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Robert FalcucciFalcucci's 1929 Original advertising poster Veuve Amiot Grands Vins Mousseux1929
1929
$2,855.48
£2,137.34
€2,400
CA$3,922.08
A$4,385.36
CHF 2,300.31
MX$53,117.27
NOK 29,036.84
SEK 27,432.80
DKK 18,271.89
About the Item
Step into the enchanting world of vintage poster art, where Robert Falcucci's 1929 masterpiece for Veuve Amiot Grands Vins Mousseux captures a moment of shared elegance and romance. This poster not only celebrates the allure of sparkling wine but also showcases the artistic finesse of its creator, Robert Falcucci.
Robert Falcucci, a celebrated French poster artist, was renowned for his ability to infuse his creations with sophistication and timeless charm. His artwork often celebrated life's pleasures, and the 1929 poster for Veuve Amiot encapsulates this essence.
The poster evokes a sense of enduring romance with its composition. It features a dashing couple, each holding a glass of Veuve Amiot Grands Vins Mousseux, as they share a moment of shared joy and connection. Falcucci's use of color and form conveys the effervescence and elegance associated with fine sparkling wines.
Veuve Amiot, known for producing high-quality sparkling wines, is prominently displayed on the poster, signifying a legacy of excellence in winemaking. The text subtly emphasizes the sophistication and allure of their vintages.
Original copies of this poster, though rare, are highly coveted by collectors and connoisseurs of both art and fine wines. They serve as a testament to an era when advertising art transcended mere promotion and celebrated the joy and romance embodied in every bottle of Veuve Amiot Grands Vins Mousseux.
In conclusion, Robert Falcucci's 1929 original poster for Veuve Amiot Grands Vins Mousseux is a captivating fusion of art and the timeless essence of romance. It beautifully illustrates the power of design to capture the elegance and joy of shared moments, elevated by the exquisite taste of sparkling wine. This poster continues to enchant viewers, inviting them to raise a glass and savor the sophistication and effervescence that define Veuve Amiot Grands Vins Mousseux.
Alcohol - Advertising - Maine-et-Loire
Champenoise method
De la Vasselais Paris
- Creator:Robert Falcucci (1900 - 1982, Italian)
- Creation Year:1929
- Dimensions:Height: 59.45 in (151 cm)Width: 44.89 in (114 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition, small tears, soiling in the lining, on linen.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792213153522
Robert Falcucci
Robert Falcucci (10 April 1900 – 13 May 1989) was a French illustrator. He was born in Châteauroux, France of Joseph, from the village of Verdesis in Castagniccia (Corsica) and Solange Fabulet, from Berry. He died at his home in Saint-Aubin. In 1903 his father, a postmaster, was appointed to Saint-Aubin-Châteauneuf (Yonne, Burgundy). He transferred in 1911 to Héry (Yonne, Burgundy) to facilitate transportation to Auxerre where the young Robert was educated at Lycée Paul Bert. He was introduced to drawing and painting by Cecile Cavaille-Coll (1854–1944), granddaughter of the famous organ builder, Aristide Cavaillé-Coll (1811–1899), painter and designer. In 1919 he performed military service in Paris. Released too late from his military service, he competed at the Ecole des Beaux-Arts. He was accepted at the Galeries des Beaux-Arts and admitted to the Ecole Normale Superieure des Arts Decoratifs in Paris. In Paris he met Emmanuel Cavaille-Coll (1860–1922), brother of Cecilia, renowned designer and watercolorist. In 1924 he married Odile Ginioux with whom he had seven children. He worked for the Renault car company from 1923–27, directing many magazine advertising pages, especially for Omnia and Automobilia. In 1927 he signed the color page of the magazine L'Illustration for 14 June and visited Marrakech and the High Atlas. He worked for couturier Paul Poiret (1879–1944) in 1928. He signed several commercials under the pseudonym "Wurci directory of luxury Pan", for industries and luxury shops. Later he worked for Poiret's ABC magazine. In the 1930s, he illustrated the program for the Monte Carlo Rally (1931), and a poster for PLM advertising the Juan les Pins-Antibes connection (1937). In the 1940s he participated in Workshop 4, rue Georges Berger (Paris 17th) (1943), illustrated the work of R. Hervouin "Guynemer legendary hero" (1944) and the works of P. Riber, "The weighted" and "Open arrow" (1945) and the "Colomba" editions of Mérimée Barry (1946). In 1948 he worked as Painter of the Army. In the 1950s he decorated the first Caravelle (1957) and A Gallery Cathedral for the Royal Rue Royale (1958). In the 1960s he designed decorations for the Boeing 707: Maintenon, Compiegne. He visited Algeria to serve in a company of infantry in Great Kabylie (1960). He designed the statue of monumental Sacred Heart Chapel Saint-Pierre (crypt) (1960). He designed the official program of the Cannes Film Festival (1967). In the 1970s he moved to Saint-Aubin-Château-Neuf (Burgundy) after restoration of a former abandoned road. The lane is now "Falcucci alley" (1970). In the 1980s he was Painter of the Army, selected to create the cover of the official program of the national holiday on 14 July (1982). The Basilica of St. Pius X in Lourdes (Hautes-Pyrenees) is decorated with a set of gémmaux made from his models (1985).
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