Still-life Prints

Yayoi Kusama Night Flowers (2003) Screenprint [23 screens, 24 colors, 24 runs] image 28 x 66.3 cm sheet 42.8 x 80 cm framed 51 x 89 x 5 cm ed. 120, AP 12, PP5 paper Kakita-shi printer Okabe Tozuko Provenance: Mainichi Auction Tokyo Japan Publications: A specimen of the same edition is represented in full page at plate 314 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...

Euphemia No 2 is a limited edition still life study of a butterfly by Allan Forsyth. Allan Forsyth is available at Wychwood Art online and in our gallery. Allan is an artist who expl...

JUICY VISION 2019 From “Sexy pop fruits” project CM 120X90 Print run 2/7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (7 + 2PA), signed and certificated by the artist More sizes within the edition 7 + 2PA: CM 80x60 (plexiglass on alluminium dbond 3mm) CM 40X30 (unframed, in design folder) Sexy Golden Fruit celebrates the classic symbolism linked to food in a gold version and transforms the art of good food into pop art. The images of the Sexy Golden Fruit project are inspired by classic art with pop-style interpretations of fresh fruit and vegetables painted in gold. The classic iconography of the “natura morta” has always been a stratagem to deal with the sexual and sentimental sphere: in fact, since the Middle Ages, we have numerous examples in history of the erotic life through the use of food which, today as then, is an element of everyday life. Catullus also wrote innumerable poems on food as a metaphor for the sexual sphere. A perfect cultural liaison: elements of the artistic and culinary tradition, intrinsic to a latent and profoundly pulsating feeling in living within each one of us "."Sexy Golden Fruit Series", where "the iconographic references are a mere starting point for a desecration practised paradoxically by painting the fruits in gold, with an overbearing allusion to the sexual metaphor that belongs since antiquity to the painting genre. Once again, if photography often wearily insists on a pleonastic exercise of hyper-realism that is inherent to the medium, it applies a sort of hyper-anti-naturalism. These fruits are above all thought-provoking, bold icons”. “Monica Silva...

Screen printed vacuum-formed plexiglass multiple in colors mounted to a card support. Artist signature, date and edition lower left front. Edition 12/101. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Tom Wesselmann (1931–2004) was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. Often isolating segments of the body—red lips with a cigarette, a single nipple, or a stylish shoe—his artworks aim was to seize a viewer’s attention. “The prime mission of my art, in the beginning, and continuing still, is to make figurative art as exciting as abstract art,” he once said of his work. Born on February 23, 1931 in Cincinnati, OH, he was drafted into the US Army to serve in the Korean War in 1952. Returning home after the war, he studied drawing at the Art Academy of Cincinnati before working as an illustrator of comic strips and men’s magazines...

James Rosenquist (1933-2017) was one of the most important contributors to American Pop Art. He is best known for his monumental collage-style paintings that feature a melange of app...

Yayoi Kusama Standing in the Visionary Field (1979). Edition 46/100 Screenprint [13 screens, 13 colors, 13 runs] 40.8 x 52.2 cm (image) 50.8x 65 cm (sheet) Edition of 100 + 10 Artist Proofs Published in 1979 on Hakou-shi paper by Ishida Ryoichi (printer) Provenance: Art Factory Gallery, Setagaya-ku, Tokyo Shinwa Art Auction, Tokyo Publications: A specimen of the same edition is represented in full page at plate 2, page 12 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...

Artist: Mimmo Rotella Title: Chiquita Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300 Size: 30 x 26 inches (76.2 x 66 cm)

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Gavin Dobson Blue Whale Limited Edition Print A four layer CYMK Screen Print on Paper Edition of 100 Sheet Size: H 50cm x W 70cm Sold Unframed Please note that in situ images are pu...

Roy Lichtenstein Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-si...

Artist: Francesco Scavullo Title: Flower Arrangement in Mug, Black Year: 1987 Medium: Screenprint on Lennox Museum Board, signed and dated recto, numbered in pencil, verso Edition: ...

Size: 36,5 x 30 cm / 14,37 x 11,81 inches Limited Edition of 206/300 Signed and numbered by Laurent Durieux

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

Paula Scher Summer, ca. 1987 Silkscreen in Colors on Rives BFK Paper. 36 × 29 3/5 inches Edition 81/190 Signed in graphite lower right margin front; numbered in graphite lower left m...

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

The paintings of Robin Morris are her observations of life, stylized, playful, and yet challenging to the viewer. Her emotions are hidden beneath layers of color and pattern. Stepping into the public eye in 1982, with the publication of her first lithograph, "The Couple". The fifty editions that followed, firmly established her in the artistic community and enhanced her broad-based collector appeal. This print on canvas is a particularly rare image. It is numbered 11 of 295 images, but only 3 were ever created of this 40x40" image on canvas. One print went to the artist Robin Morris, One went to us at ARDT gallery...

Artist: James Rosenquist (1933-2017) Title: Katonah Muse Year: 1993 Medium: Color offset lithograph on wove paper Edition: 100, plus proofs Size: 26.75 x 19.25 inches Condition: Exce...

Artist: Charles Bell Title: Double Bubble Year: circa 1990 Medium: Silkscreen, signed in pencil Edition: 150 Image: 26 x 26 inches Size: 33 in. x 33 in. (83.82 cm x 83.82 cm)

Cosmic Flowers is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival Arches paper, 100% aci...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Original ink drawing on arches paper. Hand signed D.S, titled and dated in pencil by Donald Sultan. Sheet size 15 x 15 inches. Frame size approx 18 x 18 inches. Provenance labels ...

Artist: Peter Max Title: Blue Vase Year: 1981 Medium: Lithograph on Somerset, signed and numbered in pencil Edition: 165 Image Size: 25 x 19 inches Size: 30.5 in. x 24 in. (77.47 cm...

WAYNE THIEBAUD b. 1920-2021 Mesa, Arizona 1920-2021 Sacramento, California (American) Title: Delicatessen Trays, 1965 Technique: Original Hand Signed, Dated and Numbered Etching an...

Shan Fannin's (US based) "1965 Alfa Romeo Giulia TZ2 - Limited Edition Giclee Print" is an limited edition giclée print that depicts a close up view of the front of a red Alfa Romeo Giulia. This print ships in a tube. About the artist: Born 1969 in California, artist Shannon “Shan” Fannin brings vehicles to life with a combination of photorealism and abstraction. Painting in a unique style using acrylics, hands, and brushes allows her to focus on the vehicle while giving a hint of the abstract surroundings. Fannin travels internationally to photograph vehicles and talk with their owners to enhance her creative process. Fannin’s paintings have been shown in 2 solo exhibitions and national galleries throughout the United States. She has been published in Greek, British, and American publications including PoetsArtists, American Art Collector, and Where Women Create. Fannin artworks are currently represented through 33 Contemporary, The Good Art...

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. The barn, along with Queen Elizabeth and the Moose, forms a triad of icons that Charles Pachter has repeatedly visited over the course of his career. Playful and a touch irreverent, Pachter's charming imagery presents a new narrative on Canadiana. The artist’s vast body of work includes painting, sculpture, printmaking, and drawing. Pachter’s works are widely sought-after and are an ideal selection for starting or continuing a collection of 20th-century Canadian art. Pachter's confident colors, sharp lines, and graphic qualities are instantly recognizable and continue to be a mainstay throughout his oeuvre. Here with an image of the classic TTC (Toronto Transit Commission) streetcars, this work epitomizes Pacther’s version of Canadian Pop Art...

Yayoi Kusama Lemon Squash (1988). Edition 18/50 Screenprint Signed, titled in Japanese, dated and numbered in pencil by the artist. [3 screens, 2 colors, 3 runs] 84.6 x 68 cm (image...

Da una serie di litografie pop di Mimmo Rotella, edite da Prearo Publ., Italia, risalenti ai primi anni Novanta. edizione di 100 esemplari, ed. PA/100. Firmata in basso a destra, num...

Artist: James Rosenquist (1933-2017) Title: My Mind Is a Glass of Water, from Prints for Phoenix House (Glenn 58) Year: 1972 Medium: Color lithograph on...

Artist: Richard Bernstein Title: Ruby Year: 1978 Medium: Silkscreen in Colors, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 26 x 30.5 inches Frame Size: 32.5 x 36.5 ...

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. The barn, along with Queen Elizabeth and the Moose, forms a triad of icons that Charles Pachter has repeatedly visited over the course of his career. Playful and a touch irreverent, Pachter's charming imagery presents a new narrative on Canadiana. The artist’s vast body of work includes painting, sculpture, printmaking, and drawing. Pachter’s works are widely sought-after and are an ideal selection for starting or continuing a collection of 20th-century Canadian art. Pachter's confident colors, sharp lines, and graphic qualities are instantly recognizable and continue to be a mainstay throughout his oeuvre. Here with an image of the classic TTC (Toronto Transit Commission) streetcars, this work epitomizes Pacther’s version of Canadian Pop Art...

Artist: Cesar Title: Automobile Compression Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP Image Size: 30 x 22 inches; 76.2 x 55.88 cm Pape...

Shan Fannin's (US based) "1972 Pontiac Firebird Formula 400 M22" is an limited edition giclée print that depicts a close up view of the front of a blue Po...

Screenprint in colors on wove paper. Hand signed and numbered by the artist. HC Edition 6 of 12, the total edition was 90. Published by International Images, Putney, Vermont. Sheet...

Marilyn's Flowers II is an original hand drawn lithograph by Peter Max printed in an edition of 165, using traditional hand lithography techniques on archival paper, 100% acid free. Marilyn's Flowers II is a vibrant multicolor still life depicting an abstract floral arrangement of lush magenta pink blossoms, with warm red centers against a backdrop of brown and orange, with accents of blue, plum brown and black. The warm brown interior setting enhances the floating, freely drawn pop art cosmic flowers...

Original Herman Miller Summer Picnic screen printed lacquer ink and lacquer finish print. August 20, 1971 annual company picnic poster is a...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a vivid bouquet with an abstracted nineties touc...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...

Mini Saucy and Use Me Mini diptych Overall size cm : H42 x W29.6 Mini Saucy by Gavin Dobson [2021] limited_edition Cymk screen print Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work: H:21 cm x W:14.8 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Gavin Dobson Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Acting Tough by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 10 only Note OTHER SIZES & FRAMING AVAILABLE BATIK is a London based contemporary pop artist fine art concept art conceptual fine art warhol pop art Al Pacino Lindsay Lohan Jane Fonda Mickey Rourke Christian...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

Bananarama aka It Ain't What You Do It's The Way That You Do It by BATIK signed limited edition POP ART print Paper Size Oversize 40...

Artist: Charles Bell Title: The Viking Year: 1994 Medium: Silkscreen on Bristol Rag Museum Board, Signed and numbered in pencil Edition: 2/50 Image: 24 x 34...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

A Toast to Us and Mini Saucy by Gavin Dobson [2021/22] original Cymk screen print, Glitter Image size: H:21 cm x W:29.6 cm Complete Size of Unframed Work: H:21 cm x W:29.6 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A classic British and food inspired diptych 'Toast to Us' and 'Mini Saucy'. Perfect to brighten up a Kitchen or Dinning Room Space. Gavin Dobson A toast to us A 5 layer hand silk screen with a final hand finished layer with pink glitter! Romantic and witty. The perfect gift idea. Wychwood Art Comment "The perfect witty and fun gift to your partner", and Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Shan Fannin's (US based) "1930 Indian Scout 101" is an limited edition giclée print that depicts a close view of a red Indian motorcycle gas tank w...

Technical Information: Claes Oldenburg Miniature Soft Drum Set 1969 The complete set of 9 sewn screenprinted elements on canvas, some with washline, wood, plastic buttons, rope, metal eye screws and spray enamel with wood base covered with screenprinted paper in colors 9 3/4 x 19 x 13 3/4 in. Artist's Proof - A.P. XVI Initialed and numbered in black ink on the bass drum...

Shan Fannin's (US based) "1958 De Havilland Canada DHC-2 Beaver" is an limited edition giclée print that depicts close up view of the shiny metal propeller on a red and yellow vintage plane...

Artist: Francesco Scavullo Title: Flower Arrangement (Black) Year: 1987 Medium: Screenprint on Lennox Museum Board, Signed and dated in Pencil, num...

A bright Pop Art screenprint by American artist Tom Wesselmann featuring a bouquet of bright flowers in front of a Fernand Leger portrait. Done in his typical colorful and flat style...

Bananarama Pink aka It Ain't What You Do It's The Way That You Do It Pink by BATIK signed limited edition POP ART print Paper Size ...

This charming large-scale 1973 screen print depicting various English cookies in sharp, masterful detail by Marc Foster Grant (American, b. 1947) is perfect for a bakery or biscuit l...

Shan Fannin's (US based) "1959 Cadillac El Dorado" is an limited edition giclée print that depicts a close up view of the baby blue fins and taillights o...

limited_edition Print on Paper Edition number 50 Image size: H:70.5 cm x W:25 cm Complete Size of Unframed Work: H:70.5 cm x W:20 cm x D:0.1cm Sold Unframed Please note that insitu i...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, Exhibition Poster on smooth wove paper Limited edition: Unknown Printer: Haddad's Fine Arts Inc., Anaheim, CA Publisher: Palm Springs Desert Museum, Palm Springs, CA Reference: "Lichtenstein Posters" - Döring/Osten No. 125, page 132 Sheet size: 25" x 29" Condition: A few light handling creases center right in black margin. Two small tears to upper center edge. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Los Angeles, CA; acquired directly from the exhibition at Palm Springs Desert Museum, Palm Springs, CA in 1982. Poster produced for a special exhibition of Lichtenstein's work "The West as Art...

1993 Screenprint in colors, on wove paper S. 12 2/5 x 15 2/5 in. (31.5 x 39 cm) Edition of 160 Signed, titled, dated and numbered in pencil, lower margin Unframed, excellent condition

Artist: Michael Knigin, American (1942 - 2011) Title: Fiery Idol Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 29.5 x 20 in. (74.93 x 50.8 cm)