Contemporary Still-life Prints

A limited edition print of an eye with colourful abstract shapes around it contrasting beautifully with the black background. ADDITIONAL INFORMATION: The Oracle [2020] limited edit...

"Scissors" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 28.8" x 40" in...

"Silver Daisy" Print on Aluminum 43 x 43 in Ed. of 75 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Flee...

Avocado and Tomato Vine Diptych A beautiful CYMK silk screen print by Gavin Dobson. Based on an original gouache painting of the breakfast classic, this popular piece of art is indiv...

Kristjana Williams Ad Moldu Skaltu Verda – Drifting Skeleton White Limited Edition Print Giclee print on Paper Edition of 275 Size: H 55cm x W 27.3c...

About the Artist: Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...

This piece titled "Crown of Thorns" is an original artwork made from hand-colored intaglio with chine colle of Somerset paper by Katie VanVliet. This p...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

SECRET WRITING by the Israeli artist Moshe Castel (1909-1991) is a hand drawn, limited edition lithograph printed in 12 colors using traditional hand lithography techniques on archival Somerset paper 100% acid free. In SECRET WRITING, a three dimensional relief 3D effect is visible in the black writings and textural ancient stone tablet...

"S (It Is Safe To Be A Woman)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

Elizabeth Quandt (1922 - 1994) Aries I, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 5in x 11in: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

A long romance is a limited edition hand coloured unique collograph print by RBA artist Vicky Oldfield. The artist is renowned for her distinctive pictures; the subjects are the stor...

St Giles Cathedral, Edinburgh by Susan Brown [2021] limited_edition Giclee print on paper Edition number 150 Image size: H:40 cm x W:40 cm Complete Siz...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

Artist: Hunt Slonem, American (1951 - ) Title: Iron Flamingo Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Size: 26 in....

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made by artist Pipo Nguyen-duy in Claude Monet’s garden...

After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...

Signed, titled and numbered in pencil from the edition of 25. This print was a labor of love. "This is a tribute to my father, Jack Viramontes, who was a carpenter by trade and loved...

Angel Pressure N°1 Archival pigment print on 305gsm 100% cotton Hahnemühle Bespoke sizes available Numbered, signed and supplied with a Certificate of Authenticity. ADDITIONAL INFO...

Sennen Cove, Cornwall by Anya Simmons is a limited edition Giclée print that is sold mounted but not framed. The artwork is inspired by magical holidays in Cornwall. Image size with...

Elizabeth Quandt (1922 - 1994) Aries III, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 11 1/2in H x 6 1/2in Lin x 11in: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Please note that insitu images are purely an indication of how a piece may look Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic an...

Signed and numbered lithograph from the edition of 250. Vibrant image bananas and other fruit. A whole series of different fruits and vegetables from this series are available. Eva...

Signed and numbered from the edition of 15. The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Th...

"D (It's A Riot)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edition of 40. Each print is signed, stamped and numbered. The prints measure 17x17". Note the double-sided printing – surfaces of text, surfaces of image. See the full installation (photo above) as a striking performance in itself with myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking...

Great Britain is a limited edition geographical print with pearlised screen print detail by Justine Smith. This artwork is prints onto 330gsm Someset satin paper. The use of differen...

Evenbode Valley, Ascott-V-Wychwood by Judith Yarrow depicts a traditional Autumn scene showing a row of bare trees on the riverside. The colours are drawn from soft yellows, greens, ...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Artist: Ray Charles White (Canadian 1961 - ) Title: Lillias Year: 2005 Medium: Screenprinted Enamel on Anodized Aluminum (Nine Panels), each signed ...

Harmony by Susan Brown [2022] limited_edition and hand signed by the artist Giclée Print on Paper Edition number 150 Image size: H:40 cm x W:40 cm Complet...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Watercolor on paper 32 x 25 inches framed

Monotype 44 x 30.5 inches unframed 47 x 34 inches framed

Untitled from Moonstrips Empire News By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop Art movement. Renowned f...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Sony Walkman Radio. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Toy Snake. This one is hand signed and dated verso. Seasons explores the seaso...

Artist: Nadine Prado Title: Flower Bouquet Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300, 25 AP Paper Size: 30 in. x 30 in. (76.2 cm x 76.2 cm)

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Beachball. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Rocket ship and (toy) soldier. This one is hand signed and dated verso. Season...

Untitled from Moonstrips Empire News By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop Art movement. Renowned f...

Signed, titled and numbered from the edition of 30. A print memorializing a friend in a traditional Mexican altar. Viramontes was the subject of a 1-hou...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Jewels. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Leopards. This one is hand signed and dated verso. Seasons explores the season...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: TV Gyroscope. This one is hand signed and dated verso. Seasons explores the se...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Butterfly. This one is hand signed and dated verso. Seasons explores the seaso...

Blooming Colourful’ Original Handmade Silk Screen Print by the illustrator and artist: Katie Edwards. A fun, colourful and vibrant illustration of a tree with paint splattered flowers. A strong graphic image with symbolic representation of the tree of life, living a colourful life and having fun. Limited print run of only 20, 4 colour silkscreen print on Fabriano Ruvidi 200gsm paper. This work is sold mounted and UNFRAMED. Hand printed by the artist. Signed, numbered and titled by the artist Katie Edwards. Mounted Size : H 40.5 cm x W 50.8 cm Mounted Artwork fits a standard 16 x 20″ Frame. Please note: due to the nature of the printing technique, every print is slightly different, making every print original. Katie Edwards artist with Wychwood Art. Katie Edwards produces conceptual illustrations for a wide range of clients from weekly editorials to large and prestigious ad campaigns. Screen prints for sale by Katie Edwards focusing on conceptual ideas, symbolism and metaphors. The innovative juxtaposition of elements often result in a surreal, humorous or thought-provoking image. Art has been a big part of Katie Edwards life and education, right through to graduating from Leeds Metropolitan University in Graphic Arts and Design with a First Class Honours. Working in London for five years as an artist and graphic illustrator, moving to Canada for two years and undertaking commissions’ for clients including Delta Airlines...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Fruits. This one is hand signed and dated verso. Seasons explores the seasons ...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Artist: Richard Karwoski, American (1938 - 1993) Title: Fall Apples Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 22 in. x 29.5 in. (55...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Children in water. This one is not hand signed although the rest in the portfolio wer...

Medium: Offset lithograph from a portfolio of thirty-four offset lithographs and sixteen screenprints Dimensions: composition and sheet: 14 15/16 x 10" (38 x 25.4 cm) Publisher: Ed...

"4 (Recalculate Your Bank Balance)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edi...

About the Artist: Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...

Gavin Dobson Tomato Vine CYMK Silk Screen Print Edition of 50 Size: H 70cm x W 50cm (Please note that in situ images are purely an indication of how a piece may look). Based on an o...

Mary Knowland Poppy 19 Unique Mono Print Floral Art Image Size: H 28cm x W 19cm Mount Size H 45cm x W 37cm Sold Unframed Please note that insitu images are purely an indication of ho...