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Medium: Lithograph
Come in uno Specchio
Located in Santa Fe, NM
Come in uno Specchio is a 1989 lithograph. Come in uno Specchio is from an edition 65 plus artist and printers proofs. Come in uno Specchio is signed by Paladino.
Category
1980s Lithograph More Prints
Materials
Lithograph
Blue Cut Sail
By Sam Francis
Located in London, GB
55.9 x 76.2 cms (22 x 30 ins)
Edition of 20
Signed lower left verso, numbered lower left verso, publisher's chop lower left verso.
Publisher: Tamarind Lithography Workshop, Los ...
Category
1960s Abstract Expressionist Lithograph More Prints
Materials
Color, Lithograph
Horizon I (orange with blue base)
Located in London, GB
33 x 71 cms (13 x 28 ins)
Edition of 75, Set of 6
Category
1970s Abstract Lithograph More Prints
Materials
Lithograph
Twombly Exhibition-Leo Castelli Gallery - Vintage Poster after Cy Twombly - 1964
By Cy Twombly
Located in Roma, IT
Twombly Exhibition - Leo Castelli Gallery is a colored lithograph realized in 1964.
This artwork was realized in occasion of the exhibition of Cy Twombly held at Leo Castelly Gall...
Category
1960s Pop Art Lithograph More Prints
Materials
Lithograph
Winter, from Daphnis and Chloe
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Winter
Portfolio: Daphnis and Chloe (Signed)
Medium: Lithograph in colors on wove paper
Date: 1961
Edition: 60/60
Sheet Size: 21 3/16" x 14 13/16"
Image S...
Category
1960s Modern Lithograph More Prints
Materials
Lithograph
Robert Indiana Philadelphia Love Pop Art Limited Edition Lithograph, Signed
Located in Plainview, NY
A limited edition lithograph by Pop Art artist Robert Indiana ( American 1928 - 2018) of his iconic Philidalphia Love in Red and Blue numbered 87/225. The lithograph was printed by ...
Category
20th Century Pop Art Lithograph More Prints
Materials
Lithograph
Maria Conferens En Cordi Suo - Lithograph - 1964
Located in Roma, IT
Holy Bible - Maria Conferens En Cordi Suo is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani betwe...
Category
1960s Surrealist Lithograph More Prints
Materials
Lithograph
Mod Abstract Expressionist Modernist Lithograph Edward Avedisian Color Field Art
Located in Surfside, FL
Edward Avedisian (1936-2007)
Cleo, Fur Queen, 1969
Lithograph in color on Arches wove paper.
Hand signed, dated and numbered in pencil.
Edition 100
Dimensions:
22.25 inches X 30.25...
Category
1960s Abstract Expressionist Lithograph More Prints
Materials
Lithograph
Twombly Exhibition-Leo Castelli Gallery - Vintage Poster after Cy Twombly - 1964
By Cy Twombly
Located in Roma, IT
Twombly Exhibition - Leo Castelli Gallery is a colored lithograph realized in 1964.
This artwork was realized in occasion of the exhibition of Cy Twombly held at Leo Castelly Galle...
Category
1960s Pop Art Lithograph More Prints
Materials
Lithograph
Red and Blue Spirals
Located in Missouri, MO
Red and Blue Spirals
Alexander Calder (American, 1898-1976)
Signed in Pencil Lower Right
Numbered 59/150 in Pencil Lower Left
26 x 37 inches
35.5 x 46 inches with frame
One of Amer...
Category
1970s Abstract Lithograph More Prints
Materials
Color, Lithograph
Quarry
Located in Washington, DC
Artist: Robert Rauschenberg
Title: Quarry
Medium: Offset lithograph in colors
Year: 1968
Edition: 500
Frame Size: 41 1/2" x 33"
Sheet Size: 35 1/2" x 26 1/2"
Signature: Signed in the...
Category
1960s Pop Art Lithograph More Prints
Materials
Lithograph
David Shrigley, This Huge Cat, 2022
Located in Manchester, GB
David Shrigley, This Huge Cat, 2023
Offset lithograph on 200 gsm Munken Lynx Paper
31 1/2 × 23 3/5 in (80 × 60 cm)
David Shrigley was born in 1968 in M...
Category
2010s Contemporary Lithograph More Prints
Materials
Lithograph
Lithograph - Limited Edition 15/150 - Keith Haring Foundation Inc.
By Keith Haring
Located in Köln, DE
KEITH HARING - Untitled
Limited 1990s edition by the Keith Haring Foundation, Inc.
Only 150 copies total (here 15/150).
Lithograph on thick ca...
Category
1990s Pop Art Lithograph More Prints
Materials
Lithograph
Thoreau "If a Man Does Not Keep Peace"
By Corita Kent
Located in Missouri, MO
Thoreau "If a Man Does Not Keep Peace"
Sister Mary Corita Kent (American, 1918-1986)
Signed in Pencil Lower Right
22.5 x 22.5 inches
23.25 x 23.25 inches with frame
Sister Mary Cori...
Category
20th Century American Modern Lithograph More Prints
Materials
Color, Lithograph
Leo Baeck "and a Spirit is Characterized"
By Corita Kent
Located in Missouri, MO
Leo Baeck and a Spirit is Characterized
Sister Mary Corita Kent (American, 1918-1986)
Signed Lower Right in Pencil
Edition of 250 Lower center
21.5 x 21.5 inches
24 x 24 inches frame...
Category
20th Century American Modern Lithograph More Prints
Materials
Color, Lithograph
The Blue Bicycle
By Will Barnet
Located in Missouri, MO
The Blue Bicycle, 1979
Will Barnet (American, 1911-2012)
26 x 25.5 inches
41 x 40 inches with frame
Titled Lower Center
Signed and Dated Lower Right
Edition 41/300 Lower Left
From B...
Category
1970s American Modern Lithograph More Prints
Materials
Lithograph
Adveniat Regnum Tuum - From "Pater Noster" - Lithograph by Salvador Dalì - 1964
Located in Roma, IT
Adveniat Regnum Tuum - From "Pater Noster" is alithograph made by Salvador Dalì (1904-1989) in 1964.
Very Good condition.
Dated and signed on plate.
Pater Noster
Pater Noster is ...
Category
1960s Surrealist Lithograph More Prints
Materials
Lithograph
Kakteen etc. (Cacti etc), German antique botanical plant chromolithograph
Located in Melbourne, Victoria
'Kakteen etc.'
(Cacti etc)
German chromolithograph, circa 1895. Key to cacti in German below the image.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Lithograph More Prints
Materials
Lithograph
Neotropische Fauna (South American Fauna) German antique animal chromolithograph
Located in Melbourne, Victoria
'Neotropische Fauna'
(South American Fauna)
German chromolithograph, circa 1895. Key to animals in German below the image.
245mm by 305mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Naturalistic Lithograph More Prints
Materials
Lithograph
Pleni Luna Lune Haute 1974
By Wifredo Lam
Located in Miami, FL
Wifredo Lam
"Pleni Luna Lune Haute" 1974
Lithograph
Ap 4 of 10
25 x 19 in
Category
1970s Surrealist Lithograph More Prints
Materials
Lithograph
'Fougasse' Careless Talk Costs Lives Cyril Kenneth Bird World War 2 poster
Located in London, GB
To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...
Category
1940s Modern Lithograph More Prints
Materials
Lithograph
The Estate of Jean-Michel Basquiat "False Teeth" Lithograph N°21/300
Located in Pasadena, CA
After Jean-Michel Basquiat, "False Teeth", Limited Edition.
Estate of JM Basquiat 2010-2012.
This one is a lithograph signed on the plate and numbered on 21 / 300
Jean Michel Basq...
Category
Late 20th Century Street Art Lithograph More Prints
Materials
Lithograph
Black for Mozart
Located in London, GB
Robert Motherwell
Black for Mozart
1991
Lithograph and collage, Edition 23/40
162.6 x 104.1 cms (64 x 41 ins)
RM15195
Paper: White Tyler Graphics Ltd. (TGL) handmade paper; white Ri...
Category
1990s Abstract Expressionist Lithograph More Prints
Materials
Mixed Media, Color, Lithograph
Licet Tributum Dare Caesari - Lithograph - 1964
Located in Roma, IT
Licet tributum dare Caesari is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...
Category
1960s Surrealist Lithograph More Prints
Materials
Lithograph
David Shrigley, Look At This, 2020
Located in Manchester, GB
David Shrigley, Look At This, 2020
Off-set lithograph
Open edition, unframed
60 x 80 cm (23.62 x 31.5 inches)
Printed on 200g Munken Lynx paper by Narayana Press in Denmark
This ...
Category
2010s Contemporary Lithograph More Prints
Materials
Lithograph
Five Framed Views of Egypt & Petra: Original 19th C. Lithographs by D. Roberts
Located in Alamo, CA
This is a set of five framed original 19th century duo-tone lithographs by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the quarto edition, published in London b...
Category
Mid-19th Century Realist Lithograph More Prints
Materials
Lithograph
Keith Haring, Saint Sebastian, Lithograph Numbered 30 /500
Located in Pasadena, CA
F, Keith Haring, Limited Edition of 500, number 30.
Artwork lithograph prints by Keith Haring Foundation, numbered with embossed stamp.
The image features the world famous American P...
Category
1980s Pop Art Lithograph More Prints
Materials
Lithograph
Untitled (for Harvey Gantt)
Located in New York, NY
A very good impression of this color lithograph on Rives BFK. Initialed, dated and numbered 183/250 in pencil. Printed and published by Gemini G.E.L., Los Angeles, with the blind sta...
Category
1990s Abstract Expressionist Lithograph More Prints
Materials
Color, Lithograph
Shakespeare's Room -- Triptych, Lithograph, Contemporary by Paula Rego
By Paula Rego
Located in London, GB
Shakespeare's Room, 2006
Paula Rego
The set of three lithographs in colours, on three sheets of Somerset Velvet
Signed, initialled and numbered from the edition of 35
Printed by T...
Category
Early 2000s Contemporary Lithograph More Prints
Materials
Lithograph
“And then all that divided them merged” Banner Design for THE DINNER PARTY
By Judy Chicago
Located in Houston, TX
Offset lithograph of the design for the "And then all that divided them merged” banner that was used to promote Judy Chicago's iconic work "The Dinner Party" which featured 39 intric...
Category
1970s Contemporary Lithograph More Prints
Materials
Lithograph
UNTITLED
Located in New York, NY
This work of art is a lithograph on paper featuring abstract geometric shapes in primary colors.
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Ma de Proverbis, Joan Miró
By Joan Miró
Located in New York, NY
This lithograph in colors on Arches paper (with watermark) was created by the artist in 1970. Signed in the stone, (lower right) from the edition of 1000. Available for local pick u...
Category
20th Century Surrealist Lithograph More Prints
Materials
Lithograph
Spectrum
By Yaacov Agam
Located in Missouri, MO
Spectrum
By. Yaacov Agam (Israeli, b. 1928)
Signed Lower Right
Edition 158/180 Lower Left
Unframed: 27" x 33.5"
Framed: 36.5" x 43"
Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality.
He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970.
Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Emerging
By Yaacov Agam
Located in Missouri, MO
Emerging, 1985
By. Yaacov Agam ( Israeli, b. 1928)
Color Serigraph
Signed Lower Right
Edition 1/12 Lower Left
Unframed: 25" x 31"
Framed: 34" x 43"
Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality.
He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970.
Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Curtain
By Yaacov Agam
Located in Missouri, MO
Curtain
By. Yaacov Agam (Israeli, b. 1928)
Signed Lower Right
Edition 221/227
Unframed: 18" x 22.5"
Framed: 30.5" x 34.5"
Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality.
He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970.
Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Blue Rings (Abstract Composition)
By Yaacov Agam
Located in Missouri, MO
Blue Rings (Abstract Composition), Serigraph
By Yaacov Agam (Israeli, b. 1928)
Signed Lower Right
Edition 8/270 Lower Left
Unframed: 21" x 21.5"
Framed: 31" ...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Abstract Purple, Blue, Greens
By Yaacov Agam
Located in Missouri, MO
Abstract Purple, Blue, Greens (Serigraph)
By Yaacov Agam (Israeli, b. 1928)
Signed Lower Right
Edition 4/30 Lower Left
Unframed: 14" x 33"
Framed: 21" x 41"
Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality.
He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970.
Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Untitled, (Serigraph)
By Yaacov Agam
Located in Missouri, MO
Untitled (Serigraph)
By Yaacov Agam (Israeli, b. 1928)
Signed Lower Right
Edition 56/180 Lower Left
Unframed: 20" x 8"
Framed: 26.25" x 14"
Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality.
He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.
A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory.
His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977).
Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work.
For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Colossal Flashlight in Place of Hoover Dam
Located in Missouri, MO
Colossal Flashlight in Place of Hoover Dam, 1982
By Claes Oldenburg (Swedish, American, 1929-2022)
Signed Lower Right
Dated Middle Right
Unframed: 23" x 22"
Framed: 36.5" x 27.5"
Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen.
Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan.
In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces.
Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper.
In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York.
In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer.
His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas.
In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods.
Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963.
In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground.
Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions.
Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands.
Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...
Category
20th Century American Modern Lithograph More Prints
Materials
Paper, Lithograph
Fillette
Located in London, GB
Lithograph on vellum paper, Edition of 25
Paper size: 33 x 26.5 cms (13 x 10 1/2 ins)
Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)
Category
1940s Impressionist Lithograph More Prints
Materials
Lithograph
"The City In My Heart" Limited Edition Drawing of Paris
By John Lennon
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's "City In My Heart"" originally drawn in 1969 as part of the "Bag One" series, this limited edition was released by Bag One Arts (The ...
Category
1970s Contemporary Lithograph More Prints
Materials
Lithograph
FEATHER DANCER Signed Lithograph, Abstract Color Wash, Native American Culture
By Lamar Briggs
Located in Union City, NJ
FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...
Category
1970s Abstract Lithograph More Prints
Materials
Lithograph
Observador de Pajaros
Located in Missouri, MO
"Observador de Pajaros" 1950
By. Rufino Tamayo (Mexican, 1899-1991)
Edition 83/210 Lower Right
Signed Lower Left
Unframed: 15.5" x 22.5"
Framed: 21.75" x 28.25"
Rufino Tamayo (August 26, 1899- June 24, 1991)
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Pool Made with Paper and Blue Ink for Book
Located in New York, NY
An iconic image by unarguably the greatest living British artist of our time, David Hockney created Pool Made with Paper and Blue Ink for Book in 1980 as an original lithograph. The...
Category
20th Century Lithograph More Prints
Materials
Lithograph
Some Los Angeles Apartments, from the Book Covers series
By Ed Ruscha
Located in London, GB
Lithograph on white Arches paper, torn and deckle edges
Category
Late 20th Century Abstract Lithograph More Prints
Materials
Lithograph
Original Aux Laines Ecossaises vintage French antique poster yarn
Located in Spokane, WA
Original 1928, AUX LAINES ECOSSAISES antique stone lithograph poster, created by the artist R. Hurwic. Archival linen backed and ready to fr...
Category
1920s Art Nouveau Lithograph More Prints
Materials
Lithograph
Careless Talk Costs Lives 'Fougasse' Cyril Kenneth Bird World War 2 Poster
Located in London, GB
We also have a full set of 8 available - just search:
To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. We have a whole series referring to environmental issues on the theme of "Waste not want not" and caring for the environment and recycling.
Cyril Kenneth Bird ‘Fougasse’ (British, 1887-1965)
Careless Talk Costs Lives
Lithographic poster c.1940
32 x 20 cm (12.5 x 8 in)
The cartoonist Fougasse, was a British cartoonist who was art editor of Punch 1937-1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters both for the Ministry of Information, London Underground and others.
The Ministry of Information’s wartime poster...
Category
1940s Modern Lithograph More Prints
Materials
Lithograph
Careless Talk Costs Lives 'Fougasse' Cyril Kenneth Bird World War 2 Poster
Located in London, GB
We also have a full set of 8 available - just search:
To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. We have a whole series referring to environmental issues on the theme of "Waste not want not" and caring for the environment and recycling.
Cyril Kenneth Bird ‘Fougasse’ (British, 1887-1965)
Careless Talk Costs Lives
Lithographic poster c.1940
32 x 20 cm (12.5 x 8 in)
The cartoonist Fougasse, was a British cartoonist who was art editor of Punch 1937-1949, and subsequently editor until 1953. He is best known for his ‘Careless Talk Costs Lives’ series of posters, and the other posters both for the Ministry of Information, London Underground and others.
The Ministry of Information’s wartime poster...
Category
1940s Modern Lithograph More Prints
Materials
Lithograph
Dali Martien Muni d'un Double Microscope... - Etching attr. to S. Dalì - 1974
Located in Roma, IT
Dali Martien Muni d'un Double Microscope holo-électronique is an original contemporary artwork realized in 1974.
Drypoint etching and colored lithograph on Arches wove paper.
Numbe...
Category
1970s Surrealist Lithograph More Prints
Materials
Drypoint, Etching, Lithograph
Sala Pelaires, Palma de Majorca, 1970
By Joan Miró
Located in Cuauhtemoc, Ciudad de México
Sala Pelaires, Palma de Majorca, 1970
Signed on plate with Monogram
Lithograph H. C.
Published in: CRAMER, Patrick. Miró Litógrafo Vol. VI. 1976 – 1981. France. Maeght Éditeur, 1992,...
Category
Late 20th Century Abstract Lithograph More Prints
Materials
Lithograph
"El patito feo" by Antonio Saura, Abstract Print, Duckling, Blue, Bright Colors
Located in Köln, DE
Color lithgraph by Antonio Saura
"El patito feo", 1997
65 x 50 cm
Copy 186/250
Edition of 285
Antonio Saura (Huesca, Spain 1930–1998 Cuenca) found his...
Category
1990s Abstract Lithograph More Prints
Materials
Lithograph
Untitled from "San Lazarro et ses amis" by Zao Wou-Ki, Lithography, Blue, Green
By Zao Wou-Ki
Located in Köln, DE
Color lithograph by Wou-Ki Zao
Untitled from "San Lazarro et ses amis" (portfolio with texts by Yvon Taillandier), 1975
56,5 x 37 cm
Copy e.a.
Edition of 50
Zao Wou-Ki (Peking 19...
Category
1970s Abstract Lithograph More Prints
Materials
Lithograph
Original LE DOCTEUR ALMOND vintage French poster
Located in Spokane, WA
Original vintage poster: MADAME … LE DOCTEUR ALMOND RECHERCHE DES PIEDS DIFFICILES A CHAUSSER. POUR MARCHER SAN SOUFFRIR. Artist: J. A. Dupuich, 1933. 23.5 x 31.5"
Original, rare Le Docteur Almond original antique stone lithograph...
Category
1930s Art Deco Lithograph More Prints
Materials
Lithograph
Octavio Paz Suite: Nocturne VII
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition of 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar ...
Category
1980s Abstract Expressionist Lithograph More Prints
Materials
Handmade Paper, Color, Lithograph
Group of 4 lithographs
Located in New York, NY
Group contains "Untitled #2," "Untitled #4", "Untitled #5" and "Untitled #6." Each printed on Hahnemühle German etching paper. One initialed, dated and numbered 37/42 in pencil and t...
Category
1990s Abstract Expressionist Lithograph More Prints
Materials
Lithograph
Star Scene
By Joan Miró
Located in Cuauhtemoc, Ciudad de México
Signed
Lithograph LIX / CLX
In "Star Scene" we can appreciate part of Miró gestural drawing that so characterized him, in addition to his traditional palet...
Category
Late 20th Century Abstract Lithograph More Prints
Materials
Lithograph
Les Grandes Voiles (The Grand Sails)
By Marcel Mouly
Located in Missouri, MO
Hand-Signed by the Artist Lower Right
Titled Lower Center
Inscribed "Epreuve d'Artist" (Artist's Proof) Lower Left
Framed: 25.5 x 32.75 inches
Site Size: 19 x 26.5 inches
Marcel Mou...
Category
Late 20th Century Modern Lithograph More Prints
Materials
Lithograph
Shards III, Frank Stella
By Frank Stella
Located in New York, NY
An intricate work of stunning beauty, Shards III was created as a color lithograph and screenprint by Frank Stella in 1982. Hand-signed in pencil, dated and numbered, the artwork me...
Category
20th Century Abstract Lithograph More Prints
Materials
Lithograph
Lithograph more prints for sale on 1stDibs.
Find a wide variety of authentic Lithograph more prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add more prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Shrigley, Jean Cocteau, Marc Chagall, and David Roberts. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph more prints, so small editions measuring 0.04 inches across are also available Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $44 and tops out at $225,000, while the average work can sell for $956.
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