Abstract Geometric More Prints

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Another example of this iconic Frank Stella print can be found at the Poster House Museum in Manhattan. For inspiration only are photographs from their display. "The concentric squ...

Original Vintage Event Poster created 1967 by one of the best known Japanese graphic artists, Yusaku Kamekura; in 1960 he was a founding member, then ...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** **IMPORTANT: This is a Limited edition of 30 museum quality prints on...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

(after) Alberto Magnelli Untitled (Cubist Composition) after the collage Pochoir on paper Conditions: excellent 32 x 24 cm 1956 Printed by Daniel Jacomet for XXe Siecle (issue number...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...

Günter Fruhtrunk (German, 1923-1982) Seh-Übung (from Dschuang Dsi), 1967 Medium: Screenprint on card Dimensions: 38 x 33 cm Edition of 40: This is an unsigned print outside the editi...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museum to the National Museum of Modern in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. This certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: Kandinsky was a painter and art theorist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

Pink and purple abstract modern lithograph edition 16 / 100. The work features colorful geometric shapes that have been detailed with a hatch texture. Signed, titled, and editioned b...

This original mid-century modern woodcut print on linen, titled "Shapes", is by renowned American artist Edward Marecak (1919–1993). A striking example of his abstract work, this pie...

Alberto Magnelli Original Lithograph Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism") published in Paris by San Lazzaro There is a fold in the center, as issu...

Alberto Magnelli Composition Lithograph Conditions: excellent 32 x 24 cm 1951 Executed for XXe siècle Published by San Lazzaro, Paris Unsigned and unnumbered as issued

(after) Alberto Magnelli - Composition - Pochoir Conditions: excellent 32 x 24 cm 1957 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...

Full-page, colour pochoir after costume designs by Sonia Delaunay. Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni d...

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Lithograph with offset lettering Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame inclu...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Edition of 60 71 x 79 cms (28 x 31 ins)

Original “Foire Internationale de Lyon” vintage poster. Archival linen backed. In excellent condition A+, ready to frame. NO damage, no restoration, no fold marks. Full lithogr...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

Richard Paul Lohse Group of eight complementary squares with four rectangles (Gruppe von acht komplementären Quadrat Mit vier Rechtecken), 1976 Colo...

James Siena Untitled geometric abstraction (The Christmas Print), 2006 3-Color etching on paper with deckled edges Signed, dated and numbered 8/54 in graphite pencil on the front Fra...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Peter Halley Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992 Offset lithograph poster (hand signed by Peter Halley) 11 1/2 × 16 1/2 inches Unframed Hand signed in black ...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Peter Halley New Works, Galerie Bruno Bischofberger (Hand signed), 1994 Offset lithograph poster (signed by Peter Halley) 19 × 26 1/2 inches Boldly signed in black marker on the fron...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museu...

Peter Halley Heterotopia 2 (Hand Signed by Peter Halley), 2019 Offset lithograph poster (Hand signed by Peter Halley) 23 × 16 1/2 inches. Signed in black marker on the front Published by Greene Naftali, New York Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Limited edition of 30 museum quality Giclee prints on CANVAS, signed ...

Peter Halley Museum of Folkwang, Essen, Germany (Hand Signed by Peter Halley), 1998 Offset lithograph poster (hand signed by Peter Halley) 33 × 24 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998- exhibition at the Museum of Folkwang, Essen, Germany,which the artist hand signed in black marker. Shown here is a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a limited edition print on CANVAS. It will arrive rolled inside a tube.** The Colorful FUTURISTICA series is another Oliveira's copyrighted geometric design. You will only find this mesmerizing colorful geometric piece here. On each piece, the size, the design and the colors are never the same. The design is slightly changed to give your very own futuristic city...

Tony Jannetti Second Emergence, Perfect Pattern Of Life, 1971 Silkscreen on wove paper with deckled edges Pencil signed, titled, dated and numbered 22/35 on...

Peter Halley, Jablonka Galerie, Köln (Hand Signed), 1993 Offset lithograph poster (hand signed by Peter Halley) 26 1/2 × 26 1/2 inches Unframed Alpha 137 Gallery is honored to offer ...

Original Cinquantenaire Aeronautique vintage poster. Archival linen backed and ready to frame. Printer: Bedos & Co, Paris. A- condition. (50TH ANNIVERSARY 23E SALON INTERNATIONAL D' AERONAUTICS, JUNE 12 TO 21, 1959 * LE BOURGET AIRPORT.) This mid-century modern original French poster is for an air show...

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

Original vintage poster: BASEL (Switzerland). In ancient Basel, they beat the drums at night to drive the evil demons from the city. Fastnacht. Museum linen backed. Basel; the city on the Rhein and much more! Printer and illustator: Schaffner. This image features the drum that you beat all night long to drive the bad spirits from the city. A drama mask...

Original poster: Linen-backed original poster "Tage Slawischer Kultur" done by the artist Rasch. The days of Slavic Culture. This would cover the countries knowns as Slavic language speaking people: Russia, the Ukraine, Belarus, Poland, Czech Republic, Slovakia, Bulgaria, Slovenia, Croatia, Serbia, Bosnia and Herzegovina, Macedona and Montenegro. A drama mask in white rests on a leaning abstract color panel that could be a scarf or material that blends the styles and colors inlocking together to form a cultural pattern. A dark blue background brings the image to the forefront of this vintage original poster. Every year on May 24th all Slavic countries commemorate Saints Cyril...

**ANNUAL SUPER SALE UNTIL FEB 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** This Futuristica skyline series by Mauro Oliveira has been a...

Pierre Soulages (1919–2022) Etching XL, 1996 Etching on paper 16 ⅛ × 13 in (41 × 33 cm) Edition of 100, signed and numbered in pencil Etching XL is a powerful example from the final...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 358 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.75 inches. Sheet size: 22.75 x 28.75 inches. Signa...

Digital art print on Lex Jet, 170 gram Satin Stock paper Hot pink and purple - indigo abstract geometric kaleidoscope pattern made as abstractions of t...

Peter Halley Paintings (Hand Signed), 1995 Offset lithograph poster (hand signed by Peter Halley) 28 1/2 × 18 3/4 inches Hand signed in black marker on the front Unframed Alpha 137 G...

This Futuristica skyline series by Mauro Oliveira has been a bestseller for the past 10 years. All pieces of the series are one of a kind, representing well known cities such as New...

Digital art print on Lex Jet, 170 gram Satin Stock paper Deep pink with orange and gray - taupe, neutrals; abstract geometric kaleidoscope pattern made as abstractions of the artist'...