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Richard Lindner3 Biennale Internationale de L'estampe, France 1968 Miss American Indiana poster1968
1968
$385
£289.22
€333.52
CA$534.24
A$593.66
CHF 311.08
MX$7,280.13
NOK 3,967.67
SEK 3,732.64
DKK 2,489.26
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About the Item
Richard Lindner
3 Biennale Internationale de L'estampe (International Biennale of Graphic Arts), Miss American Indian, 1968
Silkscreen on wove paper
Unnumbered
35 1/2 × 23 1/2 inches
Original vintage 1960s Pop Art - not a reprint
Plate signed (printed signature)
Published by Musee d'art moderne, Paris France
Printed by Michel Caza, Paris, France
Unframed
- Creator:Richard Lindner (1901-1978, American)
- Creation Year:1968
- Dimensions:Height: 35.5 in (90.17 cm)Width: 23.5 in (59.69 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition; some gentle handling around the edges which will frame out; otherwise a bright strong impression.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215995972
Richard Lindner
Richard Lindner (1901 – 1978) was a German-American painter. Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 Lindner moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained in Munich until 1933, when he was forced to flee to Paris. Once in Paris, Lindner became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when World War II broke out in 1939 and later served in the French Army. In 1941, Lindner moved to the United States and worked in New York City as an illustrator of books and magazines. There he made contact with New York artists and German emigrants such as Albert Einstein, Marlene Dietrich, and Saul Steinberg. In 1948, Lindner became an American citizen. Lindner taught at a number of institutions including the Pratt Institute, Brooklyn, Hochschule fur bildende Kunste in Hamburg and Yale University School of Art and Architecture. His paintings often used the sexual symbolism of advertising and investigated definitions of gender roles in the media.
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