Oscar Pelosi

Woman - Original Screen Print by Oscar Pelosi - 1980s

1980s

The pleasure we share is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-s...

All the hype is an original artwork realized by Ugo Nespolo. Serigraph in 44 colors, glitter collage interventions, gilded and silver details and dry chalcography. Hand-signed and...

Life and Death is an original Screen Print realized by Paolo Pasotto in 1976 Hand-signed. Artist Proof.

Calder Exhibition Poster is an original artwork realized by Alexander Calder in 1976 Mixed colored serigraph. Fair conditions with some tears along the margin. This beautiful and ...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

2012 Signed, dated, and numbered in pencil, recto 5 color screenprint (Edition of 150) 14 x 12 inches, sheet Contact gallery for price. This work is offered by CLAMP in New York...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”). Another edition of this work was exhibited as part of 'Cecilia Vicuña...

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...