered copy from a limited edition of 264. Dimensions of work: 36 x 48.5 cm Publisher: Le...

Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970 Fantastic 1970 lithograph by noted Italian artist Marino Marini. This is a rare Art...

Pablo Picasso (1881-1973) - Élégie d'Ihpetonga, Masks of Ashes, Planche III Lithograph from 1949. A copy from a limited edition of 16/64 (photocopy of the colophon is included). O...

LADIES DRESS SHOES. Plate X. The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

Henri Matisse (1869-1954) - Femme Bleue Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent con...

Georges Braque (1882-1963) - Carnets intimes de Braque III Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fa...

"Theatre Antoine La Gitane De Richepin" is a Lithograph (XXXI) featuring artwork by Henri de Toulouse-Lautrec. The print measures 14.5 x 10.25 in...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Pablo Picasso (1881-1973) - Composition Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 44.5 x 33.5 cm Publisher: Fernand Mourlot Éditeur, ...

Marc Chagall (1887-1985) - Cirque Lithograph from 1967. The edition of 250 on Arches paper. Dimensions of work: 42 x 32.5 cm. Publisher: Tériade, Paris. Reference: Mourlot 487, ...

Edward Avedisian (1936-2007) Cleo, Fur Queen, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25...

Artist: Alexander Calder Title: Plate 7 Portfolio: Derriere Le Miroir #141 (Stabiles) Medium: Lithograph Date: 1963 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" Si...

Original poster: SNCF, VISIT FRANCE AUVERGNE, travel poster. Linen-backed. Lithograph. View of the castle on a hill, in the foreground, framed by a train...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Hebrew Letter Aleph Alef From a 2014 portfolio of archiva...

Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph 1975 Dimensions: Sheet : 97.5 x 71.5 cm Image : 80 x 60 cm Handsigned and numbered Edition: 50 Reference: ...

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Joan Miro (1893-1983) - Summer Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Original Week End Impermeabili Italian vintage fashion poster. Archival linen backed in fine condition, ready to frame. Grade A condition. Printed by Ind. Graf. C. Re & C. Milano, Italy. 1952. A small company produced vintage posters for their company in limited or small quantities. Only a few of these Italian vintage posters...

LADIES DRESS SHOES. Plate XI. The charming color lithograph is from the collection of “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by...

“LA CASA GRANDE” Emilio Sanchez (1921-1999) created this lithograph entitled “La Casa Grande” in 1997. The printed image size is 30.5 x 30 inches and ...

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Marc Chagall (1887-1985) - Cirque Lithograph from 1967. The edition of 250 on Arches paper. Dimensions of work: 42 x 32.5 cm. Publisher: Tériade, Paris. Reference: Mourlot 487, ...

Henri Matisse (1869-1954) - Vigne Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent condition.

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...

An original vintage poster of Perlach Macaroni Spaghetti created by Richard Roth for the German pasta brand, Perlach in the 1940s 1. The poster features an anthropomorphic pasta man...