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Ed Baynard
The Italian Poppies

1996

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Dahlias by Gary Bukovnik, 2001 screen print (bouquet of flowers in vase)
By Gary Bukovnik
Located in New York, NY
A colorful arrangement of pink, red and purple flowers. Note: This screen print is unframed. An image of a framed impression is for reference only. Gary Bukovnik is an internationa...
Category

Early 2000s Contemporary Still-life Prints

Materials

Screen

The Italian Poppies (Flowers)
By Ed Baynard
Located in New York, NY
This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...
Category

1990s Contemporary Still-life Prints

Materials

Screen

Andalusia Rose, by John Woodrow Kelley ( pink flower and surrounding)
By John Woodrow Kelley
Located in New York, NY
This is a screen print of a pink rose on wove paper, 1990, signed in pencil and numbered from the edition of 72 (total edition includes nine artist's proofs). Published by Lincoln Ce...
Category

1990s Realist Still-life Prints

Materials

Screen

Linwood (Flowers)
By Robert Kushner
Located in New York, NY
This edition was commissioned in 1997 to celebrate 'Lincoln Center Festival'. The edition of 108 is signed and numbered in graphite by the artist. This print comes directly from the publisher, Lincoln Center Editions...
Category

1990s Abstract Still-life Prints

Materials

Screen

Luminous Dawn by Jules Olitski (blue seascape)
By Jules Olitski
Located in New York, NY
This screen print, printed on Arches Cover White paper, is hand signed and numbered in graphite. The edition size is 108 plus 18 Artist Proofs. This print comes directly from the publisher, Lincoln Center Editions...
Category

1990s Contemporary Landscape Prints

Materials

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Immature Artist, by Matthew Brannon (gourmet cheese delights)
By Matthew Brannon
Located in New York, NY
This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...
Category

2010s Contemporary More Prints

Materials

Screen

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