Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Rudolph Ackermann
Queens' College, Cambridge bridge engraving by Stadler after Westall

1814

About the Item

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Queen's College (1814) Aquatint with original hand colouring 19 x 28 cm Published by Rudolph Ackermann (1764 - 1834). Engraved for Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Joseph Constantine Stadler was a prolific German émigré engraver of images after his contemporaries - here, William Westall. Stadler's engravings are wide-ranging in subject matter and include landscapes, seascapes and portraits, as well as military, sporting and decorative subjects. Stadler was employed by the leading print publisher of the time, John Boydell. Stadler lived in Knightsbridge when he died at the age of 73. William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
  • Creator:
    Rudolph Ackermann (1764 - 1834)
  • Creation Year:
    1814
  • Dimensions:
    Height: 7.49 in (19 cm)Width: 11.03 in (28 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Colours very good, mounted to board, old mount staining to margins within platemark, a little toning to paper.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795315149612

More From This Seller

View All
King's College, Cambridge engraving by Havell for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Aquatint, Engraving

Trinity College, Cambridge library colonnade engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Colonnade under Trinity Library...
Category

1810s Realist Prints and Multiples

Materials

Engraving, Aquatint

Kitchen of Trinity College, Cambridge engraving by Stadler after WH Pyne
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Engraving, Aquatint

Christ Church Cathedral, Oxford interior engraving by Bennett after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Engraving, Aquatint

Peterhouse, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Engraving, Aquatint

Trinity Gate, Trinity College, Cambridge engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category

1810s Realist Prints and Multiples

Materials

Engraving, Aquatint

You May Also Like

Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
Category

Early 19th Century Realist More Prints

Materials

Engraving, Aquatint

The Circus Dressing Room
By Dame Laura Knight
Located in Missouri, MO
Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...
Category

1920s Realist Figurative Prints

Materials

Engraving, Aquatint

Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Landscape Prints

Materials

Engraving, Drypoint, Etching, Aquatint

Leap Fail Leap
By Robert Flemming & Mizin Shin
Located in Buffalo, NY
An original mixed media Photo Etching, Aquatint and Drypoint Printed on Arches Cover titled Leap Fail Leap, created by the artistic collaboration of Robert Flemming and Mizin Shin. ...
Category

2010s Realist Figurative Prints

Materials

Paper, Drypoint, Etching, Aquatint

L’Hiver a Paris ou La Neige a Paris
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

1870s Realist Landscape Prints

Materials

Drypoint, Etching, Aquatint

Black Geese
By Winifred Austen
Located in San Francisco, CA
This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition. About the artist: Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit. In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961. She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...
Category

Mid-20th Century Realist Animal Prints

Materials

Aquatint

Recently Viewed

View All