Still-life Prints

Roy Lichtenstein Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-si...

Artist: Francesco Scavullo Title: Flower Arrangement in Mug, Black Year: 1987 Medium: Screenprint on Lennox Museum Board, signed and dated recto, numbered in pencil, verso Edition: ...

Size: 36,5 x 30 cm / 14,37 x 11,81 inches Limited Edition of 206/300 Signed and numbered by Laurent Durieux

Paula Scher Summer, ca. 1987 Silkscreen in Colors on Rives BFK Paper. 36 × 29 3/5 inches Edition 81/190 Signed in graphite lower right margin front; numbered in graphite lower left m...

Jules CAVAILLES Fruits and Flowers on Red Background Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 33 x 50 cm (c. 13 x 20 in) Excellent cond...

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

Still Life is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition. Hand-signed on the lower. Luc-Albert Moreau (1882-1948...

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

Artist: James Rosenquist (1933-2017) Title: Katonah Muse Year: 1993 Medium: Color offset lithograph on wove paper Edition: 100, plus proofs Size: 26.75 x 19.25 inches Condition: Exce...

WAYNE THIEBAUD b. 1920-2021 Mesa, Arizona 1920-2021 Sacramento, California (American) Title: Delicatessen Trays, 1965 Technique: Original Hand Signed, Dated and Numbered Etching an...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Artist: Peter Max Title: Blue Vase Year: 1981 Medium: Lithograph on Somerset, signed and numbered in pencil Edition: 165 Image Size: 25 x 19 inches Size: 30.5 in. x 24 in. (77.47 cm...

Original ink drawing on arches paper. Hand signed D.S, titled and dated in pencil by Donald Sultan. Sheet size 15 x 15 inches. Frame size approx 18 x 18 inches. Provenance labels ...

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. The barn, along with Queen Elizabeth and the Moose, forms a triad of icons that Charles Pachter has repeatedly visited over the course of his career. Playful and a touch irreverent, Pachter's charming imagery presents a new narrative on Canadiana. The artist’s vast body of work includes painting, sculpture, printmaking, and drawing. Pachter’s works are widely sought-after and are an ideal selection for starting or continuing a collection of 20th-century Canadian art. Pachter's confident colors, sharp lines, and graphic qualities are instantly recognizable and continue to be a mainstay throughout his oeuvre. Here with an image of the classic TTC (Toronto Transit Commission) streetcars, this work epitomizes Pacther’s version of Canadian Pop Art...

Cosmic Flowers is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival Arches paper, 100% aci...

Yayoi Kusama Lemon Squash (1988). Edition 18/50 Screenprint Signed, titled in Japanese, dated and numbered in pencil by the artist. [3 screens, 2 colors, 3 runs] 84.6 x 68 cm (image...

Da una serie di litografie pop di Mimmo Rotella, edite da Prearo Publ., Italia, risalenti ai primi anni Novanta. edizione di 100 esemplari, ed. PA/100. Firmata in basso a destra, num...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Nappe Rose (The Pink Tablecloth)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsign...

Artist: James Rosenquist (1933-2017) Title: My Mind Is a Glass of Water, from Prints for Phoenix House (Glenn 58) Year: 1972 Medium: Color lithograph on...

Artist: Richard Bernstein Title: Ruby Year: 1978 Medium: Silkscreen in Colors, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 26 x 30.5 inches Frame Size: 32.5 x 36.5 ...

Charles Pachter (b. 1942) is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have independently earned their place in the nation's museums and the Canadian art canon. The barn, along with Queen Elizabeth and the Moose, forms a triad of icons that Charles Pachter has repeatedly visited over the course of his career. Playful and a touch irreverent, Pachter's charming imagery presents a new narrative on Canadiana. The artist’s vast body of work includes painting, sculpture, printmaking, and drawing. Pachter’s works are widely sought-after and are an ideal selection for starting or continuing a collection of 20th-century Canadian art. Pachter's confident colors, sharp lines, and graphic qualities are instantly recognizable and continue to be a mainstay throughout his oeuvre. Here with an image of the classic TTC (Toronto Transit Commission) streetcars, this work epitomizes Pacther’s version of Canadian Pop Art...

Artist: Cesar Title: Automobile Compression Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP Image Size: 30 x 22 inches; 76.2 x 55.88 cm Pape...

Screenprint in colors on wove paper. Hand signed and numbered by the artist. HC Edition 6 of 12, the total edition was 90. Published by International Images, Putney, Vermont. Sheet...

Marilyn's Flowers II is an original hand drawn lithograph by Peter Max printed in an edition of 165, using traditional hand lithography techniques on archival paper, 100% acid free. Marilyn's Flowers II is a vibrant multicolor still life depicting an abstract floral arrangement of lush magenta pink blossoms, with warm red centers against a backdrop of brown and orange, with accents of blue, plum brown and black. The warm brown interior setting enhances the floating, freely drawn pop art cosmic flowers...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a vivid bouquet with an abstracted nineties touc...

Artist: Henri Matisse (after) Title: Chinese Fish Portfolio: 1958 The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 21 1/4" x 14 1/4" Sheet Size...

Original Herman Miller Summer Picnic screen printed lacquer ink and lacquer finish print. August 20, 1971 annual company picnic poster is a...

Guy Bardone Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions Guy Bardone was one of the great painters of the “Ecole de Paris” and of the second mid twenty century. Guy Bardone French, (1927 - ) Guy Bardone Guy Bardone was born in 1927 in Saint-Claude, on of the most beautiful old towns in France. His vocation as a painter was confirmed after admission to the Ecole National Supérieure des Arts Decoratifs in Paris. Here he trained under Brianchon, Cavailles and Desnoyer. He was awarded the prestigious Prix Félix Fénéon in 1952 which set wider horizons and allowed him entry into the Paris arena. Guy Bardone est né en 1927 à Saint-Claude (Jura). Après des études à l'école des Beaux-Arts de Lyon, il entre à l'école supérieure des arts décoratifs où il reçoit les enseignements de Brianchon, Cavaillès et Desnoyers. En 1950, il rencontre le critique George Besson qui l'encourage et le conseille. En 1952, il obtient le Prix Félix Fénéon et commence à exposer dans divers salons et expositions de groupe. il est sélectionné en 1953 à la très importante expositions de groupe "célébrités et révélations de la peinture contemporaine...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York. Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro. Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002. In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C. Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991. While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition. In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.") Exhibitions Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006. Honors Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design. In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...

Mini Saucy and Use Me Mini diptych Overall size cm : H42 x W29.6 Mini Saucy by Gavin Dobson [2021] limited_edition Cymk screen print Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work: H:21 cm x W:14.8 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Gavin Dobson Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Acting Tough by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 10 only Note OTHER SIZES & FRAMING AVAILABLE BATIK is a London based contemporary pop artist fine art concept art conceptual fine art warhol pop art Al Pacino Lindsay Lohan Jane Fonda Mickey Rourke Christian...

Regal Chief Michael Knigin, American (1942–2011) Date: 1979 Screenprint, signed, numbered, dated, and titled in pencil Edition of AP Image Size: 18 x 25.5 inches Size: 21.5 x 29.5 in...

Bananarama aka It Ain't What You Do It's The Way That You Do It by BATIK signed limited edition POP ART print Paper Size Oversize 40...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

A Toast to Us and Mini Saucy by Gavin Dobson [2021/22] original Cymk screen print, Glitter Image size: H:21 cm x W:29.6 cm Complete Size of Unframed Work: H:21 cm x W:29.6 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A classic British and food inspired diptych 'Toast to Us' and 'Mini Saucy'. Perfect to brighten up a Kitchen or Dinning Room Space. Gavin Dobson A toast to us A 5 layer hand silk screen with a final hand finished layer with pink glitter! Romantic and witty. The perfect gift idea. Wychwood Art Comment "The perfect witty and fun gift to your partner", and Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Technical Information: Claes Oldenburg Miniature Soft Drum Set 1969 The complete set of 9 sewn screenprinted elements on canvas, some with washline, wood, plastic buttons, rope, metal eye screws and spray enamel with wood base covered with screenprinted paper in colors 9 3/4 x 19 x 13 3/4 in. Artist's Proof - A.P. XVI Initialed and numbered in black ink on the bass drum...

Artist: Francesco Scavullo Title: Flower Arrangement (Black) Year: 1987 Medium: Screenprint on Lennox Museum Board, Signed and dated in Pencil, num...

A bright Pop Art screenprint by American artist Tom Wesselmann featuring a bouquet of bright flowers in front of a Fernand Leger portrait. Done in his typical colorful and flat style...

Still Life by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches) Initialed LR in the plate Exhibition Fort Lauderdale, Museum of Art, Camille Pis...

Bananarama Pink aka It Ain't What You Do It's The Way That You Do It Pink by BATIK signed limited edition POP ART print Paper Size ...

This charming large-scale 1973 screen print depicting various English cookies in sharp, masterful detail by Marc Foster Grant (American, b. 1947) is perfect for a bakery or biscuit l...

limited_edition Print on Paper Edition number 50 Image size: H:70.5 cm x W:25 cm Complete Size of Unframed Work: H:70.5 cm x W:20 cm x D:0.1cm Sold Unframed Please note that insitu i...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'. Pierre Garcia-Fons left Spain d...

Brightly colored lithograph still-life by Yves Ganne (French, b. 1931). Signed "Y. Ganne" in the lower right corner. Numbered "19/260" in the lower left corner. Presented in a tan ma...

This vintage exhibition poster reproduces Jim Dine’s 1970 lithograph Hammers, which is in the collection of the Museum of Contemporary Art, Chicago. It w...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Palm Springs Desert Museum (Still Life with Longhorn Skull and Cactus)" Year: 1982 Medium: Original Offset-Lithograph, Exhibition Poster on smooth wove paper Limited edition: Unknown Printer: Haddad's Fine Arts Inc., Anaheim, CA Publisher: Palm Springs Desert Museum, Palm Springs, CA Reference: "Lichtenstein Posters" - Döring/Osten No. 125, page 132 Sheet size: 25" x 29" Condition: A few light handling creases center right in black margin. Two small tears to upper center edge. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Los Angeles, CA; acquired directly from the exhibition at Palm Springs Desert Museum, Palm Springs, CA in 1982. Poster produced for a special exhibition of Lichtenstein's work "The West as Art...

Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967. Original Lithograph on paper. Published by Maeght Editeur, Paris. Cr...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he a...

Artist: César Baldaccini Title: Barcelona Year: 1992 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 250 Paper Size: 36 x 26 inches (60 x 90 cm) Printed in 19...

Georges Braque (after) Title: Grenade et Pipe from the Espace Portfolio Year: 1957 Year of Original: 1932 Medium: Pochoir (pigment print) on Richard de Bas, signed in the plate Edit...

1993 Screenprint in colors, on wove paper S. 12 2/5 x 15 2/5 in. (31.5 x 39 cm) Edition of 160 Signed, titled, dated and numbered in pencil, lower margin Unframed, excellent condition

Based on Rosenquist’s 1961 grisaille oil painting Flower Garden, this work arranges a still life using an advertisement for gloves with part of an athlete’s torso. A number 1 can be ...

Artist: Michael Knigin, American (1942 - 2011) Title: Fiery Idol Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 29.5 x 20 in. (74.93 x 50.8 cm)

COMPOSITION RED is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed using traditional hand lithography techniques on archival printmaking pap...

A very rare Roy Lichtenstein limited edition artist proof hand-signed and numbered linocut and screen print inscribed "To Leo" as in Leo Castelli. The work was later purchased by Ge...

Artist: Richard Bernstein Title: Diamond Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Size: 26 in. x 30.5 in. (66.04 cm x 77.47 cm) Frame Size: 32...

"She fled along the avenue" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems....

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...