20th Century Prints and Multiples

Artist/Designer; Manufacturer: Salvador Dali (Spanish, 1904-1989) Marking(s); notes: signed, blind stamp; ed. LVIII/C; 1973 Materials: lithograph on Piera paper Dimensions (H, W, D):...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 12.25 x 17.75 inches ( 31.115 x 45.085 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

The Godfather Part II - Original 1974 Lobby Card #9 Vintage 1974 The Godfather Part II Lobby Card: The early life and career of Vito Corleone in 192...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

Otto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25. Signed in pencil and annotated 'Japan Silk Paper - Trial Proof - Ltd. Ed. Del. et...

Artist/Designer; Manufacturer: David Hockney (British, b. 1937) Marking(s); notes: signed, blind stamp; SP aside from the edition of 1000; 1980 Materials: lithograph on Arches paper ...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

Woodcut print realized by Escher in 1948. Hand signed in pencil and annotated in pencil lower right "eigen druck". Monogrammed and dated in the plate "MCE/X-'48 upper right. One o...

Vintage chinese woodcut print depicting a theatrical mask. Realized in the mid-20th Century. Framed under glass.

Artist: Salvador Dali Medium: Heliogravure Title: The Mock Turtle's Story Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Size: ...

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

First edition screen-print designed and created by Robert Motherwell for the Mostly Mozart Festival presented at the Lincoln Center for the Performing Arts in New York City in 1991. ...

Christo (Bulgaria, 1935-2020) 'Galería Ciento', 1975 lithograph on paper 28 x 22.1 in. (71 x 56 cm.) Unframed Ref: CHR1038-P001 Condition: Not previously owned, and no signs of use....

PAUL LANDACRE (1883 – 1963) GRASSS FIRE, 1928 (Wien 53) Wood engraving on tissue thin Japanese paper, signed in pencil and titled with full margins. Thee are only 20 signed, titled,...

Jim Dine 8 Hearts / Look, Off-set Lithograph with metallic paper collage overlay Galerie Thomas exhibition print, 1970 Color lithograph and offset lithograph on wove paper Plate sign...

This strikingly large poster was produced for a 1979 exhibition at the iconic Leo Castelli Gallery on West Broadway, New York. It captures the vibrant art scene of the late 1970s, sh...

This reproduction of the iconic vintage Italian champagne advertisement "Contratto" was originally designed by the legendary poster artist Leonetto Cappiello. Published by Bruce Tele...

This captivating lithograph by Hsia Chin, titled Untitled (Red), exemplifies the artist’s mastery of color and form. The piece features a striking use of red tones that dominate the ...

Artist: Agnes Martin Title: On a Clear Day #15 Year: 1973 Screenprint Japanese Rag paper Image size: 6 7/8 x 8 inches (17.5 x 20.3 cm) Paper size: 12 x 12 inches (30.5 x 30.5 cm) Fra...

Paper Size: 29.5 x 46 inches ( 74.93 x 116.84 cm ) Image Size: 25.25 x 46 inches ( 64.135 x 116.84 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

Fred Becker, 'Public Building', wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. A superb, richly-inked impression, on cream wove Japan...

Mary Lee Bendolph, born in 1935 in Boykin, Alabama, is a renowned American quilt maker associated with the Gee's Bend Collective. Her work has been exhibited in prominent institution...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

Medium: lithograph (after the watercolor). Printed in 1965 at the Mourlot Freres atelier and published by the Hirschl-Adler Gallery for their 1965 Raoul Dufy exhibition. Sheet size: ...

This is an Keith Haring rare poster speak 1998 speak see hear no evil. In good condition framed. Measures 34x24

Very rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Imagine," first released on the LP of the same name in 1971. The best-selling single of his s...

Rembrandt - Etching - Artist's Mother with her Hand on her Chest: Small Bust . In good condition measures 22x21

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

Artist: Salvador Dalí (Spanish, 1904-1989) Title: "Lincoln in Dalívision" *Signed by Dalí in pencil lower right Year: 1977 Medium: Photolithograph and Etching with Embossing on Arche...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

Artist: Salvador Dali Medium: Heliogravure Title: The Queen's Croquet Ground Portfolio: 1969 Alice in Wonderland Year: 1969 Edition: 2430/2500 Frame Size: 24 1/4" x 19 1/2" Sheet Siz...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Untitled, ca. 1960. Lithograph on paper, sheet measuring 18.5 x 26.5 inches Measuring 27 x 35 inches in original mid-century beveled oak frame. Signed and numbered in pencil by ...

Unknown Artist, in the style of Felix Vallotton - The Other Side, Year: 1974, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/80, Image Size: 15 x 21 inch...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Date: 1990 Screenprint Poster, signed and dated in plate, numbered in pencil Edition of 1000 Image Size: 28 x 20 inches Size: 32 x 23 in. (81.28 x 58.42 cm) Commissioned by Playboy. ...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

Medium: original lithograph. This was first executed for XXe Siecle in 1952; this impression is from the second printing in 1971 (Homage to Leger), also published by XXe Siecle. Shee...

Marking serigraph signed and numbered. In good condition measures 32x28

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Original The Rocky Horror Picture Show vintage movie poster, professionally linen backed with original fold marks restored, The Rocky Horror Picture Show. A different set of jaws. ...

Salvador DALI (1904-1969) (after) France : Auvergne, 1969 Lithograph and Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.64 x 7.08 inches Inscription: Signed in the...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Paper Size: 4.25 x 6 inches ( 10.795 x 15.24 cm ) Image Size: 3.75 x 5.5 inches ( 9.525 x 13.97 cm ) Framed: Yes Frame Size: H: 17.25 x W: 13 x D: 1.25 in. Condition: A-: Near Mint, very light signs of handling Additional Details: This vintage blank...

Medium: original lithograph. Printed in 1956 for the art revue Derriere le Miroir (issue number 87-88-89) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (380 x 555 mm). T...

Jean Baptiste VETTINER (1871-1935) On the Beach : Bather in the Wind, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the bli...

Jean Jansem (1920-2013) Le Clairon, 1993 Lithographie sur papier Arches, justifiée EA12/30 Signée en bas à droite 65 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°85 "Ma...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Publicações Europa-América, Lisbon; printed by La Polígrafa, Ba...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Lithograph, 1957 Handsigned by the artist in pencil and numbered 2/100 Publisher : Hedwig Marbach, Berne Printer : Jean Pons, Paris Catalog : RMM 98 65.50 cm. x 50.00 cm. 25.79 in. ...

This circa 1900 original poster for Champagne Jules Pierlot, Epernay is a prime example of Belle Époque advertising design. Featuring elegant typography, heraldic symbolism, and a re...

Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...

In "The Mexican Painter” lithograph Alvar recreates memories of a long and fruitful stay in that country by including many bright and traditional symb...