1940s Prints and Multiples

The 1947 original map Atlas de la France Vinicole - Les Eaux-de-vie de France - Le Cognac Fins Bois, created by Louis Larmat and printed by Dorel in Paris, is an exquisite piece that...

The Story " Reason" - Illustrated is a modern artwork realized by Nicola Ciarletta and Giovanni Omiccioli. Black and white lithograph realized by Giovanni Omiccioli and a story writ...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

In this WWII-era safety poster, an aircraft is shown mid-ascent. A set of dotted lines marks the intended flight level, with a duplicate silhouette of the same aircraft above it — in...

The Frogs is an enchanting lithograph realized in 1940 ca. by Fabrizio Clerici (1913-1993). Hand-signed in pencil, on the lower right. Artist's proof "P.A", on the lower left. The ...

In 1941, L. Larmat created an impressive map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Blayais, Côtes de Blaye, Bourgeais, Côtes de Bourg, printed by Dorel in Paris....

The 1943 original map by L. Larmat from the "Atlas de la France Vinicole" series, titled "Les vins des Côtes du Rhône - Groupe Méridional", is a significant cartographic depiction of...

Abstract Composition is an original screenprint realized by Henry Miller in the late 1940s for the illustrated book "Into the Night Life" (published in 1947 by Miller himself and by Bezazel Schatz). Bon à...

To see our other original vintage propaganda and public information posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Louis Masquelier (1898-1945) The Telephone L. Masquelier/ Lorraine Sqdrn. (2nd TAF Security Poster No.4) Lithographic Original Poster 55×34.5cm Issued by the 2nd Tactical Airforce (‘TAF’). This was a combination of both fighter and bomber units formed for the purposes of supporting the army in the 1944 invasion of Europe. The artist was a Sergent-chef (sergeant) in No 342 (Lorraine) Squadron RAF, a Free French Squadron transferred back to the Armée de l’Air in December 1945. An air gunner – and...

Nude of Women is an original etching realized by Henry Forge in 1940. Good condition, with some pencil notes on the back of the cardboard. Hand-signed by the artist. Henry Forge (...

Abstract Composition is an original etching artwork realized by Ivan Mosca in 1949. Hand-signed on the lower right. numbered, edition 31/50 good conditions. Passpartout included: 26 x 19.5 The artwork representing an abstract composition,in a well-balanced composition through confident and strong strokes. Ivan Mosca (Parma, 1915 - Rome, 2005) was an Italian artist and painter. He moved to Milan where he attended the School of Book and the Istituto Superiore per le Industrie Artistiche in Monza. He was interested in abstract art and met the artists of the Gallery "Il Milione", such as Osvaldo Licini, Manlio Rho...

The 1949 original travel poster by Guerra for Air France, titled "Paris is two thousand years old," stands as a captivating invitation to explore the rich history and timeless allure...

Composition - Vintage Poster is an original artwork realized for Exhibition at Maurice Garnier Gallery by Bernard Buffet in 1942. Offset and Lithogra...

To see our other original vintage public information and propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a me...

Piazza San Pietro is a modern artwork realized by Mino Maccari, Aldo Palazzeschi in 1944-1945. Black and white lithograph realized by Maccari and a poem written by Aldo Palazzeschi ...

Original b/w Lithograph realized by Marino Marini in 1944. Hand signed and dated. Good conditions except for some minor foxing. This artwork is shipped from Italy. Under existing...

Post scriptum in the bottle is a modern artwork realized by Domenico Purificato and Libero De Libero. Black and white lithograph realized by Domenico Purificato with a text by Liber...

Fuga si, fuga no is a modern artwork realized by Antonio Scordia and Mino Maccari. Black and white lithograph realized by Antonio Scordia and a text by Mino Maccari. Good condition...

Suffering and pain is al modern artwork realized by Corrado Cagli and Massimo Bontempelli. Black and white lithograph realized by Corrado Cagli with a text by Massimo Bontempelli. ...

Astrid is a modern artwork realized by Vincenzo Cardarelli and Carlo Carrà. Black and white lithograph realized by Carlo Carrà with a text by Vincenzo Cardarelli Good conditions. ...

Beauty and the Beast Lithograph, 1949 Signed, titled and numbered in pencil (see photos) Edition: 20 (10/20) (see photo) Condition: Excellent cond...

Ex Libris Romeo Laanlan is an original Contemporary Artwork realized in the 1940s. Original Red and Black wood on ivory-colored paper. The work is glued on cardboard. Total d...

Composition is an original etching realized in 1942. Hand-signed and at bottom right.unreadable sign. Sheet dimension: 38 x 28 Excellent conditions. The artwork represents a comp...

The circa 1947 original travel poster by Paul Champseix for SNCF (French National Railway Company) promoting the Téléphérique d'Artouste and related automobile services departing fro...

Paris is a beautiful artwork realized by Orfeo Tamburi in 1946. Lithograph on paper. Good conditions. The artwork represents a view of the french city Paris with confident strokes...

Original poster created by Delpy around 1945 to promote tourism in Spain. Tourism - Château - Spain Spanish National Office of Tourism Printed by Fournier in Vitoria

Image dimensions: 24.5 x 31.5 cm. Ciclamini su Fondo Scuro ("Cyclamens on a Dark Background") is an original artwork realized by Luigi Bartolini in 1941.  Very precious watercolor...

Erotic Scene is an original xilography artwork realized by Mino Maccari in 1945. Hand-signed in the pseudonym of "Jean Baschie" which is the artist's signature in 1944-45 ca. erotic ...

Edition of 300 copies, 116 pp, including 27 original color lithographs by Antoni Clavé, including 8 out of text. Editions Galatea, Paris. Copy on Velin de Rives paper, in very good...

Moon by day is a modern artwork realized by Filippo De Pisis. Black and white lithograph and a text by the same Filippo De Pisis. Good conditions except for some folds, foxings and...

Artist: Gordon Grant, American (1875 - 1962) Title: Arching Elms Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40....

The Vallery of the Three Moons is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1940s. Original Black and White woodcut print on c...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 2. Year: 1948, Medium: Etching on MBM, Image Size: 10 x 7.75 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), Referen...

Hand signed. Edition of 121 copies printed by Igino Alessandrini. From the series “Cavalli”, published in Rome by Carlo Bestetti Editore for “La Collezione dell’Obelisco”. One of on...

The original poster titled "Les camps de concentration en Union soviétique - jamais ça en France" ("Concentration Camps in the Soviet Union - Never in France") serves as a stark poli...

A superb, richly-inked impression of this very scarce aquatint. Edition of approximately 80. Signed in pencil by Orozco.

Image dimensions: 30 x 35 cm. Il poeta del ponte (The Poet of the Bridge) is an original artwork realized by the Italian artist and engraver Luigi Bartolin...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Reconciliation, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer...

Turtle is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Perfect conditions. Jean L...

View of Paris is an original Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in 1945. Original Colored Lithograph on paper. Numbered. Edition, 79/150. Good c...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" 1943 MacArthur name "Tony" Kawasaki "Type 3" - World War II Japanese fighter plane Original aeroplane recognition poster (1943) 63x47cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes, this series - and we have many in this series - have a much more arty approach to the task with shading and an interesting angle view. This Kawasaki Ki-61 (known as "Tony" in the Allied code) was the only fighter with a liquid-cooled engine that the Japanese Army Air Force put into the field during World War II. It was this that made the Tony so unlike the other Japanese planes that the Allies believed it to be German- or Italian-made. While the engine was a license-built version of a German Daimler Benz engine, the rest of the aircraft was an all-Japanese design. The Tony proved to be a match for Allied fighters, due chiefly to its particularly heavy armament, good protective armour, and high speed dives. The Ki-61 was one of the few interceptors that could reach the same altitude as the the American B-29 Superfortresses (posters of which are also available). When the Tony entered combat during 1943, it could outrun, outdive and outclimb every Allied fighter except the P-38 Lightning. It was the first fighters to be equipped with fuel tank...

Merenda in campagna is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1943. Etching and watercolor. Hand-signed, and dated in pencil on the lower...

The Sons of Archon - Plate 8 is an original artwrok by Giorgio De Chirico. Original title: "I Figli dell'Arconte". Hand signed on the lower right margin. Numbered on the lower left...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The birds under the sky, 1948. Woodcut on yellowish wove paper, 11 cm x 18 cm (depiction), 43 cm x 30 cm (sheet size), signed “Rud.[ol...

Original title: “I Monarchi” Hand signed and Signed on plate.Edition of 15 prints in Roman Numerals. This is one lithograph from the series “Cavalli” published in Rome by Carlo Best...

In the aftermath of World War II, the political landscape in France was marked by ideological clashes and the emergence of various movements. The 1949 poster...

Fragments for the promised land is an original modern artwork realized by Pericle Fazzini on a text by Giuseppe Ungaretti Good conditions except for some folds, foxings and yellowin...

Black and white lithograph realized by Orfeo Tamburi on a text by Giorgio Vigolo. Good conditions except for some folds, foxings and yellowing of paper. The text is hand signed by ...

Artist: Gordon Grant, American (1875 - 1962) Title: Old Coaster Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40.6...

Merenda in campagna is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1943. Etching and watercolor. Hand-signed, and dated in pencil on the lower...

Eli Jacobi: 1898-1984. Very important artist who was born in Kharkov Ukraine. His art studies began at the Bezalel Art Institute in Palestine. He was impris...

Women in the Sun is an original lithograph on paper realized by Albert Chavaz in 1947. Good Conditions. The artwork is depicted through harmonious colors in a well-balanced composi...

The Restaurant is an original lithograph on paper realized by Albert Chavaz in 1947. Good Conditions. Edition of 50. The artwork represents an empty Restaurant. The artwork is dep...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Hand signed. Dedicated in pencil to Nesto Jacometti.

In this bold and brightly colored WWII-era safety poster, a pilot is launched head-first over his aircraft in a chaotic, cartoonish tumble. His goggles fly off, his body twists midai...

To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". 1944 Watanabe MacArthur name "Jake" "Type O MK-1" Japanese reconnaissance plane Original aeroplane recognition poster (1944) 63x47cm A particularly unusual style of aeroplane identification poster, owing to the very arty images. Most such posters rely on very plain silhouettes; this series - and we have many in this series - takes a much more arty approach to the task with shading and an interesting angle view. The Watanabe Jake was a Japanese submarine-borne reconnaissance seaplane, the first aircraft designed by Watanabe Ironworks. In January 1934, the Imperial Japanese...

Nat Harrison Magician: Work Carefully Avoid Scrap Accidents Sometimes Happen Original poster c. 1943 Printed for HMSO by J Weiner Ltd, London for the Ministry of Aircraft Production The waste-not-want-not campaign of World War 2 in the UK had to tackle waste at all levels. Here workers in aircraft factories are encouraged to work carefully in order to avoid creating products that had to be scrapped. When Lord Beaverbrook commenced his term as Minister of Aircraft Production in May 1940 it was an industry beset with problems. Aircraft parts were produced in sufficient numbers, but assembly into flyable aircraft proved more challenging – the Castle Bromwich...

In 1941, a captivating original travel poster by Walter Herdeg unveiled the timeless allure of Montreux, Switzerland. Instead of showcasing typical vistas or landmarks, the poster offered a unique perspective, capturing the essence of Montreux's charm and beauty. Through its evocative imagery and elegant design, Herdeg's poster transported viewers to the picturesque shores of Lake Geneva, where Montreux's serene ambiance and breathtaking scenery awaited. The poster's subtle palette and graceful lines hinted at the town's tranquil atmosphere, inviting travelers to indulge in moments of relaxation and rejuvenation amidst nature's splendor. Herdeg's choice to feature Montreux in the poster spoke to the town's status as a coveted destination renowned for its natural beauty and cultural richness. Nestled between the lake and the mountains, Montreux exuded a sense of timeless elegance and sophistication, drawing visitors from far and wide to experience its idyllic setting and vibrant cultural scene. By capturing the essence of Montreux in his poster, Herdeg offered viewers a glimpse into the town's enchanting ambiance and alluring attractions. Whether it was the tranquil waters of Lake Geneva, the majestic Alps towering in the distance, or the charming streets lined with Belle Époque architecture...