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Max AckermannDIE SCHAUSPIELERIN HILDE KORBER1928
1928
About the Item
Ackermann, Max (German, 1887-1975). DIE SCHAUSPIELERIN HILDE KORBER. Etching, 1928. A proof before, or in addition to the edition of 200. Signed and dated "Max Ackermann 1928" in pencil lower right. and inscribed "Probe" in pencil lower left, and with the dry stamp "ATELIER SAMMET" lower right. Printed on wove paper. 12 1/4 x 8 1/4 in., 310 x 207 mm). with full (3 1/2 inches) margins and deckled edges. In excellent condition.
"Schauspielerin" means Actress. This is a "double portrait," in which the artist has presented two views of the subject.
Max Ackermann studied with Franz Von Stuck and Adolf Holzel. He was a member of Der Blaue Reiter in 1918-1919. He was friendly with Mondrian, Adolf Loos, and exhibited in Stuttgart with Kandinsky and George Grosz. The Nazi's considered his art to be "degenerate;" he was forbidden to teach, and many of his works were confiscated. He had a distinguished career as an artist and educator after World War II.
- Creator:Max Ackermann (1887 - 1975, German)
- Creation Year:1928
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Portland, ME
- Reference Number:Seller: 114811stDibs: LU36731120873
Max Ackermann
Max Ackermann was a seminal German abstract artist whose career spanned several key movements in 20th-century art. Known for his vibrant and dynamic compositions, Ackermann made significant contributions to the fields of prints and posters, blending elements of abstract expressionism with a distinct graphic sensibility. Born in Berlin in 1887, Ackermann showed an early interest in the arts. He studied at the Kunstgewerbeschule in Weimar under Henry van de Velde, a key figure in the Art Nouveau movement, and continued his education at the Academy of Fine Arts in Stuttgart, where he was influenced by Adolf Hölzel, a pioneer of abstract art. Ackermann's formative years were marked by exposure to various avant-garde movements, which shaped his later works in both painting and printmaking. His prints and posters are held in the collections of institutions such as the Museum of Modern Art (MoMA), New York, and the Städel Museum, Frankfurt.
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