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Medium: Engraving
In Memory of an Historic Phrase
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5.
Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage.
By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category
1970s Modern Engraving Still-life Prints
Materials
Mezzotint
Elephant and Pears - Original Etching on Paper by Mario Avati - 1970s
By Mario Avati
Located in Roma, IT
Elephant and Pears is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009).
Hand-signed on the lower right and numbered on the low...
Category
1970s Engraving Still-life Prints
Materials
Etching, Mezzotint
Still Life with Eggs - Original handsigned etching - Limited / 150
By Mario Avati
Located in Paris, FR
Mario AVATI
Still Life with Eggs
Original black manner etching
Handsigned in pencil
Numbered / 150 copies
On vellum 38 x 48 cm (c. 15 x 19 in)
Au...
Category
1970s Modern Engraving Still-life Prints
Materials
Mezzotint, Etching
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary Engraving Still-life Prints
Materials
Mezzotint, Aquatint
Telephone (The iPhone of the early 20th Century)
Located in New Orleans, LA
This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil
Schkolnyk was born in Paris, France in 195...
Category
1980s American Modern Engraving Still-life Prints
Materials
Mezzotint
Lingua cervina, Scolopendre N667
Located in Mount Vernon, NY
Hand-colored mezzotint engraving printed in color and finished by hand on laid paper from "Phytanthoza Iconographia." Edited by Johann Wihelm Weinmann (1683-1741) with drawings by Ge...
Category
Mid-18th Century Engraving Still-life Prints
Materials
Engraving
Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks.
[Published: Venanzio Monaldini, Rome, 1781].
Rare and strong impressions of etchings of grotesque masks, after...
Category
1780s Gothic Engraving Still-life Prints
Materials
Engraving, Handmade Paper, Etching
Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category
1970s Pop Art Engraving Still-life Prints
Materials
Drypoint
BESLER. A Group of Four Peonies.
Located in London, GB
Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field.
[Nuremberg and Eichstatt, 1640].
The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen.
The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
Category
1640s Naturalistic Engraving Still-life Prints
Materials
Copper
Weinmann 18th Century Hand Colored Botanical Engraving "Horminum Peregrinum"
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Singer I
By Carol Wax
Located in Palm Springs, CA
This mezzotint from 1984 is an excellent example of this difficult medium. Signed, titled and numbered, from the edition of 75.
Wax is recognized as a master of the mezzotint techni...
Category
1980s Realist Engraving Still-life Prints
Materials
Mezzotint
Besler Red Roses, "Rosa ex rubro": A 17th C. Hand-colored Botanical Engraving
Located in Alamo, CA
"Rosa ex rubro nigricans"; a hand colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...
Category
17th Century Old Masters Engraving Still-life Prints
Materials
Engraving
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Aquatint
Pair of Hand-colored Romantic French Engravings after Francois Boucher
Located in Alamo, CA
A pair of French classical romantic prints original created in the 18th century by Jacques-Firmin Beauvarlet (1731-1797) after paintings by Francois Boucher (1703-1770), utilizing ...
Category
18th Century Romantic Engraving Still-life Prints
Materials
Engraving, Etching
Yucca filamentosa - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Yucca filamentosa' (Adam's Needle)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps &...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Besler Autumn Snowflake and Meadow Saffron Flowers: 17th C. Botanical Engraving
Located in Alamo, CA
A hand-colored copperplate engraving entitled "Leucoium bulbosum autumnale tenufolium (Autumn Snowflake); Colchicum vulgare Polyanthos; Colchicum biflorum; Colchicum vulgare album; C...
Category
17th Century Old Masters Engraving Still-life Prints
Materials
Engraving
Weinmann 18th Century Hand Colored Botanical Engraving "Amaranthus seu Blitum"
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Mid-18th Century Naturalistic Engraving Still-life Prints
Materials
Engraving, Mezzotint
Des Oeufs Pout Ta Fette (Holiday Eggs)
By Mario Avati
Located in Fairlawn, OH
Signed, dated, titled and numbered in pencil
Edition: 50 (33/50)
Image: 8 5/8 x 10 11/16"
Category
1960s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Engraving Still-life Prints
Materials
Mezzotint, Aquatint
Flight of the Elephant Garlic
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 50. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...
Category
Early 2000s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Columbines Pl.162 Original mezzotint by J.W. Weinmann
Located in Paonia, CO
“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...
Category
1740s Other Art Style Engraving Still-life Prints
Materials
Mezzotint
Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
BUCHOZ. A Group of Four Tulips
Located in London, GB
A Group of 4 hand-coloured engraved plates of tulips, in matching silver leaf frames. Dimensions: 34.6cm by 48.5cm.
A fine group of these rare flower plates, the complete volume of 40 being part of Le Jardin d'Eden, which was intended as the supplement to the Collection des Fleurs de la Chine & de l'Europe, first published in 1776.
[Paris 1781]
The second half of the eighteenth century saw a boom in natural history publications in France fuelled by such works as Buffon’s Histoire Naturelle. The accession of Louis XVI in 1774 was followed by a relaxation in the regulation of the book trade making it easier for authors to publish their own works. No other writer was to take such copious advantage of these two developments as Pierre-Joseph Buchoz (1731-1807), a French physician, lawyer and naturalist. His works are characterised by the beauty of the illustrations, and their rarity owing to the small size of the print runs.
The final tulip plate...
Category
1780s Naturalistic Engraving Still-life Prints
Materials
Paper, Engraving
NATURE MORT AUX ALLUMETTES
By Mario Avati
Located in Portland, ME
Avati, Mario. NATURE MORT AUX ALLUMETTES. Mezzotint, 1959. 8 1/2 x 10 3/4 inches, 216 x 274 mm. Edition of 75, numbered 46/75, titled and signed in pencil. In excellent condition.
Category
Mid-20th Century Engraving Still-life Prints
Materials
Mezzotint
New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category
21st Century and Contemporary Contemporary Engraving Still-life Prints
Materials
Mezzotint, Aquatint
Characters XVIII ∞-C
Located in Palm Springs, CA
The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The numbers reflect up into the ball, along wit...
Category
2010s Surrealist Engraving Still-life Prints
Materials
Mezzotint, Aquatint
Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
Category
Early 19th Century Naturalistic Engraving Still-life Prints
Materials
Engraving
Night Game (games of our waking life versus those we play in our dreams)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint "Night Game" explores the games of our waking life versus those we play in our dreams. It is signed, titled and numbered in pencil -- an edition of 75.
Carol W...
Category
Late 20th Century American Modern Engraving Still-life Prints
Materials
Mezzotint
Temptation III
Located in Palm Springs, CA
Signed, titled and numbered in pencil, from the edition of 60.
Still life image of an egg balanced precariously on the edge of a table. Most of his mezzotints are tiny, and his subj...
Category
1990s Engraving Still-life Prints
Materials
Mezzotint
Drypoint: Hand saw by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...
Category
1970s Modern Engraving Still-life Prints
Materials
Drypoint
Singer I (Distorted perspective with shadows of an old Singer typewriter)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer I", shows a distorted view of an old Singer sewing machine. The artist created a convincing illusion of real mass, space and depth. Issued in an edit...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Singer III (The wheel turning part of a sewing machine casts shadows on wall)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer III", shows the wheel view of an old Singer sewing machine. It was conceived more of imagination than reality. Issued in an edition of 50, this image...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
A Set of Two Hand-Colored Engravings of an Ancient Roman Vase and a Tazza (Cup)
Located in Alamo, CA
This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...
Category
Mid-19th Century Victorian Engraving Still-life Prints
Materials
Engraving
Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white
Located in Santa Fe, NM
Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white
edition number 8/30
Category
1990s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Engraving Still-life Prints
Materials
Mezzotint
Store I
By Anne Dykmans
Located in New Orleans, LA
In "Store I", Anne Dykmans depicts the stark outline of a very modest store interior.
Anne Dykmans employs her superb command of engraving techniques, especially mezzotint, to creat...
Category
1970s Modern Engraving Still-life Prints
Materials
Mezzotint
Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Engraving Still-life Prints
Materials
Engraving
Jacques Dupin, L'Issue Dérobée: one plate
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
One plate from the illustrated book Jacques Dupin, L'Issue Dérobée, Maeght Editeur, Paris, 1974
Original prints by Joan Miro (C. books 187)
Edition: 220
Individual images are unsigne...
Category
1970s Modern Engraving Still-life Prints
Materials
Drypoint, Aquatint
The Old Clothesline
By Carol Wax
Located in New Orleans, LA
This is the first image in which the artist used back lighting. "The Old Clothesline" is an edition of 75 and was featured on the cover of Carol Wax's book "The Mezzotint, History a...
Category
Late 20th Century American Modern Engraving Still-life Prints
Materials
Mezzotint
Trivium MMV
Located in New Orleans, LA
In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...
Category
Early 2000s American Modern Engraving Still-life Prints
Materials
Mezzotint, Lithograph, Screen
"Still Life with Door", Monochrome Cyan Drypoint Etching
By Barbara B. Cohn
Located in Soquel, CA
Limited edition monochrome cyan drypoint etching of a potted plant and door by Barbara Cohn (American, 1923-2019). Numbered ("2/25"), titled ("Still Life with Door"), and hand signed...
Category
1980s American Realist Engraving Still-life Prints
Materials
Paper, Ink, Drypoint
Nature Morte au Coquetieu, 1966 by Mario Avati
By Mario Avati
Located in Long Island City, NY
Artist: Mario Avati, French (1921 - 2009)
Title: Nature Morte au Coquetieu
Year: 1966
Medium: Mezzotint, signed and numbered in pencil
Edition: 31/75
Image Size: 10 x 11.5 inches
Fra...
Category
1960s Post-Modern Engraving Still-life Prints
Materials
Mezzotint
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Engraving Still-life Prints
Materials
Mezzotint
Scopes
By Carol Wax
Located in New Orleans, LA
The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne.
Carol Wax originally trained to b...
Category
Late 20th Century American Modern Engraving Still-life Prints
Materials
Mezzotint
Tool drypoint: Weed puller by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Engraving Still-life Prints
Materials
Drypoint
Vaso Cinerario di Gran Mole, etching from "Vases, Candelabras, Grave, Stones..."
Located in Roma, IT
Well-knowned as an architect and an archaeologist, undoubtedly Giovanni Battista Piranesi, is the most important engraver of the 18th century: the leading artist in this field in the...
Category
1770s Engraving Still-life Prints
Materials
Engraving, Etching
Ananus Sclvestris ( Pineapple ) N. 110 mezzotint engraving with hand coloring
Located in Paonia, CO
Johann Wilhelm Weinmann
Ananus Sclvestris ( Pineapple ) N. 110
mezzotint engraving with hand coloring
paper size 15.50 x 9.50
image size 13 x 8.25
Ananus Sclvestris ( Pineapple ) N....
Category
1730s Engraving Still-life Prints
Materials
Mezzotint
Missing Link
By Carol Wax
Located in New Orleans, LA
This image is #12 from an edition of only 75,
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...
Category
2010s American Modern Engraving Still-life Prints
Materials
Mezzotint
Tool Drypoint: Bottle opener by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Engraving Still-life Prints
Materials
Drypoint
Singer 10101
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Singer 10101", is an image of Singer I as seen through a drafting template. It was issued as an edition of 40 and was printed at the Indiana University print...
Category
Early 2000s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Made in China (A lantern with Chinese characters etched on the base)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Made in China", explores the irony that glass, a transparent material alters perceptions of reality. This is the first instance in which Wax explores that iro...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Chestnuts V
Located in Palm Springs, CA
The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. His surreal constructions of Kastani (chestnut...
Category
Early 2000s Surrealist Engraving Still-life Prints
Materials
Mezzotint
Singer II (Woodgrain, incised metal plate of a Singer typewriter casts shadows)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Apple Peeler II (a kitchen tool interpreted by paintings of Yves Tanguy)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, "Apple Peeler II", shows the simple tool influenced in part by Yves Tanguy. It was created in 1992 an edition of 50. This image is...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Drapery Against Black
By Holly Downing
Located in New Orleans, LA
This black and white mezzotint is in an edition of 30. It is titled, numbered #1/30 and signed in pencil.
Holly Downing is a painter and printmaker who has been making mezzotint e...
Category
1980s Contemporary Engraving Still-life Prints
Materials
Mezzotint
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
Located in Alamo, CA
A grouping of three antique engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" and "Istrione", "Gia nella Villa Mattei" (Found in the Vi...
Category
1780s Old Masters Engraving Still-life Prints
Materials
Engraving
Window-No. 25
Located in Fairlawn, OH
Window-No. 25
Color mezzotint, September 2009
Signed, titled and numbered in pencil (see photos)
Edition: 70 (16/70)
Provenance:
Ninion and Sheldon Landy Collection, Donors of Art In...
Category
Early 2000s Abstract Engraving Still-life Prints
Materials
Mezzotint
Engraving still-life prints for sale on 1stDibs.
Find a wide variety of authentic Engraving still-life prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Bertha Evelyn Clausen Jaques, and Henri Le Sidaner. Frequently made by artists working in the Modern, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving still-life prints, so small editions measuring 2.25 inches across are also available Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $33,867, while the average work can sell for $625.
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