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Still-life Prints For Sale
Artist: Pedro Friedeberg
Artist: Valton Tyler
"Dragones musicales I" contemporary surrealist dragons piano black and white
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Inkjet, Digital

"C de Cabra" contemporary engraving surrealist goat
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

"CALMA" contemporary surrealist print with intricate colorful city landscape
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

"Hotel Pierre" contemporary surrealist black and white sun and skulls engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

"Los pescadores de cacahuates" contemporary surrealist black engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

"Dragones musicales II" contemporary surrealist print dragons black and white
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Inkjet, Digital

"P de Papagayo" contemporary surrealist letter P parrot colorfull engraving
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

"Herramientas y más" contemporary engraving surrealist tools objects
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category

2010s Surrealist Still-life Prints

Materials

Engraving

One Little Stage
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Still-life Prints

Materials

Rag Paper, Etching

Whistle
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Still-life Prints

Materials

Rag Paper, Etching

154 Foot Sculpture That Never Was
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Still-life Prints

Materials

Aquatint, Rag Paper, Etching

A Sculpture Framed by a Print
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Journey
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Still-life Prints

Materials

Rag Paper, Etching

Music Box
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Pillow Machine
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Surrealist Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Night Shift
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Heritage
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Homage to Galileo
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Still-life Prints

Materials

Etching, Aquatint, Rag Paper

Still Life
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Still-life Prints

Materials

Rag Paper, Etching

World of Watermelons
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) “World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category

1970s Outsider Art Still-life Prints

Materials

Rag Paper, Etching, Aquatint

Freezing Point
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Outsider Art Still-life Prints

Materials

Rag Paper, Etching

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Tippicanoe and Tyler Too
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Just Pure Honest Fun
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Joy
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Still-Life Prints and Other Still-Life Wall Art for Sale on 1stDibs

As part of the wall decor in your living room, dining room or elsewhere, original still-life prints and other still-life wall art can look sophisticated alongside your well-curated decorative objects and can help set the mood in a space.

Still-life art, which includes work produced in media such as painting, photography, video and more, is a popular genre in Western art. However, the depiction of still life in color goes back to Ancient Egypt, where paintings on the interior walls of tombs portrayed the objects — such as food — that a person would take into the afterlife. Ancient Greek and Roman mosaics and pottery also often depicted food. Indeed, popular still-life prints often feature food, flowers or man-made objects. By definition, still-life art represents anything that is considered inanimate.

During the Middle Ages, the still life genre was adapted by artists who illustrated religious manuscripts. A common theme of these still-life paintings is the reminder that life is fleeting. This is especially true of vanitas, a kind of still life with roots in the Netherlands during the 17th century, which was built on themes such as death and decay and featured skulls and objects such as rotten fruit. In northern Europe during the 1600s, painters consulted botanical texts to accurately depict the flowers that were the subject of their work.

While early examples were primarily figurative, you can find still lifes that belong to different schools and styles of painting and printmaking, such as Cubism, Impressionism and contemporary art.

Leonardo da Vinci’s penchant for observing phenomena in nature and filling notebooks with drawings and notes helped him improve as an artist of still-life paintings. Vincent van Gogh, an artist who made a couple of the most expensive paintings ever sold, carried out rich experiments with color over the course of painting hundreds of still lifes, and we can argue that Campbell’s Soup Cans (1961–62) by Andy Warhol counts as still-life art.

Still-life art enthusiasts and collectors of Warhol prints have lots of reasons to love the cultural icon — when Warhol brought the image of a Campbell’s soup can out of the supermarket and into the studio, in 1961, he secured his legacy as a radical contemporary artist. After Warhol painted the soup cans, he realized that he could more readily achieve the mass-produced aesthetic he was seeking with silkscreens, also called screen-prints, and he began experimenting with silkscreening on canvas. He used the technique to print paintings of Coke bottles and dollar bills (both in 1962), as well as his treasured Brillo box sculptures (1964).  

When shopping for a still-life print, think about how it makes you feel and how the artist chose to represent its subject. When buying any art for your home, choose pieces that you connect with. If you’re shopping online, read the description of the work to learn about the artist and check the price and shipping information. Make sure that the works you choose complement or relate to your overall theme and furniture style. Artwork can either fit into your room’s color scheme or serve as an accent piece. Introduce new textures to a space by choosing an oil still-life painting.

On 1stDibs, the collection of still-life prints and other still-life wall art includes works by Jonas Wood, Alex Katz, Nina Tsoriti and many more.

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