The Parrish Art Museum (Girl with Hair Ribbon 1965) Roy Lichtenstein
View Similar Items
Roy LichtensteinThe Parrish Art Museum (Girl with Hair Ribbon 1965) Roy Lichtenstein1982
1982
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1982
- Dimensions:Height: 66 in (167.64 cm)Width: 56 in (142.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121124622771
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- Heir Apparent, James Rosenquist lithograph in electric blueBy James RosenquistLocated in New York, NYThis lithograph features a dramatically-lit, outstretched hand, swimming in electric, neon blue, with two soft white shapes below. The hand is a recurring motif in Pop art legend Ros...Category
1960s Pop Art Figurative Prints
MaterialsLithograph
- Girl with Long Hair, Colin Self british Pop Art portrait of woman in black whiteBy Colin SelfLocated in New York, NYA contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...Category
Early 2000s Pop Art Portrait Prints
MaterialsEtching
- Figure Looking through Legs Claes Oldenburg nude etching of woman in skirtBy Claes OldenburgLocated in New York, NYImage 12.5 x 9.3 in. / 31.7 x 23 cm Paper 25.3 x 19.75 in./ 65 x 50 cm Soft-ground etching and aquatint in two colors “à la poupée” on cream, thick, moderately textured Velin Arches...Category
1970s Pop Art Figurative Prints
MaterialsEtching, Aquatint
- Two Profiles Claes Oldenburg playful erotic etching in rainbow of colorBy Claes OldenburgLocated in New York, NYImage 19.75 x 26.3 in. / 50 x 67 cm Paper 27.25 x 36 in./ 69.2 x 91.4 cm Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with artist’s...Category
1970s Pop Art Figurative Prints
MaterialsEtching, Aquatint
- Figure in Skirt Claes Oldenburg playful erotic nude etching in rainbow of colorBy Claes OldenburgLocated in New York, NYA woman in slip-on heels leans languidly on a cloud-like phallus defined with loose, sketched lines. Gazing dreamily past the viewer, the topless woman dons a diaphanous tutu, and at...Category
1970s Pop Art Figurative Prints
MaterialsEtching, Aquatint
- Vintage James Rosenquist poster Amos Anderson (Hey! Let’s Go for a Ride 1973)By James RosenquistLocated in New York, NYOriginal poster produced on the occasion of James Rosenquist’s exhibition at the Amos Anderson Gallery, organized by Petersburg Press. This vintage poster reproduces the artist’s 1973 lithograph Hey! Let’s Go for a Ride, based on the 1961 painting of the same title. A glistening green bottle top dominates the foreground, behind which a red-lipped woman...Category
1980s Pop Art Figurative Prints
MaterialsPaper, Offset
- Beautiful Bedroom KateBy Tom WesselmannLocated in Ljubljana, SIBeautiful Bedroom Kate. Original color silkscreen on Museum Board, 1998. Edition of 90 signed and numbered impressions on Museum Board. Tom Wesselma...Category
1990s Pop Art Portrait Prints
MaterialsScreen
Price Upon Request - Hebru Brantley - 3 The Hard Way - Urban Graffiti Street ArtBy Hebru BrantleyLocated in Asheville, NC“3 THE HARD WAY portrays the concept of standing together to fight a system of racism and violence against the Black community — because we are stronger together,” explained Brantley. “I was thinking about building a community, building that totem, stacking one on top of another to reach somewhere closer to where we need to be. I’ve been exploring the language of totems and like the idea that you can combine different ideologies and tie them together in one narrative. Through 3 THE HARD WAY what I’m creating is one very concise theme, of brotherhood and building. Ultimately, the works highlight themes of race and power, but also hope.” Artists: Brantley, Hebru Manufacturer: Avant Arte...Category
2010s Pop Art Figurative Prints
MaterialsScreen
- Phantom LadyBy Mel RamosLocated in New York, NYColorful Pop Art screenprint by Mel Ramos from a limited edition of 100. Signed by Ramos and numbered in pencil. Printed by Accent Studios, Los Angeles. Published by Robert Bane...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- Jasper Johns (White)By Shepard FaireyLocated in New York, NYShepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...Category
Early 2000s Pop Art Portrait Prints
MaterialsPencil, Screen
- Satchmo (Louis Armstrong)By Seymour ChwastLocated in New York, NYSeymour Chwast Satchmo (Louis Armstrong), 1989 Silkscreen on Rives BFK Hand-signed and numbered 36/200 by artist on the front 44 × 30 inches Unframed A close-up portrait of Louis Arm...Category
1980s Pop Art Portrait Prints
MaterialsScreen
- Transparency, signed limited edition print from pioneering British Pop ArtistBy Joe TilsonLocated in New York, NYJoe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...Category
1970s Pop Art Figurative Prints
MaterialsScreen, Pencil