1990s More Prints

Within this outstanding aquatint etching, Eduardo Chillida depicts his sculptural and structural ideas in a two dimensional artwork. By regarding it, the beholder gets an idea of Chi...

Exibition print dated 1995 by Miller Null is a vintage photographic print on color paper applied on cardboard. Signature in pencil on front of cardboard, dated 1995, a late print before photographer's death...

Theo Tobiasse Title "Jerusalem de tous les fruiets" Medium: Original lithograph in colors on paper (deckle edged paper) Hand signed and numbered in pencil by the artist Paper size : 36x27 in (92x69 cm) Image size : 30x22 in (77x55 cm) Edition : 199 Year : 1999 This depicts a Dove of peace over a basket of first fruits in the Old City of Jerusalem Theo Tobiasse, (Israeli-French) born Tobias Eidesas, 1927 in Jaffa, Israel then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica art. Back in Saint-Paul-de-Vence, he experimented new techniques from 1986. He abandoned oil painting and gouache for acrylic, less restrictive. His mixed techniques on paper or canvas, mix collage, acrylic painting and pastels. He develops cut and painted wood or steel panels for large formats and public display. In 1992, a retrospective exhibition of Théo Tobiasse's work was organized at the Cagnes-sur-Mer castle-museum. His workshops become meeting places for artist friends such as Ben and Arman. Chaim Potok visits Saint Paul's studio several times, dedicates to him a Tobiasse monograph: Artist in Exile published in 1986 in New York, and there meets the writer James Baldwin, friend and neighbor of Théo Tobiasse in 1987. He travels extensively for his solo shows. In 1987, Vision New Japan exhibited his latest paintings in Tokyo , Kokura and Mito and then in 1991, large sculptures in carved and painted wood panels in Tokyo , Osaka , Nagoya , Kobe , Fuokoka and Taipei . He discovers Prague in 1992 and returns there in 1995, and travels every year to Venice to draw. Théo Tobiasse discovers the work of set design with the creation of sets and costumes for the puppet theater. He creates an album of lithographs for the fifth centenary of the expulsion of the Jews from Spain. The Garden of the Psalms , a series of seven stained glass windows created in the workshop of the master glassmaker Alain Peinado, is inaugurated at the Esplanade Jewish community center in Strasbourg on the occasion of the bicentennial of the emancipation of the Jews. He continues with the creation of twelve monumental windows entitled The Song of the Prophets for the Nice Synagogue which are inaugurated in 1993. In 1994, he participated with other artists of the Nice region (Arman, Ben, Jean-Claude Farhi, Claude Gilli...

Reservoir Dogs 1992 Original Vintage Poster Condition excellent Original UK vintage poster release UNFRAMED (framing options available see examples) Featuring the famous cast of the iconic Quentin...

Theimer - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by Ivan Theimer held at Galerie Di Meo in Paris in 1992. Ivan Theimer (Olomou...

Landscape is a retouché on paper, realized by the Belgian artist Fredy Lapenna. This original print, representing a natural country landscape with sweet hills, is numbered in Roman ...

Antonio Frasconi created this woodcut and offset lithograph entitled "United Auto Worker, 1936-1937" in 1991. It is signed, titled, dated and inscribed “2/10” in pencil. The paper ...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

Color lithograph, Edition 25 Italo Scanga was a painter, sculptor and printmaker. After a childhood spent in Italy, Scanga matured as an artist in his adopted home, the United Sta...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

Exibition print from late work by Miller Null is a vintage photographic print on color paper applied on cardboard. Signature in pencil on front of cardboard, dated 1995, a late prin...

Lunar Eclipse by John Hogan etching landscape red, brown, black limited edition ACPI © 1999 John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree a...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur Jean Miotte, 1926 - 2016 Miotte came of artistic age i...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

Photographed in the British Recording Studio that in the 1980's recorded music by Julian Cope of the Teardrop Explodes and the Stranglers. It was the he...

Color lithograph, Ed. 30 Hardy states: “A follow-up to a painting done in 1992 after the L.A. riots which was titled “Bad News (Tweeter is Sick)”. The tattoo bird skirts over the wa...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Jean Miotte - Original Signed Etching 1994 Dimensions: 41 x 33 cm Signed and numbered in pencil Edition: /60 From Près du mur

This piece is a lithograph from a portfolio of Audubon's Fifty Best watercolors published by Joel Oppenheimer and the Field Museum in 1999. This collection includes fifty best waterc...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...

Constellations is a framed color lithograph, measures at 56.5 x 31.5 inches, is a small edition of 42 and printed on beautifully delicate Nepal Himalayan paper. Constellations was pr...

Six-color lithograph on Arches Cover paper (Edition of 75 + 15 APs) Signed, titled, dated, and numbered, recto This artwork is offered by ClampArt, located in New York City.

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure

C F S I is an original hand drawn lithograph by the New York woman artist Marie Roberts printed using hand lithography techniques on archival Arches paper 100% acid free. C F S I portrays a Coney Island Sideshow Performance with several onlookers standing by the stage watching the show. C F S I is a skillfully expressed, painted figurative line drawing printed in black ink shaded with colored crayon line textures in shades of red, yellow and blue. A very fine impression exemplifying the magic and artistic mastery of hand crafted lithography with its nuanced tusche brush strokes and pencil crayon line textures and shading. Print size - 29.5 x 21.25 , Image size - 26.25 x 18.25 Marie Roberts, a Coney Island native is best known for her banners for the Coney Island Circus Sideshow...

The Hüreli, Klosters, Switzerland by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Si...

Color lithograph, Edition 40. Red Grooms and Master printer Bud Shark began their many print collaborations in 1981 with “Mountaintime”, followed in 1982 by their first three-dimensional lithograph, “Ruckus...

Le goût du Bonheur - 18.10.64 XIII is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original artwork of 1964 was part of the portfolio "Le Goût du Bonheur (The Taste of Happiness): A Suite of Happy, Playful, and Erotic Drawings." published in 1970 by Harry N. Abrams, Inc., New York. The portfolio consists of 71 lithographs based on original drawings by Picasso...

Hand Signed and numbered. Edition of 20 prints. Very good conditions.

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VIII Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Color lithograph, Edition 25 Michael Rubin earned an MFA from Southern Illinois University/Edwardsville in 1979. Selected Collections: Fort Wayne Museum of Art, Fort Wayne, IN; Owensboro Museum of Fine Art, Owensboro, KY; Metropolitan Museum of Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; University of Kentucky Art...

Artist: Robert Indiana, American (1928 - ) Title: Picasso from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 ...

One-color etching on Hahnemühle copperplate paper (Edition of 75 + 15 APs) Signed, dated, and numbered in pencil, recto 30 x 22 inches, sheet 17.5 x 12 inches, image This artwork i...

This impression is #19 out of an edition 30 Born in 1961 in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see...

Truisms [Torture Is Barbaric], after 1994 Jenny Holzer Screenprint on balsa wood multiple with text from the Survival (1983-1985) and Truisms (197...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 Pa...

Color woodcut, Edition 15. Since 1985, Woodman collaborated with Master printer Bud Shark to produce monotypes, woodcuts and lithographs with the same inventiveness and exuberance o...

Henri Michaux - Original Lithograph 1952 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Color lithograph, Edition 15. Hollis Sigler used a faux naive style to execute narrative paintings, drawings and prints. Since 1985 Sigler collaborated with Bud Shark to produce m...

Henri Michaux - Original Zinchograph 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Henri Michaux (1899 - 1984) The French writer, painter and graphic artist Henri Michau...

Le goût du Bonheur - 20.5.64 IX is a colored lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The original artwork of 1964 was part of the port...

From the set of five lithographs, on Arches paper, with full margins published by Seibu Department Stores Ltd., Tokyo. Signed, dated, annotated 'II' and numbered from the edition of...

This piece is a lithograph from a portfolio of Audubon's Fifty Best watercolors published by Joel Oppenheimer and the Field Museum in 1999. This collection includes fifty best waterc...

Color woodcut. Edition 15. Using a pen, a nail or his fingernail, Buck incises the wood planks that form the base and background of his prints with images and symbols drawn from th...

Wensleydale by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associat...

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30

Color lithograph, Edition 50 Laurie Anderson and Bud Shark collaborated to make a series of lithographs at the Anderson Ranch in Snowmass, Colorado in 1982. Working with a photogr...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Serigraph Edition Size : 395 Image Size: 18 x 14 inches Siz...

Born in Charleroi, Belgium, Christine Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills that dot the landscape of the ...

Le goût du Bonheur - 8.10.64 I is a black and white lithograph printed in 1998 from an original artwork realized by Pablo Picasso in 1964. The orig...

Title: Gestreckter Akt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.4 on 25.2 × 19.9 inches COA provided Claude Garache is a French artist. He has worked ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF VI Year: 1991 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 P...

Le Avventure di Pinocchio is a beautiful retouché on paper, realized by the artist Fredy Lapenna. This original print representing the personal interpretation of a classic of the ch...

Gilardi Exhibition - Galerie Di Meo is an original colored lithograph realized in 1991. Hand-signed and dated 16/5/1991 by the artist on the lower right margin. This artwork was re...

117 x 76 cms (46 x 30 ins) Edition of 50