Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Pierre-Joseph Redouté
1938 Pierre-Joseph Redoute 'Rosa Indica Cruenta; Rosier mensuel 'Slater's

1938

$325List Price

You May Also Like

Anemone Bouquet
By Pierre-Joseph Redouté
Located in New York, NY
"Anemone Simple" from "Les Choix des Plus Belles Fleurs" by Pierre-Joseph Redoute. Paris: Panckoucke, 1827-1833. Original stipple engraving printed in color and finished by hand.
Category

Early 19th Century Prints and Multiples

Materials

Paper

Pear Engraving
By Pierre-Joseph Redouté
Located in New York, NY
Redouté, Pierre Joseph. Poire Tarquin. Le Choix des Plus Belles Fleurs. Paris, 1827. Original engraving hand colored at the time of publication.
Category

Early 1800s Prints and Multiples

Materials

Paper

Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Still-life Prints

Materials

Engraving

Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category

Late 18th Century Naturalistic Still-life Prints

Materials

Engraving

Rosa Damacena Celsiana (Roses): Original 19th C. Hand-colored Redoute Engraving
By Pierre-Joseph Redouté
Located in Alamo, CA
This rare original 19th century hand-colored stipple engraving entitled "Rosa Damacena Celsiana Prolifera (Roses)" by Pierre-Joseph Redouté is from his and Claude Anthoine Thory's illustrated publication 'Les Roses', published in Paris by Dufart and Hauer between 1828-1829. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This hand-colored engraving of red roses on their stems is in excellent condition. There are a few punctate opacities which appear most likely to represent tiny imperfections related to the paper manufacture. The original descriptive text pages from Redoute's 19th century publication are included. A larger version of this engraving is currently listed online for $12,000. There is another Redoute rose engraving from this series that is listed on 1stdibs. The two engravings would make for a striking display grouping. See 1stdibs item LU1173211601512. A discount is available for the purchase of both of these engravings. Please inquiry about details. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia...
Category

Early 19th Century Naturalistic Still-life Prints

Materials

Engraving

Rosa Gallica Gueriniana (Roses): Original 19th C. Hand-colored Redoute Engraving
By Pierre-Joseph Redouté
Located in Alamo, CA
This rare original 19th century hand-colored stipple engraving entitled "Rosa Gallica Gueriniana (Roses)" by Pierre-Joseph Redouté is from his and Claude Anthoine Thory's illustrated publication 'Les Roses', published in Paris by Dufart and Hauer between 1828-1829. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This hand-colored engraving of red roses on their stems is in excellent condition. There are a few punctate opacities which appear most likely to represent tiny imperfections related to the paper manufacture. The original descriptive text pages from Redoute's 19th century publication are included. A larger version of this engraving is currently listed online for $12,000. There is another Redoute rose engraving from this series that is listed on 1stdibs. The two engravings would make for a striking display grouping. See 1stdibs item LU1173211602522. A discount is available for the purchase of both of these engravings. Please inquiry about details. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia...
Category

Early 19th Century Naturalistic Still-life Prints

Materials

Engraving

REDOUTÉ. Musa paradisiaca - Banana
By Pierre-Joseph Redouté
Located in London, GB
Stipple-engraved plate of Bananas printed in colours and finished by hand. [Chez l’Auteur, Paris, 1802] The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanical illustration ever to be published." (Frans A. Stafleu, "Redoute - peintre de fleurs" in A Catalogue of Redouteana). Redoute was at the height of his powers during the publication of Les Liliacees. It is easily the equal in accomplishment of its more popular successor, Les Roses. The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he had as patron and sponsor Josephine...
Category

Early 1800s Naturalistic Still-life Prints

Materials

Handmade Paper, Engraving

1975 Andrew Dasburg Color Lithograph, "Trees in Ranchitos II" Taos Modernist
By Andrew Michael Dasburg
Located in Denver, CO
"Trees in Ranchitos II" is a striking 1975 color lithograph by acclaimed modernist artist Andrew Michael Dasburg (1887–1979). This collectible artwork, initialed in the lower right, beautifully captures the serene landscapes of New Mexico, reflecting Dasburg’s signature fusion of Post-Impressionism and Cubist influences. The composition conveys the tranquil rhythm of trees and desert terrain, combining geometric abstraction with lyrical naturalism. The lithograph is presented in a custom frame measuring 30 ½ x 36 ¼ inches, with an image size of 16 ½ x 23 ¼ inches, making it a sophisticated and visually compelling addition to any collection of Taos Modernist art, American modernism, or Southwestern landscape prints. About Andrew Michael Dasburg (1887–1979): Born in Paris, France, Dasburg immigrated to New York City in 1892, where his early talent was recognized. He trained at the Art Students League of New York under notable instructors including Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, he returned to Paris and encountered the works of Henri Matisse and Paul Cézanne, experiences that ignited his lifelong commitment to modernism. After settling in Woodstock, NY, Dasburg immersed himself in the avant-garde scene, collaborating with Morgan Russell...
Category

1970s American Modern Landscape Prints

Materials

Lithograph

WPA-Era Central City, Colorado, 1930s Modernist Lithograph, Cityscape 3/25
By Arnold Rönnebeck
Located in Denver, CO
This 1933 lithograph, Central City, Colorado 3/25, by Arnold Rönnebeck, captures the architectural essence of a historic mining town during the Great Depression. Rendered in black an...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

'Mining Town' , American Modern Signed Lithograph, Colorado Mining Town Scene
By Robert Beauchamp
Located in Denver, CO
American modern lithograph on paper titled 'Mining Town' signed by artist Robert Beauchamp (1923-1995) featuring a figure walking and a cat sitting on a fe...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Paper, Lithograph

More From This Seller

View All
Chagall-Romeo and Juliette Office de Tourisme de France Vintage
By Marc Chagall
Located in Brooklyn, NY
This advertising poster, printed by Mourlot for the Office of French Tourism, is a captivating detail from Marc Chagall’s Ceiling of the Opera, specifically a fragment paying tribute...
Category

1960s Modern Prints and Multiples

Materials

Lithograph

Rosenkilde 'Shock Blue Black Hole' 2016-Signed
Located in Brooklyn, NY
Krista Rosenkilde, a prominent Danish artist, is renowned for her dynamic use of color and abstract forms. Shock Blue Black Hole is an original lithograph, one of four in a captivati...
Category

2010s Abstract Geometric Prints and Multiples

Materials

Lithograph

Enrico Baj 'Homme de Guerre'- Lithograph
By Enrico Baj
Located in Brooklyn, NY
Paper Size: 39 x 27 inches ( 99.06 x 68.58 cm ) Image Size: 39 x 27 inches ( 99.06 x 68.58 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS. Price Reflect...
Category

Late 20th Century Prints and Multiples

Materials

Lithograph

Georges Rouault 'Camille portrait' 1969- Lithograph
By Georges Rouault
Located in Brooklyn, NY
Paper Size: 18 x 13.25 inches ( 45.72 x 33.655 cm ) Image Size: 10.75 x 8.5 inches ( 27.305 x 21.59 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...
Category

1960s Prints and Multiples

Materials

Lithograph

Georges Rouault 'Le Clown' 1965- Lithograph
By Georges Rouault
Located in Brooklyn, NY
Paper Size: 18 x 13 inches ( 45.72 x 33.02 cm ) Image Size: 15.25 x 10.75 inches ( 38.735 x 27.305 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1960s Prints and Multiples

Materials

Lithograph

Emile Deyrolle 'Systeme Metrique (The Metric System)' 1965- Lithograph
By Emile Deyrolle
Located in Brooklyn, NY
Paper Size: 26 x 20.75 inches ( 66.04 x 52.705 cm ) Image Size: 23.5 x 18.5 inches ( 59.69 x 46.99 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...
Category

1960s Prints and Multiples

Materials

Lithograph

Recently Viewed

View All