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William Hogarth (1697-1764) - c.1775 Engraving, Simon, Lord Lovat

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A charming portrait mezzotint of a young lady with a well-plumed hat by Minnie Cormack (1862-1919), thought to be after one of a pair of works by George Morland (1763-1804). Wearing ...

A fine early 19th century coloured stipple engraving, titled Cyprian Volary by William Ward after George Morland. The engraving is exquisitely presented in a verre eglomise mount and...

A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Henry Graves & Co ltd, London 1933. Mounted in an elegant Hogarth-style frame. On pap...

A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Gladwell & Co ltd, London 1937. Mounted in an elegant Hogarth-style frame. Indistinct...

Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil. The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.

Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...

The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...

Signed and titled artist proof. Mezzotint portrait of a musician playing a baritone. Suarez is from Mexico, and exhibits internationally, winning awards for his evocative mezzotint...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...