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Andy Warhol
Muhammad Ali - Andy Warhol, Pop Art, Print, Screenprint, Portrait, Contemporary

1978

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  • Celia, 8365 Melrose Avenue, Hollywood
    By David Hockney
    Located in London, GB
    Lithograph, 1973, on Arches wove paper, signed, titled, dated and inscribed P.P.II in red pencil, one of two printer's proofs, aside from the edition of 46 ...
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    1970s Pop Art Portrait Prints

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    Lithograph

  • Fashion-plate
    By Richard Hamilton
    Located in London, GB
    Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist. Signed in pencil and numbered from the edition of 70. On Fabrian...
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    1960s Pop Art Portrait Prints

  • Christopher Isherwood and Don Bachardy
    By David Hockney
    Located in London, GB
    Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an e...
    Category

    1970s Portrait Prints

    Materials

    Lithograph

  • Pierrot (Massine en Pierrot)
    By Pablo Picasso
    Located in London, GB
    Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...
    Category

    1910s Cubist Portrait Prints

    Materials

    Etching

  • Glazed Earthenware
    By Patrick Caulfield
    Located in London, GB
    Signed in pencil, one of 13 artist's proofs aside from the edition of 70. Printed on wove paper at Kelpra Studio. Published by Waddington Graphics, London. (Dempsey 44).
    Category

    1970s Pop Art Interior Prints

    Materials

    Screen

  • Self-Portrait - Richard Hamilton, Pop Art, Screenprint, Contemporary art,
    By Richard Hamilton
    Located in London, GB
    Printed on Schoellershammer paper by Domberg, Stuttgart. Published by the artist. (Lullin 62).
    Category

    1960s Pop Art Figurative Prints

    Materials

    Screen

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  • Ava Gardner AKA Frank Sinatra's Nightmare
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  • Monica Nude with Lichtenstein
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    Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...
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