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Edvard Munch
Louise and Else Heyerdahl /// Expressionism Edvard Munch Portrait Figurative Art

1920

About the Item

Artist: Edvard Munch (Norwegian, 1863-1944) Title: "Louise and Else Heyerdahl" *Signed by Munch in pencil lower right Year: 1920 Medium: Original Lithograph on heavy cream wove paper Limited edition: 22/approx. 50 impressions Printer: Anton Peder Nielsen, Kristiania (present day Oslo), Norway Publisher: The artist Munch himself, Kristiania (present day Oslo), Norway Reference: "Edvard Munch: The Complete Graphic Works" - Woll No. 641, page 383; Schiefler No. 474; Munch-Museet No. 408 Framing: The sheet is floated, framed in a custom handmade gold leaf moulding with matting from Holland. All archival Framed size: 29.75" x 35.75" Sheet size: 19.75" x 26.25" Condition: Light toning and soft handling creases to sheet. It is otherwise a strong impression in very good condition Extremely rare Notes: Provenance: private collection - New York, NY; acquired from M. Knoedler & Co. Inc. (Knoedler Gallery), New York, NY retaining their original gallery label lower right on verso. Numbered/inscribed "No. 22" by Anton Peder Nielsen (who later took the family name Kildeborg) in pencil lower left. It is documented this edition was numbered by the printer (Nielsen) up to at least "No. 25". Printed in one color: black ink from a lithographic zinc plate (MM P 301). Louise (1896-1989) and Else (1898-1985) were the daughters of Hieronymus Heyerdahl (cf. cat. no. 554). Hieronymus Heyerdahl (1867-1959) was a Norwegian lawyer and local politician. He was a member of the Oslo City Council in 1911-1919 and 1923-1925. From 1912-1914, he was mayor of the city, and his experience of the anniversary celebration in 1914 led him to devote much time and energy towards getting Oslo a representative City Hall. Munch painted his portrait for the Gallery of Mayors in the Oslo City Hall, and two similar portraits (private collection and MM M 71). He also made two lithographic portraits (cat. nos. 599 and 600). Biography: Edvard Munch (Norwegian: 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call "The Frieze of Life", depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere. "The Scream" was conceived in Kristiania. According to Munch, he was out walking at sunset, when he 'heard the enormous, infinite scream of nature'. The painting's agonized face is widely identified with the angst of the modern person. Between 1893 and 1910, he made two painted versions and two in pastels, as well as a number of prints. One of the pastels would eventually command the fourth highest nominal price paid for a painting at auction. As his fame and wealth grew, his emotional state remained insecure. He briefly considered marriage, but could not commit himself. A mental breakdown in 1908 forced him to give up heavy drinking, and he was cheered by his increasing acceptance by the people of Kristiania and exposure in the city's museums. His later years were spent working in peace and privacy. Although his works were banned in Nazi-occupied Europe, most of them survived World War II, securing him a legacy.
  • Creator:
    Edvard Munch (1863 - 1944, Norwegian)
  • Creation Year:
    1920
  • Dimensions:
    Height: 29.75 in (75.57 cm)Width: 35.75 in (90.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    (Very Good).
  • Gallery Location:
    Saint Augustine, FL
  • Reference Number:
    1stDibs: LU12125012812

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Artist: Otto Dix (German, 1891-1969) Title: "Dame mit Reiher (Woman with a Tuft of Heron Feathers)" Portfolio: Die Schaffenden, Vol. 5, No. 1 *Signed and dated by Dix in pencil lower right Year: 1923 Medium: Original Lithograph on light cream smooth wove paper Limited edition: approx. 120 Printer: likely the artist Dix himself, Düsseldorf, Germany Publisher: Euphorion Verlag, Berlin, Germany Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 62/II c, pages 84, 147 Sheet size: 16.25" x 12.25" Condition: In excellent condition Rare Notes: Provenance: private collection - Robert Kuennen, Oberlin, OH. Euphorion Verlag chop mark/blind stamp lower right. "Dix Fraukopf" (Dix Woman Head) pencil inscribed lower center. "The brim of her hat loops to make a shadow, the better to show her gaunt profile. Strands of hair writhe against her cheek and complement a fur stole on her shoulder. In 1923 Otto Dix went to Düsseldorf to learn new printing skills, including lithography which would show his drawing skills to better effect. He made a series of character studies, including this affecting portrayal of a pale woman reduced almost to a shadow of herself. Eyes closed to the exquisite world represented by those materials set out by the artist, she seems scarcely aware." - Sotheby's, London, UK Biography: Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died...
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Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci) Poster /// Edvard Munch Litho
By Edvard Munch
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Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...
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Männlicher Kopf von vorn (Male Head from the Front) /// German Expressionism
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Weiblicher Kopf (Female Head) /// German Expressionism Rottluff Woodcut Modern
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