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Young British Artists (YBA) More Prints

YOUNG BRITISH ARTISTS

YBAs = provocative. The collective of artists who came up in London in the late 1980s and early ’90s — commonly referred to as the Young British Artists (YBAs) — have made their indelible mark on the art world and continue to produce work that both challenges the viewer and seduces collectors the world over.

Damien Hirst played the role of pioneer in 1988 by organizing “Freeze,” the first of several artist-curated group shows held in abandoned warehouses across London. Most of the artists participating in these early exhibitions — among them Sarah Lucas, Gary Hume, Liam Gillick, Mat Collishaw, Sam Taylor-Wood (now generating more buzz for her directorial work on the film 50 Shades of Grey), and Hirst himself — were graduates of Goldsmiths, University of London. The group’s sophisticated maturity and confidence in presenting Conceptual art with shock appeal, such as Collishaw’s Bullet Hole, a photograph that offers a disturbingly gruesome close-up of a man’s fatal wound, left a lasting impression with Charles Saatchi and other art world stalwarts.

From the beginning, Hirst was fascinated by such epic themes as death and immortality and sought to express them through unconventional, powerful gestures; his early works include A Thousand Years, 1990, in which flies feed on a bloody cow head, breed and die by electrocution within a large glass vitrine, and The Physical Impossibility of Death in the Mind of Someone Living, 1991, his Jaws-inspired suspension of a great white shark in formaldehyde. Following in the footsteps of artists ranging from Marcel Duchamp, Andy Warhol and Jeff Koons, Hirst was inspired by mundane objects from daily life, incorporating them into his works, most famously his "Medicine Cabinets" filled with brightly packaged pills.

Notoriously dubbed an “enfant terrible” of the art world, Tracey Emin once printed a photo of Damien Hirst, stuck it on the bottom of an ashtray, and sold it as a piece of art. Represented by 1stDibs’ Lehmann Maupin Gallery since the late 1990s, Emin was a Turner Prize finalist in 1998 for My Bed, an installation showcasing her disheveled bed covered in underwear, used condoms and other debris. Overt sexuality and the emotional dynamics of love and sex have persisted as themes throughout her career, seen across the neon artworks for which she is most famous.

YBAs have never shied from using non-traditional materials or tackling controversial subject matter. Chris Ofili, a racially charged painter who re-appropriates biblical and mythological iconography, found the spotlight in 1999 when then-New York City mayor Rudolph Giuliani publicly criticized the artist’s monumental depiction of an eroticized black Madonna, entitled The Holy Virgin Mary, baring a breast composed of elephant dung and surrounded by images of female genitalia. Marc Quinn reimagined the self-portrait in 1991 by casting a frozen sculpture of his head with his own blood and maintaining it in a refrigerated vitrine as if on life-support. More recently, Quinn has elicited strong reactions from a series of studies and sculptures of supermodel Kate Moss in a contorted, god-like pose.

Below, we invite you to browse our collection of original works by Hirst, Emin, Quinn, Collishaw and other YBAs — a group that knew not only how to provoke and self-promote but to create works that continue to resonate today.

Find original Young British Artists sculptures, photography, prints and other art on 1stDibs.

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Style: Young British Artists (YBA)
Tracey Emin, Holiday Inn, Lithograph on Paper, 1998
Located in London, GB
Tracey Emin, Holiday Inn, 1998 From a limited edition of 3000. Excellent. Sold unframed. 5.71 x 4.13 in (14.5 x 10.5 cm) Publisher, Gesellschaft für Aktue...
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20th Century Young British Artists (YBA) More Prints

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Pop Art Archival Print, 'Blue Trash', 2022
Located in New York, NY
'Blue Trash' is a vibrant pop print by contemporary master Gavin Turk. The blue, orange, red, and yellow hues give this work a playful energy. ‘Blue Trash’ is edition 7 of 30 and is ...
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2010s Young British Artists (YBA) More Prints

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Archival Paper

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"Two Reclining Nudes" Lithograph on Paper, Figurative, Female Nudes
Located in Detroit, MI
"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner. Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955. Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York. “It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years. He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors. In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...
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The Fan by Paul Delvaux (1968)
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Located in Petworth, West Sussex
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2010s Young British Artists (YBA) More Prints

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A Dream
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Young British Artists (yba) more prints for sale on 1stDibs.

Find a wide variety of authentic Young British Artists (YBA) more prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including and Tracey Emin. Frequently made by artists working with Lithograph, and Offset Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Young British Artists (YBA) more prints, so small editions measuring 8.27 inches across are also available. Prices for more prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,547 and tops out at $1,934, while the average work sells for $1,934.

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