Early 20th Century Prints and Multiples

Maurice DENIS (1870 - 1943) Praying Pilgrim Original lithograph Printed signature in the plate On light cream tinted vellum 46 x 31 cm (c. 18 x 12 inch) Excellent condition

Maurice DENIS (1870 - 1943) Nude Model Dancing, 1918 Original lithograph with charcoal enhancement Unsigned On light vellum 48 x 35 cm (c. 19 x 14 inch) INFORMATION : Edited by Lou...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 10 x 8 inches (25.4 x 20.32 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 10 x 8 inches (25.4 x 20.32 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

Raoul Dufy, French (1877 - 1953) - Le Boeuf Sur Le Toit, Year: 1920, Medium: Lithograph on wove paper, signed in the plate, Image Size: 11.5 x 9 inches, Size: 12.75 x 9.75 in. (32....

Mily POSSOz Before the show MEDIUM : Etching SIGNATURE : Unsigned LIMITED : 30 copies PAPER : Rives vellum SIZE : 18 x 22" INFORMATIONS : Bears the blind stamp of the editor "...

Mily POSSOZ Portuguese scene MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 60 copies PAPER : Rives vellum SIZE : 22 x 18" INFORMATIONS : Bears the blind stamp of the editor &qu...

This artwork titled "Kronborg Slot" 1919, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17 x 22.75 inches, framed size is 28.75 x 34.85 inches. Custom framed in a distressed style wood and black frame, with fabric matting and dark grey fillet . It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Cover for Ecce Homo is an artwork realized by George Grosz in 1923. Lithograph and Offset. 25x25 cm, no frame. Good condtions. Reference: Wieland Herzfelde (introduction), Der Malik-Verlag, 1916-1947, exhib. cat. Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie, 30th issue, July 1968, p. 1ff, no. 38; Rosamunde Neugebauer, Georges Grosz, Macht und Ohnmacht satirischer Kunst. Die Graphikfolgen "Gott mit uns...

A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Gladwell & Co ltd, London 1937. Mounted in an elegant Hogarth-style frame. Indistinct...

A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Henry Graves & Co ltd, London 1933. Mounted in an elegant Hogarth-style frame. On pap...

ARTIST : Mily POSSOZ TITLE : Young girl with ? MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 15 x 11" INFORMATIONS : Bear...

Mily POSSOZ Lily of the valley MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 60 copies PAPER : Rives vellum SIZE : 20 x 13" INFORMATIONS : B...

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe...

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

This captivating art print on heavy paper is created after Joan Miró's 1934 original, exemplifying his unique abstract style. The artwork is in good condition and brings a rhythmic b...

Decorative Motifs - Etruscan Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithogr...

Decorative Motifs - Chinese Styles is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithogra...

Romance is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print Good conditions.

Two Women is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (64.5x50 cm). Hand-signed o...

Jacques POLI Parrots Original lithograph Handsigned in pencil Numbered /150 On vellum 76 x 56 cm (c. 29.9 x 22) Excellent condition

L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies. Included a frame. In very good conditions. The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses. Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Fernand Léger, French (1881 -1955) - Broom, Year: 1922, Medium: Woodcut, Image Size: 11.5 x 8.5 inches, Size: 12.5 x 9 in. (31.75 x 22.86 cm), Frame Size: 18 x 15 inches, Descri...

The circa 1910 original poster by Ernest Montaut, titled Szisz sur voiture Renault - Gagnant du grand prix de l'A.C.F., commemorates the victory of Hungarian-French driver Ferenc Szi...

Original photo mechanical print handcolored throughout by the French artist, Lucy Garnot. Signed and titled bottom. Circa 1900. Condition is very go...

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

La Place de la Concorde Depicts La Place d la Concorde, Tour Eiffel and Sacre-Couer on Montmarte Hill in the back left Lithograph, 1926 Unsigned. as issued From the book edition, Jos...

Sketch is a modern artwork realized after Sergei Eisenstein in the mid-20th Century. Mixed colored phototype print. Includes frame: 45 x 34 cm Fair conditions due to the time Kno...

Maurice de VLAMINCK Moulin de la Naze Original lithograph Printed signature in the plate On Chine paper 27.5 x 36.5 cm (c. 10.6 x 14.2 in) Blind stamp of the editor REFERENCES : -...

The Road With Trees is a print realized by Jacques Thèvenet in the early 20th Century. Lithograph on paper. Hand-signed, Numbered, edition of 6/40 p...

Jesus and the Disciples is an Original woodcut print realized by François Bouchot in 1922. The artwork is in good condition and included a brown cardboard passpartout (36.5x27.5 cm). No signature. François Bouchot (1800-1842), peintre et graveur, est né à Paris en 1800. Il étudia la gravure sous la direction de Richomme, puis devint élève de Regnault, puis de Lethière, et obtint le grand prix...

Les yeux noirs (The dark eyes) Lithograph, 1913 Lacking the artist's signature in pencil as sited in Duthuit. We have found numerous other impressions of this image with the initials...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...

Lovis Corinth Tapiau 1858 - 1925 Zandvoort Wildbach, 1923 Color lithograph on handmade paper Signed in pencil lower right Sheet 4 of the portfolio Swiss Landscapes One of 75 copies on this paper Image size: 15.5 x 18 cm Sheet size: 40 x 30 cm Frame: 43 x 33 cm Catalogue raisonné Müller 795 Further photos available on request Viewing and collection possible by prior appointment Authenticity will be confirmed in writing. Lovis Corinth was born on July 21, 1858, in the town of Tapiau in East Prussia (now Gwardejsk, Russia). While attending high school in Königsberg, he developed an interest in Greek and Roman mythology as well as the Christian stories of the Bible. From 1876, Lovis Corinth attended the art academy in Königsberg, where he studied under Otto Günther, who introduced him to Weimar plein air painting. In 1880, he transferred to the Munich Academy. Works from his Munich period demonstrate his orientation towards the naturalistic painting style of Wilhelm Leibl's circle. In 1883, Lovis Corinth traveled to Italy with his father, and in 1884 he spent three months in Antwerp, where he took painting lessons from Paul Eugène Gorge. From 1884 to 1887, Corinth studied at the Académie Julian in Paris. The artist then traveled to Berlin, where he probably painted his first self-portrait in 1887/88, which was followed by numerous others over the years. From 1891 to 1899, Corinth lived as a freelance painter in Munich, where he belonged to the Secession. After meeting Max Liebermann and Walter Leistikow in the winter of 1898/99, he decided to move to Berlin, where he settled in 1901. Prior to this, his work "Salomé with the Head of John the Baptist...

In 1911, the original poster "Paris Bruxelles Paris" by the artist Gamy showcased the thrilling spectacle of aviation as it celebrated the Wyn Malen Grand Prix de l'ACF on the Biplan...

One Hundred Prints Of The Noh - 1925 Original Japanese Woodblock Print Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869...

Dudley Hardy Hall's 1915 poster for "Coca Wine - The Elixir of Life" provides a captivating glimpse into a bygone era of advertising. This unique beverage combined wine with cocaine, with one prominent brand being Vin Mariani...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Beautiful proof of state on vélin, 3rd state. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Beautiful proof of state on vélin, 2nd state. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

Ex Libris Still Life is an Artwork realized in 1920 s., by the Czech Artist Ruda Kubicek (1891-1983) Woodcut B./W. print on paper. Signed on plate on the left corner.  The work is ...

"Weihnacht" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Map...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Nude Woman is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signed on the lower. Luc-Albert Moreau (1882-194...

Jean-Emile LABOUREUR The Road with Pine Trees Original etching Handsigned in pencil Numbered / 150 (here n° 89) On vellum Van Gelder vellum 27.5 x 30.5 cm Authenticated by the dry stamp of the editor Marcel Guiot (Paris) REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #390 The etching is part of the set 'Cahier de...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Three Nude Women is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition with slight foxing. Hand-signed on the lower. Lu...

"Les Matelassiers (The Mattress Makers)" is an original etching by Auguste Brouet. It depicts people creating a mattress outside. The artist signed the...

Castle in Night is a print realized by an Anonymous artist in the 20th century. Woodcut on paper. Good conditions. Beautiful mysterious work depicted through delicate strokes.

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Raoul Dufy, French (1877 - 1953) - The Hare, Year: circa 1920, Medium: Woodblock on thin wove paper, Image Size: 8 x 7.75 inches, Size: 11.5 x 9 in. (29.21 x 22.86 cm), Description...

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Artist: John Taylor Arms (American , 1887-1953) Title: Hambourg Year: 1927 Medium: Etching Edition: Unknown Paper: Thin paper Image (plate mark) size: 10.1 x 4.85 i...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La feuille jaune (The Yellow Leaf), from the album Fernand Leger (Fernand Leger), originates from the 19...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), Rudolf von Rittner as Florian Geyer, 1924 (Müller 854), drypoint signed in pencil. 20.4 × 14.2 (plate size), 37.7 × 30.6 cm (sheet size). Published by Karl Nierendorf, Berlin. Framed in a passepartout. - Strong, precise impression. Frame a little bit rubbed and with two small damages. About the artwork The knight is a leitmotif in Lovis Corinth's work, culminating in his Self-Portrait in Armour of 1914. Of all the paintings on this theme, Corinth most often depicted Florian Geyer. Descended from a Franconian noble family, he fought for the freedom of the peasants during the peasant wars of the Reformation, first diplomatically and then militarily, leading the legendary Schwarzen Haufen (Black Troops). The name derives from the black uniforms with which Geyer dressed the peasants willing to fight. During the Napoleonic occupation, the freedom fighter Florian Geyer was sung about by the Romantics, and the free corps Die Schwarze Schaar, founded in 1813 by Major von Lützow, succeeded the Schwarzer Haufen. It was against this historical background that Gerhard Hauptmann wrote the revolutionary drama Florian Geyer, which premiered at the Deutsches Theater in Berlin in 1896. While the actor Rudolf Rittner, who would later appear in Fritz Lang's films, initially played the role of Schäferhans, he took over the leading role in the new production at Berlin's Lessing Theatre in 1904, again directed by Emil Lessing, which established his fame as an actor. Hauptmann himself praised the acting. He wrote to Hugo von Hofmannsthal: "It went quite well with Florian Geyer. In any case, I had the great pleasure of seeing the play again in an admirable performance". And Lovis Corinth was so taken with Rittner's performance that he painted an oil portrait of him in the role of Florian Geyer in 1906. After two further graphic versions in 1915 and 1920/21, Corinth returned to the painting a year before his death and almost twenty years after the oil painting to create this graphic version in 1924. Even the inscription in the picture was taken over. This proves all the more the importance of the knight and freedom fighter for Corinth's self-image. The oil painting, in particular, proclaims the single-minded determination to fight to the last for the values defended, manifested in the oil painting by the tattered flag held out to the enemy. There is a parallel with Rainer Maria Rilke's 1899 story The Cornet, in which the protagonist goes down with the flag that he first saved at the risk of his life. Consequently, the portrait is also a self-portrait, and the knight's armour is not an academic costume or an ironic refraction, but an expression of Corinth's self-image, which also includes his self-representation as an artist. The Secession poster...

Study of Figures is anartwork realized by Charles Paul Renouard (1845-1924) in the early 20th century. Pencil drawing. Good condition. Not signed. The drawing is glued on a cardb...

Celebrations in Piazza Navona is an original Lithograph, realized by an anonymous artist in the Early 20th Century. The status of preservation Good. Th...

Very rare edition of only 25 prints on vélin fort, numbered and signed by the artist. Redness on left side of the sheet, otherwise excellent conditions and in full margins. Dry stamp...

Ex Libris Minimal is an original Contemporary Artwork realized in the 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total dimension...