Screen More Prints

This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic produ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Signed and numbered from an edition of 50. Playful gay pride play on a Cheerios box. The text is "Queerios - Love Your Heart so you can be who you are". D...

Artist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

New Mexico Landscape by John Hogan, serigraph screen print limited edition #6/20 limited edition hand pulled screen print/serigraph © 1977 John Hogan A graduate of Northeast Louisia...

Cliclists is a screen print realized by Ugo Nespolo in 2008, in occasion of the Olympic Games in Beijing. Edition of 260. Hand signed and numbered in pencil. Excellent condition.

Silkscreen with cold stamp Edition of 300 Signed and numbered on the front Mint, as issued

Artist: John Cedarstrom Title: Water Lily Flower Year: circa 1980 Medium: Serigraph, signed in pencil Edition: AP Paper Size: 23 x 31.5 inches

Screenprint Edition of 125 Signed and numbered Mint White Cube The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the selle...

Prairie Winter, Cerrillos Flats by John Hogan serigraph New Mexico Landscape brown, white, blue, pink limited edition framed serigraph 2/20 © 1979 John Hogan A graduate of Northeast...

Katie Edwards Woodland Walks Original Silkscreen Print Edition of 59 Size: H 40.5cm x W 30.5cm Free Shipping Please note that in situ images are purely an indication of how a piece m...

Me & You, 2022 3-Colour Screenprint With Glitter Overlay on Somerset Satin 280gm Paper with cut edges edition of 175 Hand-signed and numbered by the artist. 45 x 30 cm The artist hi...

Erté Six Serigraph with gold foil on paper 1980 Ed: 205/350 18 x 13.5 inches, 28 x 23.5 (framed) Hand-signed in pencil lower right recto and numbered in pencil lower left recto

"This Church of Consumption print deals with themes I've addressed pretty consistently over the years material obsession, patterns around social currency and status signifiers, and c...

A very good impression of this color screenprint on Coventry Rag paper. Signed, dated and numbered 2/108 in pencil. Published by The Lincoln Center/List Print Program, New York.

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

Anne Storno Everybody Wants to be a Cat Limited Edition Print Edition of 15 Image Size: H 30 cm x W 40cm Paper Size: H 50cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ ...

Robert Indiana, After, American (1928 - 2018) - The American Love, Medium: Print on Acrylic panel, Size: 14 x 13.5 in. (35.56 x 34.29 cm), Frame Size: 22 x 21.75 inches

Silkscreen with gold leaf and platinum leaf Edition of 300 Signed, titled, dated and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging Our mission is to connect art collectors to opportunity. Whethe...

Rare Limited Edition Serigraph of John Lennon's "Whatever Gets You Through The Night" originally drawn in 1974, this limited edition was released by Bag One Arts (The Lennon Estate...

The first of a new collection of simple animals. Fresh and fun. A perfect piece of pop art A naive simple screen print, created using an initial hand painted ink on true grain layer ...

Carlos Rodriguez Cardenas (Cuba, 1962) 'Artista de la Calidad', 1988 silkscreen on paper 25.6 x 19.7 in. (65 x 49.8 cm.) Unframed ID: ROD-201 Hand-signed by author

This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...

Born in Ireland and now based between Dublin and London, Fin DAC spends much of the time on the road, actively working throughout the world. Through his work, which he describes as “...

Rare Limited Edition Lithograph hand signed by John Lennon's in 1970, this is from the Bag One Portfolio first shown in 1970. The Bag One lithographs were ha...

This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic produ...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

Hand signed rf Lichtenstein in pencil and numbered 270/280 lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenst...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...

Screen print on cream Speckle Tone paper. Signed by Shepard Fairey and Craig Stecyk III. Edition 142 of 300. 18 x 24 inches Published by Obey Giant Reference Photo by: C.R.Stec...

This multi-coloured Gemstone is hand-printed in florescent Yellow, Blue and metallic Silver ink. Then finished off by hand drawing over the print with multi-coloured paint. The Silve...

A simple side view of a Flower head in full bloom. A combination of solid, sweeping brushstrokes with subtle botanical elements in six layers including Silver and Metallic Gold. The ...

Yayoi Kusama Infinity Nets (1986). Edition 57/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 57/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

The pleasure we share is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-s...

Street Pop Art limited edition silkscreen print ‘Virtual Insanity’ by prodigy contemporary street-artist Hijack, was created in 2020 as a part of his environmentally conscious series...

Artist: Julian Opie Title: Ruth Smoking 5 Portfolio: 26 Portraits Medium: Screenprint Date: 2006 Edition: 250 Frame Size: 21 1/4" x 16 1/2" Sheet Size: 15" x 9 3/4" Signature: Unsigned

Screen print in colours Edition of 50 Signed and numbered on the front Mint Since this item will be shipped directly from the consignor, the seller can only provide the specific edi...

This Four colour screen print illustrates a mesmerizing Blue cloudscape. The surreal and imaginary cloudscape is brought to life with the use of subtle mark-making techniques, creati...

YO Year: 2020 Medium: Color silkscreen and flocking on Rising 2-ply Museum Board Size: 32 x 30 inches (81 x 76 cm) Edition: 40 Price: Single: $3,600 Suite: $7,000 Deborah Kass emp...

Robert Indiana (American, 1928 - 2018) Der Traum Heisst Verlangen (A Streetcar Named Desire), 1971 Screenprint in colors Edition 29/135 Signed a...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

This Peace and Freedom print is a new take on symbols and themes that have been consistent in my art for several years. The text and imagery speak for themselves, but basically, the ...

Pigeons is a contemporary artwork realized by Marcello Pirro in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Editio...

Artist: Russell Young Title: Marilyn Portrait (Red) Portfolio: Marilyn Portrait Medium: Hand-pulled acrylic and enamel silkscreen on paper Date: 2014 Edition: 25/25 Sheet Size: 27" x...

Katie Edwards Joy II Limited Edition Silkscreen Print Edition of 50 Image Size: H 40.5cm x W 50.8cm (Please note that in situ images are purely an indication of how a piece may look). Joy II escaping on a carousel horse conveying the theme of Joy perfectly. This illustration was the winner of the 2014 Bridgeman Studio Award. Limited print run of 50, 4 colour silk screen print on Fabriano Ruvidi 200gsm paper. Each one is screen printed by hand, making each one unique. Signed by the artist Katie Edwards. Katie Edwards produces conceptual illustrations for a wide range of clients from weekly editorials to large and prestigious ad campaigns. Screen prints for sale by Katie Edwards focusing on conceptual ideas, symbolism and metaphors. The innovative juxtaposition of elements often result in a surreal, humorous or thought-provoking image. Art has been a big part of Katie Edwards life and education, right through to graduating from Leeds Metropolitan University in Graphic Arts and Design with a First Class Honours. Working in London for five years as an artist and graphic illustrator, moving to Canada for two years and undertaking commissions’ for clients including Delta Airlines and Converse Shoes...

Clare Halifax C Is for Canary Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that in s...

Clare Halifax J is for (Blue) Jay Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that ...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

All the hype is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-signed and...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 7 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint on Wove Paper Edition Size: 395 Image Size: 16....

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Clare Halifax Y is for Yellow Billed Stork Limited Edition 4 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please n...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...