Items Similar to 18th Century Engraved Portrait of George Savile, Marquis of Halifax by Houbraken
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Jacobus Houbraken 118th Century Engraved Portrait of George Savile, Marquis of Halifax by Houbraken1747
1747
About the Item
A superb 18th century engraved portrait of George Savile, Marquis of Halifax, Plate 82 in "The Heads of Illustrious Persons of Great Britain", written by Thomas Birch (1705-1766) and published in London by John & Paul Knapton in 1747. The portrait and vignette were engraved by the Dutch engraver Jacobus Houbraken (1698-1780) after a painting by Sir Godfrey Kneller (1646-1723). This technically beautiful engraving depicts the Marquis of Halifax turned to his left but looking forward, wearing a draped cloak, a lace neckerchief and a long dark curly wig. An architectural oval with draped fabric is seen around the portrait. An elaborate scalloped curved molding below the portrait surrounds an engraved scene, which depicts Halifax, as chairman of the council of peers, offering the crown to William of Orange in the "Glorious Revolution", 1688-1689. The engraving is held by many museums, including The metropolitan Museum of Art, The National Portrait Gallery, The National Trust Collections, The National Galleries of Scotland.
There are a few small faint spots and mild toning in the lower right margin outside of the plate mark that does not affect the image. The print is otherwise in very good condition.
George Saville was a statesman and writer. The Marquis of Halifax was a favorite of Charles II. As a Privy Councilor he attempted to steer a moderate course between extreme Protestants, High Church Tories and Roman Catholics, but he was dismissed at the accession of James in 1685. Halifax was closely involved in the revolution of 1688, and presided over the council of lords, which arranged the succession of William and Mary. It was said that the revolution bore 'the character of the large but cautious mind of Halifax'. Dryden described him as 'Of piercing wit and pregnant thought'.
Jacobus Houbraken (1698-1780) was a Dutch engraver who devoted himself almost entirely to portraiture. He produced a published record of the lives of artists from the Dutch Golden Age. In many cases his portraits are the only likenesses left of these people. Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in London from 1743 to 1752. From 1752 to 1759 he worked with the historian Jan Wagenaar (1709–1773) on his 21 part "Vaderlandsche Historie", published by Isaac Tirion in Amsterdam.
- Creator:Jacobus Houbraken 1 (Dutch)
- Creation Year:1747
- Dimensions:Height: 15.5 in (39.37 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 16591stDibs: LU117325568281
Jacobus Houbraken 1
Jacobus Houbraken (1698-1780) was a Dutch engraver who devoted himself almost entirely to portraiture. He produced a published record of the lives of artists from the Dutch Golden Age. In many cases his portraits are the only likenesses left of these people. Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in London from 1743 to 1752. From 1752 to 1759 he worked with the historian Jan Wagenaar (1709–1773) on his 21 part "Vaderlandsche Historie", published by Isaac Tirion in Amsterdam.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
284 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllA Pair of 19th C. Engravings Depicting the Costumes and Weapons of Afghani Men
Located in Alamo, CA
These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...
Category
1840s Realist Portrait Prints
Materials
Lithograph
Le Mangabey Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Animal Prints
Materials
Engraving
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Animal Prints
Materials
Engraving
White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Animal Prints
Materials
Engraving
Vincent de Paul Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
By Gerard Edelinck
Located in Alamo, CA
This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...
Category
Late 17th Century Old Masters Portrait Prints
Materials
Engraving
Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
By Gerard Edelinck
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king .
This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included.
Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
Category
Late 17th Century Old Masters Portrait Prints
Materials
Engraving
You May Also Like
Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints in box)
By Kehinde Wiley
Located in New York, NY
Kehinde Wiley
Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004
Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...
Category
Early 2000s Realist Portrait Prints
Materials
Ink, Mixed Media, Board, Laid Paper, Lithograph, Offset
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
By Mickalene Thomas
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 141/150
Frame included with official COA affixed to the back
Hand numbered ...
Category
2010s Realist Animal Prints
Materials
Laid Paper, Permanent Marker, Digital Pigment
Italian Painter’s Portrait Engravings on Laid Paper on Canvas in Ebonized Frames
Located in Firenze, IT
These beautiful Italian 18th Centruy engravings on laid paper feature the portrait of two famous Italian painters: Veronese and Guido Reni. They were engraved by Pier Antonio Pazzi a...
Category
18th Century Baroque Portrait Prints
Materials
Cotton Canvas, Laid Paper, Engraving
Portrait of Carlos de Colonna, Marques de la Espinar
By Paulus Pontius
Located in Middletown, NY
(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression.
__________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...
Category
Mid-17th Century Old Masters Portrait Prints
Materials
Laid Paper, Engraving
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Drypoint, Laid Paper, Etching
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category
Mid-17th Century Old Masters Portrait Prints
Materials
Laid Paper, Engraving, Etching
