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Style: Old Masters
Medium: Engraving
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Laid Paper, Handmade Paper, Engraving
William James Smith - Engraving after Rembrandt - 19th Century
Located in Roma, IT
William James Smith is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller
Engraving on hand made laid paper wit...
Category
Early 17th Century Old Masters Engraving Portrait Prints
Materials
Handmade Paper, Laid Paper, Engraving
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Late 18th Century Old Masters Engraving Portrait Prints
Materials
Engraving, Etching
Ordinis Benedictini monialis; Saint Thecla of Kitzengen
Located in Middletown, NY
King, Daniel (with Wenceslaus Hollar)
Ordinis Benedictini monialis; Saint Thecla of Kitzengen
c 1650.
Etching with engraving on cream laid paper with an indiscernible watermark wit...
Category
Mid-19th Century Old Masters Engraving Portrait Prints
Materials
Etching, Laid Paper, Engraving
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Edward Stanley, 3rd Earl of Derby...
Category
Late 18th Century Old Masters Engraving Portrait Prints
Materials
Engraving, Etching
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Engraving Portrait Prints
Materials
Mezzotint
Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below.
This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum.
Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs.
Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today.
William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
Category
Early 18th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Old Master French Noblemen Engraving by Crispin de Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670)
Untitled (French Noblemen on Horseback), c. 1620-1660
Engraving
Sight: 11 3/4 x 15 3/4 in.
Framed: 18 3/4 x 22 5/8 in.
Inscribed in p...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Old Beggar Woman with a Gourd - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Old Beggar Woman with a Gourd is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs t...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Earl of Montbar, famous French horseman, Crispin de Passe Engraving
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670)
Caesar August de Bellegarde Conte de Montbar Marquis de Termes grand Ecuyer de France, c. 1660
Engraving
Sight: 11 3/4 x 15 3/4 in.
Fr...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
'Portrait of a Young Woman' original Hollar engraving after Hans Holbein
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of an unidentified woman, copying a portrait by Hans Holbein the Younger. The identity of the sitter is a mystery: formerly, the portrait was believed to be of Catherine of Aragon, and the National Portrait Gallery in London identifies her as Queen Mary I...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
'Portrait of Henrico van der Borcht, ' original W. Hollar engraving after Holbei
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Engraving Portrait Prints
Materials
Drypoint, Laid Paper, Etching
Johannes Wesselius Portrait: An 18th Century Engraving/Etching by Houbraken
Located in Alamo, CA
This is an 18th century engraved and etched portrait of Johannes Wesselius by Jacobus Houbraken after a painting by Jan Maurits Quinkhard. It depicts a half-height image of Wesselius...
Category
Mid-18th Century Old Masters Engraving Portrait Prints
Materials
Engraving, Etching
Portrait of an infamous thief
Located in Middletown, NY
A fascinating image of a well-known theif robbing a merchant of goods held atop her head.
Paris: circa 1670.
Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...
Category
Mid-18th Century Old Masters Engraving Portrait Prints
Materials
Handmade Paper, Engraving, Etching
Aegidius Sadeler II Engraving "Petronia, First Wife of Vitellius, Roman Emperor"
By Aegidius Sadeler II
Located in New York, NY
Artist: Aegidius Sadeler II
Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century
Engraving
Publisher: Marcus Christoph Sadeler
Sight: 15 1/4 x 10 3/4 in.
Framed: 19 3/4 x 15 1/4 x 1 in.
This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed.
Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries.
His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3]
After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...
Category
16th Century Old Masters Engraving Portrait Prints
Materials
Engraving
A Chinese Nobleman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Late 18th Century Old Masters Engraving Portrait Prints
Materials
Watercolor, Handmade Paper, Engraving
Landscape With A Milkman - Engraving after Rembrandt -19th Century
Located in Roma, IT
Landscape With A Milkman is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1650. This wonderful piece of art belongs to an e...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Rembrandt's Mother - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late ed...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Cottages and a Hay Barn - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Cottages and a Hay Barn on the Diemerdijk is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Large Village Fair
Located in Middletown, NY
Hamburg: Lippmann, 1895.
Copperplate engraving on cream wove paper with a deckle edge, 10 1/8 x 13 1/2 inches (256 x 342 mm), full margins. In generally good condition with some lig...
Category
Late 19th Century Old Masters Engraving Portrait Prints
Materials
Engraving, Handmade Paper
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613.
Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category
Early 17th Century Old Masters Engraving Portrait Prints
Materials
Laid Paper, Engraving
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category
Mid-17th Century Old Masters Engraving Portrait Prints
Materials
Laid Paper, Engraving, Etching
The Monk in the Cornfield - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Monk in the Cornfield is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Rembrandt's Mother with Black Veil I- Engraving after Rembrandt - 19th Century
Located in Roma, IT
Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1631. This ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait in a Cloak with a Falling Collar: Bust is an engraving on ivory-colored paper realized after an etching by Rembrandt by charles Amand Durand (1831-1905). This wonderful...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Carolus de Mallery, by Lucas Vorsetman the Elder after van Dyck
Located in Middletown, NY
An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery.
Lucas Vorsterman the Elder (after Anthony van Dyck).
Carolus de Mallery, from Icones Principum Viror...
Category
Mid-17th Century Old Masters Engraving Portrait Prints
Materials
Laid Paper, Engraving, Etching
Crispin de Passe Engraving of the Grand Écuyer (Squire) of France
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670)
Grand Écuyer de France or Grand Squire of France, c. 1620-1660
Engraving
Sight: 11 3/4 x 15 3/4 in.
Framed: 18 3/4 x 22 5/8 in.
Crisp...
Category
17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-Portrait, Bare-Headed - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait, Bare-Headed is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edit...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
By Vincenzo Dolcibene
Located in Alamo, CA
This is a set of three framed 18th century engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" (Shepherd) and "Istrione" (Actor), "Gia ne...
Category
1780s Old Masters Engraving Portrait Prints
Materials
Engraving
Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category
16th Century Old Masters Engraving Portrait Prints
Materials
Handmade Paper, Laid Paper, Engraving
Portrait of Carlos de Colonna, Marques de la Espinar
By Paulus Pontius
Located in Middletown, NY
(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression.
__________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...
Category
Mid-17th Century Old Masters Engraving Portrait Prints
Materials
Laid Paper, Engraving
A Chinese Watchman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category
Late 18th Century Old Masters Engraving Portrait Prints
Materials
Watercolor, Handmade Paper, Engraving
Portrait of Marquard Freher, aged forty-nine
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category
Early 17th Century Old Masters Engraving Portrait Prints
Materials
Handmade Paper, Laid Paper, Engraving
Self-Portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Head of a Man in a High Cap - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Head of a man in a high cap is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Vincent de Paul Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Saint Vincent de Paul by Gerard Edelinck (1640-1707) after a painting by Simon Francois (1606-1671), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Vincent de Paul (1581-1660) was a French Catholic...
Category
Late 17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Head Of An Old Man - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Head Of An Old Man is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Thomas Jacobsz Haringh - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Thomas Jacobsz Haringh is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1855 ca. This wonderful piece of art belongs to an...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Early 1700s Old Masters Engraving Portrait Prints
Materials
Engraving
Rembrandt's Mother with Black Veil I - Engraving after Rembrandt-19th Century
Located in Roma, IT
Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching after Rembrandt's original eng...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Jacob Haaringh "'Young Haaringh" - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Jacob Haaringh "'Young Haaringh" is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1655. This wonderful piece of art belongs to an edition of the la...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-Portrait Leaning Forward Bust - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait Leaning Forward Bust is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a l...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king .
This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included.
Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
Category
Late 17th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Portrait Of Jan Six - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Portrait Of Jan Six is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful piece of a...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Leper - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Leper is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Gift of the Magi: An 18th C. Religious Engraving by Vale, After Calmarat
Located in Alamo, CA
This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...
Category
Early 18th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Seated Beggar and His Dog - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Seated beggar and his dog is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
A Beggar - Engraving after Rembrandt - 19th Century
Located in Roma, IT
A Beggar is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of t...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Woman in the Bathroom I - Engraving After Rembrandt - 19th Century
Located in Roma, IT
Woman in the Bathroom I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt of 1658. This specimen belongs to an edition of the late...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Standing Men - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Standing Men is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Set of Four Stipple Engravings from "Drawings by Hans Holbein" /// Henry VIII
By Hans Holbein
Located in Saint Augustine, FL
Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543)
Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...
Category
1810s Old Masters Engraving Portrait Prints
Materials
Engraving, Intaglio
Two Beggars - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Two Beggars is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of the 19th...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-Portrait, Stuurs kKijkend - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait, stuurs kijkend is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-Portrait - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Beggar and Peasants - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Beggar and Peasants is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Self-Portrait with a Scarf Around His Neck-Engraving after Rembrandt- 19th Cent.
Located in Roma, IT
Self-Portrait with a Scarf Around His Neck is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Artist’s Mother - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Artist’s Mother is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
The Artist's Mother - Engraving after Rembrandt - 19th Century
Located in Roma, IT
The Artist's Mother is an enrgraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late ...
Category
19th Century Old Masters Engraving Portrait Prints
Materials
Engraving
Engraving portrait prints for sale on 1stDibs.
Find a wide variety of authentic Engraving portrait prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add portrait prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, red, purple, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Charles Amand Durand, McKenney & Hall, Georges Rouault, and Carol Wax. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving portrait prints, so small editions measuring 0.02 inches across are also available Prices for portrait prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,500,000, while the average work can sell for $781.