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Still-life Prints For Sale
Period: 19th Century
Period: 18th Century and Earlier
Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

Pompeian Style Tragedy Masks - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Pompeian Style Tragedy Masks from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some fo...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

Landscape With Figures and Animals - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Landscape With Figures and Animals is an Etching realized by Carlo Oraty (18th century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

Still Life - Etching by Carlo Cataneo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Cataneo in the 18th Century. Signed on the plate. Good conditions with folding, due to the tim...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Oil Lamp With Medusa, Cupid - Etching by Francesco Giomignani - 18th Century
Located in Roma, IT
Oil Lamp With Medusa, Cupid and Poseidon from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Giomignani in the 18th Century. Signed on the plate. Good c...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Oil Lamp to Hang - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità ...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Oil Lamps - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Iacomino e Nicola Vanni in the 18th Century. Signed on the plate. Good conditions with some folding. ...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Oil Lamp - Etching by Giovanni Guerra - 18th Century
Located in Roma, IT
Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Guerra in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Roman Objects - Etching by Aniello Cataneo - 18th Century
Located in Roma, IT
Roman Objects from "Antiquities of Herculaneum" is an etching on paper realized by Aniello Cataneo in the 18th Century. Signed on the plate. Good condi...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Duck Head Oil Lamp - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Duck Head Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs ...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 11 - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with some folding and foxi...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Hercules on Oil Lamp - Etching by Francesco Giomignani - 18th Century
Located in Roma, IT
Hercules on Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Giomignani in the 18th Century. Signed on the plate. Good conditions with some f...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 10 - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Ancient Roman Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions with some fo...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 12 - Etching by Francesco Giomignani - 18th Century
Located in Roma, IT
Ancient Roman Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Iacomino e Casanova in the 18th Century. Signed on the plate. Good conditions with som...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 7 - Etching by Aniello Cataneo - 18th Century
Located in Roma, IT
Ancient Roman Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Aniello Cataneo in the 18th Century. Signed on the plate. Good conditions. The etchin...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Roman Lantern - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Roman Lantern from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century. Monogrammed on the plate. Good conditions. The etching belo...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 3 - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by G. Furlanetti e Nicola Vanni in the 18th Century. Signed on the plate. Good conditions with some fol...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 1 - Etching by Nicolo Cesarano - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicolo Cesarano in the 18th Century. Signed on the plate. Good conditions with some folding and foxi...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Still Life 4 - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Filippo de Grado e Vincenzo Campana in the 18th Century. Signed on the plate. Good conditions with s...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Still Life - Etching by Niccolò Cesarano - 18th Century
Located in Roma, IT
Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolo Cesarano in the 18th Century. Signed on the plate. Good conditions. The etching...
Category

Late 18th Century Old Masters Still-life Prints

Materials

Etching

Still Life - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen the 18th Century. Signed in the plate. The etching belongs to the prin...
Category

18th Century Old Masters Still-life Prints

Materials

Etching

Ancient Roman Fresco - Original Etching by Francesco Cepparuli - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Cepparuli after Niccolò Vanni in the 18th century. Sign...
Category

18th Century Modern Still-life Prints

Materials

Etching

Ancient Roman Still Life - Original Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Ancient Roman Still Life, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Oraty in the 18th century. Signed on the plate. Good condi...
Category

18th Century Modern Still-life Prints

Materials

Etching

Buffalo Skull - Lithograph by Carlo Coleman - 1850
Located in Roma, IT
Buffalo Skull is an original lithography artwork on ivory paper realized by Carlo Coleman (1807-1874) in 1850. Signed on the plate and dated. Image dime...
Category

1850s Still-life Prints

Materials

Lithograph

Heath Recurved, Erica retorta Plate 362
Located in Columbia, MO
Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches
Category

1790s Naturalistic Still-life Prints

Materials

Etching

Original Victorian card with flower arrangement and ice skating scene
Located in Milwaukee, WI
Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...
Category

1890s Romantic Still-life Prints

Materials

Lithograph

The Lotus.
Located in New York, NY
Clark, A.H. The Lotus. Ca 1890.Original Lithograph. 22 3/4 x 13" sheet, 26 1/2 x 17" on linen. Rare.
Category

1890s Art Nouveau Still-life Prints

Materials

Lithograph

Nature Studies from the Royal Library at Windsor Castle
By Leonardo da Vinci
Located in New York, NY
Leonardo da Vinci "Nature Studies from the Royal Library at Windsor Castle" The J. Paul Getty Museum, November 15, 1980 - February 15, 1981 Exhibition Poste...
Category

15th Century and Earlier Renaissance Still-life Prints

Materials

Offset

Maerten De Vos, Baptista Vrints, Christ Baptism, Engraving, Old Master
By Maerten De Vos
Located in Greven, DE
Maerten de Vos after J Baptista Vrints Baptism Scene Engraving
Category

17th Century Renaissance Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Apple Cluster, PL LX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate LX George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XX George Brookshaw, also known as G. Brown, was a notable English ...
Category

Early 1800s Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate V George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds. Pomona Britannicaa London 1804-1812 Engravings with original hand-coloring George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category

Early 1800s Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Pear Cluster, PL XLIX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XLIX George Brookshaw, also known as G. Brown, was a notable Englis...
Category

Early 1800s Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Fruit Cluster, PL XII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XII George Brookshaw, also known as G. Brown, was a notable English...
Category

Early 1800s Still-life Prints

Materials

Engraving

George Brookshaw (1751-1823), Blue Muscadine Grape, PL XXXVIII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W Frame Sz: 19 1/4"H x 16 3/4"W Publisher: Longman, Hurst, Rees, Orme & Brown Plate XXXVIII George Brookshaw, also known as G. Brown, was a notable Eng...
Category

Early 1800s Still-life Prints

Materials

Engraving

Dark Gumball Machine
Located in New York, NY
Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in
Category

1660s Post-War Still-life Prints

Materials

Etching

Still-Life Prints and Other Still-Life Wall Art for Sale on 1stDibs

As part of the wall decor in your living room, dining room or elsewhere, original still-life prints and other still-life wall art can look sophisticated alongside your well-curated decorative objects and can help set the mood in a space.

Still-life art, which includes work produced in media such as painting, photography, video and more, is a popular genre in Western art. However, the depiction of still life in color goes back to Ancient Egypt, where paintings on the interior walls of tombs portrayed the objects — such as food — that a person would take into the afterlife. Ancient Greek and Roman mosaics and pottery also often depicted food. Indeed, popular still-life prints often feature food, flowers or man-made objects. By definition, still-life art represents anything that is considered inanimate.

During the Middle Ages, the still life genre was adapted by artists who illustrated religious manuscripts. A common theme of these still-life paintings is the reminder that life is fleeting. This is especially true of vanitas, a kind of still life with roots in the Netherlands during the 17th century, which was built on themes such as death and decay and featured skulls and objects such as rotten fruit. In northern Europe during the 1600s, painters consulted botanical texts to accurately depict the flowers that were the subject of their work.

While early examples were primarily figurative, you can find still lifes that belong to different schools and styles of painting and printmaking, such as Cubism, Impressionism and contemporary art.

Leonardo da Vinci’s penchant for observing phenomena in nature and filling notebooks with drawings and notes helped him improve as an artist of still-life paintings. Vincent van Gogh, an artist who made a couple of the most expensive paintings ever sold, carried out rich experiments with color over the course of painting hundreds of still lifes, and we can argue that Campbell’s Soup Cans (1961–62) by Andy Warhol counts as still-life art.

Still-life art enthusiasts and collectors of Warhol prints have lots of reasons to love the cultural icon — when Warhol brought the image of a Campbell’s soup can out of the supermarket and into the studio, in 1961, he secured his legacy as a radical contemporary artist. After Warhol painted the soup cans, he realized that he could more readily achieve the mass-produced aesthetic he was seeking with silkscreens, also called screen-prints, and he began experimenting with silkscreening on canvas. He used the technique to print paintings of Coke bottles and dollar bills (both in 1962), as well as his treasured Brillo box sculptures (1964).  

When shopping for a still-life print, think about how it makes you feel and how the artist chose to represent its subject. When buying any art for your home, choose pieces that you connect with. If you’re shopping online, read the description of the work to learn about the artist and check the price and shipping information. Make sure that the works you choose complement or relate to your overall theme and furniture style. Artwork can either fit into your room’s color scheme or serve as an accent piece. Introduce new textures to a space by choosing an oil still-life painting.

On 1stDibs, the collection of still-life prints and other still-life wall art includes works by Jonas Wood, Alex Katz, Nina Tsoriti and many more.

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