Still-life Prints

These colored engravings are from Edward Joseph Lowe's 1861 book "Beautiful Leaved Plants. Being a Description of the Most Beautiful Leaved Plants ...

Salvador Dali - Original Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné : Field 68-6 (p. 40-41). Salvador Dal...

A spray of tulips printed in vibrant cerulean blue emerges at the center of this floral etching by Jim Dine. The artist’s line drawing conveys the swaying of spring tulips in a sligh...

Prefab77 (20th Century) Lick London, circa 2011 Screenprint with spray paint on Somerset Fine Art paper Edition: 1/2 Signed and numbered in ink along lower edge Published by the arti...

After PABLO PICASSO (1881-1973) Colorful Flowers 1958 Dimensions: 65 x 50 cm Signed and dated in the plate Edition Succession Picasso, Paris (posthumo...

'Chinese Scrub (Cassinia arcuata, Rob. Brown) Colour lithograph, 1909.

'Wild Mustard (Brassica sinapistrum. Boiss.)' Colour lithograph, 1909.

'Onion Grass (Romulea cruciata)' Colour lithograph, 1909.

'Bindweed (Convolvulus arvensis)' Colour lithograph, 1909.

'Common Horehound (Marrubium vulgare, Linne)' Colour lithograph, 1909.

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Limited edition print of the original ‘The Red One’ Quality Street Strawberry Cream image by Simon Dry. The first print onto Fabriano paper is over painted in white by Simon and then over printed again to create a uniquely textured hand finished surface. Each print becomes a richly coloured and individual piece of art in a limited edition of 50, signed and numbered by the artist.​ Simon Dry original art and prints available online and in the gallery at Wychwood Art. Simon Dry trained as a graphic designer, graduating with a BA (Hons) from Ravensbourne College of Art & Design. He has run Drydesign in London, Dublin and Suffolk, using skills learned in this time to create SweetArt along with his wife, Vic. Artist Simon Dry has created highly original art of much loved sweets, made solely from discarded Quality Street wrappers. These iconic artworks feature Dolly Mixture, Fab ice lolly...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

'Onion Weed (Asphodelus fistulosus, Linne)' Colour lithograph, 1909.

Image dimensions: 24.5 x 33.5 cm. Bottles Composition is an original offset print, reproducing the original watercolor by Giorgio Morandi. Signature by the artist is perfectly repr...

'Hanging Mistletoe (Loranthus pendulus)' Colour lithograph, 1909.

'Cape Tulip (Homeria collina, variety miniata, Sweet)' Colour lithograph, 1909.

Salvador Dali - Cherries - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: EC.d (collaborator edition "d") Excellent Condition Refer...

'Tree Ivy' by Kerry Day is a multi layered original reduction Lino Print in an varied edition of 10. Based on Kerry's love of her architectural house plants. "Originally from London,...

'African Boxthorn (Lycium horridum, Thurnberg)' Colour lithograph, 1909. Plate number printed at the top of the image.

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

'Ragwort (Senecio Jacobaea, Linne) Colour lithograph, 1909.

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Limited edition print of the original ‘Gold Finger’ Quality Street Toffee Finger image by Simon Dry. The first print onto Fabriano paper is over painted in white by Simon and then over printed again to create a uniquely textured hand finished surface. Each print becomes a richly coloured and individual piece of art in a limited edition of 50, signed and numbered by the artist.​ Simon Dry original art and prints available online and in the gallery. Simon Dry trained as a graphic designer, graduating with a BA (Hons) from Ravensbourne College of Art & Design. He has run Drydesign in London, Dublin and Suffolk, using skills learned in this time to create SweetArt along with his wife, Vic. Artist Simon Dry has created highly original art of much loved sweets, made solely from discarded Quality Street wrappers. These iconic artworks feature Dolly Mixture, Fab ice lolly...

Lithograph on Arches paper, one of ten Printer's Proof aside from the regular edition. c. 1948. Printed by the Atelier Mourlot. This print is unsigned but ...

God Save The Green is a limited edition silkscreen print Harry Bunce. Bunce has poignantly decided to add a tear to the face of the rabbit evoking deeper thoughts as to the topic of ...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

'Clianthus puniceus' Original engraving with original hand-colouring, 1838. Native plant of New Zealand. From Benjamin Maund's 'The Botanist'. 1836-1...

In this series Alice explores the graphic qualities of cakes and the romance of cake shops using a combination of printmaking techniques. Working with layered silkscreens, stencillin...

Apple Varieties - 'Newton Wonder, Striped Beefing' Early 20th century fruit chromolithograph, from Horace Wright's 'Fruit Growers' Guide', 1924. 270mm by 180mm (sheet)

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Kerry Day Haworthia Fasciata is a limited edition still life print by Kerry Day. Reduction linocuts are printed from one piece of lino, cutting it again for each new colour in the design. All the prints for an edition have to be printed before moving on to the next colour, because once the lino is re-cut you can’t make any more. Depending on how many colours are use, at the end there may be very little of the lino block left uncut. Recently I find myself moving on from people to plants. Inspiration has come from the many cacti and plants I share my home and studio with – the strong profiles of my spiky friends and the marvellously named Elephant Ear plant...

Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer. Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design. Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937). In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff...

'Passiflora Cinnabarina' (Passionflower) Botanical lithograph of an Australian native plant with original hand-colouring , 1871, by Walter Hood Fitch (1817...

Apple Varieties - 'Lane's Prince Albert, Chelmsford Wonder, Allen's Everlasting' Early 20th century fruit chromolithograph, from Horace Wright's 'Fruit Growers' Guide', 1924. 270mm...

Complete portfolio of four original lithographs hand signed and numbered in pencil by the artist and four additional lithographs pulled from the master plates with quotations by the artist on Somerset special sandpaper in original clamshell. Each sheet measures: 23 3/4 x 19 1/4 inches. Clamshell size: 25 1/2 x 20 x 1 inches. Edition of 100. Artworks are in excellent condition. Some imperfections on the clamshell from storage. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: The paintings of Artist Douglas Hofmann (American; born 1945) have been critically acclaimed for their glowing surfaces, sumptuous details and softly lighted forms. Douglas Hofmann expertly combines his own methods of painting with the techniques of the old masters which Douglas learned from Joseph Sheppard...

"The “Mother Nature on the Run” letterpress print was inspired by a couple of things: specifically, the genetic modification of fruits and vegetables by monopolistic corporations, an...

A superb, richly-inked impression of this early, very scarce lithograph. Signed and dated in pencil, lower right.

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

This gorgeous and subtle still life print by Laurent Schkolnyk, realized in France during the latter half of the 20th Century. The work features an arrangement of objects on a plane, presumably a table. Fabric, appearing to be drapes in a sumptuous copper hue, gathers the right edge of the composition next to a perfume bottle with a bulbous base that tapers to a elegantly attenuated neck in a vibrant lime green hue with stylized foliate detailing in azure. The perfume bottle also offers an umber hued atomizer. Moving from right to left, there is a half circular bowl with an abstracted white...

'Burtonia Villosa - Villous Burtonia' Botanical lithograph of a Western Australian native plant with original hand-colouring , 1848, by Walter Hood Fitch (1817-1892). 235mm by 145m...

Image dimensions: 21 x 16 cm. Still Life is an admirable original offset print, reproducing the original watercolor by Giorgio Morandi. Also the signature in pencil by the artist i...

'Boletus Edulis Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name bel...

Still Life is an original screen print on paper, realized by Domenico Purificato in the 1970s. Hand-signed in pencil on the lower and numbered on ...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. 250mm by 150mm (sheet)

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 145mm by 235mm (sheet) Walter Hood Fitch was a Scottish...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...

Grape Varieties - 'Mrs Pince's Muscat, Royal Muscadine, Chasselas Vibert, Foster's Seedling, Mrs Pearson, Gros Maroc'. Early 20th century fruit chromolithograph, from Horace Wright'...

Gooseberry Varieties - 'Angler, Leveller, Whinham's Industry' Early 20th century fruit chromolithograph, from Horace Wright's 'Fruit Growers' Guide', 1924. 270mm by 180mm (sheet)

'Agaricus Campestris' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific na...