Sophie Taeuber-Arp

Sophie Taeuber-Arp's exhibition at the National Museum of Modern Art in 1964

1964

Poster printed in lithography after a drawing by Francis Picabia, designed for the opening in May 1950 of the bookstore (owned by Pierre-André Benoît) ...

Poster of Man Ray's exhibition ( 1890 - 1970 ) at the Françoise Tournié Gallery in 1972. Man Ray was an American visual artist who spent most of his career in Paris. Actor of Dadaism in New York, then of Surrealism in Paris, Man Ray perfected the photogram technique of Christian Schad...

Very nice lithograph by Man Ray ( 1890 - 1970 ) who was an American visual artist and spent most of his career in Paris. This unique trial proof is hand signed by the artist. He was ...

A very beautiful poster, made by Hans Peter Wilhelm Arp, known as Jean Arp ( 1886-1966 ). He is a German painter, sculptor and poet naturalized French. Co-founder of the Dada movement in Zurich in 1916, he was then close to Surrealism. Exposure - Surrealism - Dada Gallery La Hune...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...