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Claes OldenburgBust (Mauve): Erotic drawing of nude bound woman1975
1975
$1,200
£898.18
€1,037.86
CA$1,664
A$1,863.89
CHF 969.02
MX$23,015.34
NOK 12,344.52
SEK 11,669.82
DKK 7,745.08
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About the Item
Printed in rich astral blue, this etching depicts a nude woman from the waist up. Emerging from her cupid’s-bow lips, the tip of a phallus imitates a ball gag, and across her chest, two lines mimic fetish or bondage restraints. Her bound breasts assume the form of male members, which also sprout from her ears. A tangle of lines suggests the woman’s voluminous hairstyle. Her finely-drawn face anchors this raunchy composition, with her shaded eyes, dark lips and curls evoking Clara Bow’s smoldering gaze.
Plate 20.25 x 14.5 in. / 51.4 x 36.8 cm Sheet 36 x 27 3/8 in. / 91.4 x 69.5 cm
Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil; numbered lower left in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre, this listing is for one copy in the color of your choice.
As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings on sexual themes done in the mid-sixties, most of which had never been exhibited. These were supplemented by a number of works in the same vein transcribed from other drawings of the late sixties and early seventies, as well as new drawings invented on the plate.” With complete confidence, the artist freely sketched sexually-charged scenes, infusing them with characteristic humor and charm. Using only crosshatching and line work to define vampy, lithe nymphs and outsized, disembodied members, Oldenburg neatly replicates the look of ballpoint pen in vibrant color. This print is not previously owned and has been stored in the archives of the original publisher since its publication.
A copy of this etching is in the collection of the Walker Art Center, Minneapolis.
Exhibition history: Oldenburg: New Editions (1975)
Catalogue reference: Printed Stuff: Prints, Posters and Ephemera by Claes Oldenburg A Catalogue Raisonné 1958-1996 Hudson Hills Press in association with Madison Art Center Wisconsin, New York, 1997. Illustrated no. 119
- Creator:Claes Oldenburg (1929, American, Swedish)
- Creation Year:1975
- Dimensions:Height: 36 in (91.44 cm)Width: 27.5 in (69.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This etching is not pre-owned and has been stored in the archives of the publisher since its publication.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121125358672
Claes Oldenburg
One of the original Pop artists, Claes Oldenburg was born in Stockholm. The son of a Swedish diplomat, he spent his early years in Stockholm and Oslo until the family moved to Chicago in 1937.
Oldenburg attended Yale University, then returned to Chicago, where he worked for a newspaper and also attended drawing classes at the Art Institute. He moved to New York in 1956.
Oldenburg’s early art in New York were works of urban realism in cardboard and paper that were influenced by the work of Dubuffet and the New Realists, and were seen as a brutal response to society. In 1961 Oldenburg rented a storefront on the Lower East Side and sold brightly painted plaster objects as well as three-dimensional and wall reliefs based on hamburgers, pastries, men's and women's clothing, and other commodities. The signature soft sculptures followed, objects of commonplace household objects made of vinyl or canvas stuffed with kapok. These pieces transformed the medium — the soft sculptures are intended to be sensual experiences and commentary on our material world of objects and our relationship to them.
In 1965, still working in vinyl, plaster and cardboard, Oldenburg began making large works termed “Colossal Monuments,” which are large public sculptures with public and private meanings. In the 1970s, Oldenburg was fabricating large-scale works in durable materials such as steel, and working with Coosje van Bruggen, he had received many such public commissions in the United States and Europe.
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(Biography provided by Art Commerce)
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By Claes Oldenburg
Located in New York, NY
This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus.
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