Modern Art Portrait Prints

Reclining Nude, from Expressionist Woodcut Series (C. 172). Woodcut in colors with embossing, 1980, on Arches Cover. Hand signed, numbered and dated in ...

BRASS SECTION(Jamming at Minton's) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free...

Milan: c1970. Lithograph on white wove paper, 20 x 24 1/4 inches (508 x 615 mm), the full sheet. Signed and titled (illegible) in pencil in the lower margin. In good condition with ...

Lithograph in colors on paper. Hand signed and dated on front by Keith Haring. Hand numbered 497/1000 on front. Artwork size 11 x 8.5 inches. Frame size approx 16.5 x 13.5 inches...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Hand signed and numbered by the artist. From the edition of 250. Screenprint in colors on paper. Commissioned to commemorate the opening of The Severin Wunderman Foundation in Ir...

"The Devil at the Keyboard" 1976 color lithograph artist proof. Abstract portrait of Thelonious Monk by Willem de Kooning. Hand signed de Kooning and numbered A/P in front lower righ...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Pop Shop VI, set of 4 screen prints in colors on wove paper. Each hand signed and dated on verso by the executor, Julia Gruen. Each hand numbered 146/200 on verso (there are also 2...

Screen print in colors on Rives BFK wove paper. Hand signed, dated and numbered by the artist. Artwork size 29.2 x 21 inches. Custom framed as pictured. Frame size approx 34.5 x 2...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...

Lithograph in colors on wove paper. Hand signed, dated and numbered by Keith Haring. Published by Nicole Fauché, Paris. Littmann 115. Edition 4/50. Artwork is in excellent conditio...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 18.5 x 15 inches. Image size 16 x 12.5 inches. Artwork is in exc...

Giclée print in colors on somerset paper. Hand signed lower right and left by Sandra Chevrier and Martin Whatson. Hand numbered 247/295 lower left. Artwork size: 39.5 x 27.5 inche...

Pierre Bonnard - The Sun Original Lithograph Dimensions: 32 x 24 cm Verve . Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Signed in the plate Unumbered as issued

Artist: Henri Matisse Title: Pasiphae Frontispiece Portfolio: Pasiphae Medium: Linocut on Arches vellum Date: 1944 Edition: 200 Frame Size: 19 3/4" x 17 1/4" Sheet Size: 13 3/4" x 10...

Full-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Unique hand painted serigraph on canvas. Hand signed in pigment lower front by Itzchak Tarkay. Hand numbered 115/295 on verso. Canvas size: 19.75 x 24.5 inches. Frame size: 31.5 ...

Serigraph in colors on paper. Hand signed lower right by LeRoy Neiman. Hand numbered 186/450 lower left. Sheet size: 35.25 x 28.125 inches. Sheet size: 36 x 35 inches. Image si...

Andy Warhol (American, 1928-1987) Mick Jagger, 1975 Screenprint on Arches Aquarelle paper Signed by Andy Warhol and Mick Jagger along lower edge Edition 212 of 250, apart from 50 art...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

TECHNICAL INFORMATION: Shepard Fairey Ali Canvas 2010 Screenprint 24 x 18 in. Edition 229 of 450 Pencil signed and numbered Condition: The corners are crisp, the edges are perfect ...

Hand signed, dated and numbered by the artist. EP edition. Image size: 11.75 x 8.75 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 9 x 10 inches. Custom framed as pictured. Frame size...

Original Orangina vintage horizontal poster. This poster is not linen-backed and is in Grade A—A—condition, ready to be framed. It was designed in 1984 and is documented as image #38...

Unique hand finished in spray paint and pens, 25 color screen print on 300gsm somerset paper. Hand signed and dated lower right by Martin Whatson. Hand numbered lower left. From t...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 40 x 27.5 inches. Image size 36.5 x 24 inches. Edition of 150. Artwork is in excellent condition. Certifi...

Salvador Dali - Don Quixote Reading - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : plate signed by Dali. LIMITED : 197 copies. SIZE : 41 x ...

Red Hair Profile is a lithograph print realized by Arturo Carmassi in 1973. Lithograph on paper. Hand-signed and numbered on the lower in pencil, edit...

Hand signed and numbered by the artist. Artwork in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitate ...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

Hand signed and numbered by the artist. Image size 25 x 18 inches. Sheet size 32 x 24 inches. Framed as pictured. Artwork is in excellent condition. Certificate of authenticity inclu...

Offset lithograph in colors on paper. Artist signature signed in the plate. Hand numbered in pencil. From the edition of 500. Published by Images International Hawaii. Printed by Tree Lautrec...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

Manolo Valdes La Dama de Argel, 1997 Etching and collage on handmade paper Edition 10 of 50, published by Marlborough Graphics, NY 39 x 28 inches Includes a Certificate of Authentici...

Limited edition giclée print on fine art paper of a watercolor portrait of Josephine Baker by African-American artist Richard Yarde. Hand-numbered 5/300,...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Lithograph in colors on paper. Signed and dated '49' in the plate (printed) by Henry Moore. Frame size approx 26 x 37 inches. Artwork is in excellent condition. Certificate of auth...

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

Digital Print on 100% Cotton Rag Hahnemühle Paper Edition of 25 40 x 50 cm 15 3/4 x 19 11/16 inches hand-signed and numbered by the artist Katherine Bradford is a contemporary Ameri...

Pablo PICASSO Carmen, The Round Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog r...

YOU ARE HERE by Ramona Nordal, 2022 Size: Image 12 x 16 inches, Paper 14 x 18 inches Giclee Print on Hahnemühle Photo Bright White Rag Numbered (2/5) and signed by the artist COA (Ce...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Image size: 27 x 39 in. M...

TENOR SERMON is a limited edition color lithograph by the renowned African American artist Romare Bearden(September 2, 1911 – March 12, 1988), printed on archival printmaking paper, ...

Linda Stein, Susan B. Anthony 786 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a...

THE COUPLE by the woman artist Robin Morris, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE COUPLE is a modern Art Deco styled portrait of a sophisticated, elegantly dressed urban couple formally poses for their portrait, an attractive woman with her short blonde bob hairstyle is seated wearing a fashionable purple and magenta ensemble and 1920's style flapper hat...

Screen print in colors on Saunders Waterford hi-white paper. Hand signed, dated and numbered by the artist. Edition 33/100 (there was also 20 APs and 5 PPs). Published by KAWSONE, B...

Giclee with screen printed varnish on Canson Rag Photographique 310gsm paper. Hand signed, dated and numbered by Nick Smith. Edition of 66. Frame size approx 30 x 29 inches. Artw...

Add a splash of vibrant Parisian art history to your home or office with this original Ting Galerie Adrien Maeght exhibition poster. This poster was made as an announcement for a leg...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...