Contemporary Still-life Prints

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

"Light Station" is a limited edition print by contemporary artist Jing Zhiyong, known for his distinctive style that blends childlike simplicity with deeper, often humorous social co...

TITLE: Jing Zhiyong "A Beacon" Contemporary Art Astronauts Series YEAR 2021 CLASSIFICATION: Limited edition to 50 prints. MEDIUM TYPE: Print MEDIUM/MATERIALS: Screen Print on Fine Ar...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Clare Halifax Tropical Overlook Limited Edition 10 colour screen print Edition of 100 Sheet Size: H 27cm x W 25cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin...

Harland Miller Hate's Outta Date (Yellow), 2022 Screenprint on paper 39 2/5 × 27 3/5 in 100 × 70 cm Edition of 125 hand-signed and numbered by the artist on verso published by White...

"CONGREGATION OF WITS, Box Set of 1000 Prints", 2018, limited-edition collection of 1000 double-sided silkscreen prints – color image on one side, black text on other side – by Andrew Cornell Robinson. There are 3 box sets in custom-made red linen archival boxes with a gold stamped title. The prints are of various sizes, the box is 17.5x17.5". Note the double-sided printing – surfaces of text, surfaces of image. There are myriad possibilities for color, pattern, language, culture, politics, identity. It's a dynamic body of work that delights in the craft of making and the experience of revealing a tapestry of image and language. Initially inspired by a visit to the Talking Sculptures...

Artist: Helen Covensky, Polish/American (1925 - 2007) Title: Yellow Spring Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 225 Ima...

Rebecca Skinner’s “Spools” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The color photograph is of vintage wooden spools...

Hommage à Guttuso - Natura Morta: Cesto e Sega (Still Life: asked and Saw) is an original print by the Sicilian artist Renato Guttuso (Bagheria 1911 - Rome 1987). A high-quality chr...

Flowerpot is a beautiful colored lithograph on paper, realized in 1988 by the artist, Jovan Vulic (1951). Hand-signed and numbered in pencil on the lower margin.Edition of 150 print...

Flowers Of The Sea is an original digigraph realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pencil by the artist on the lower right. Hand-retouched by the art...

Wood Perfume is an original digigraph realized by Martine Goeyens in the 2000s. The artwork is hand-signed in pencil by the artist on the lower right. ...

Please note that insitu images are purely an indication of how a piece may look Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic an...

Vase of Flowers is a nice original lithograph realized by Marcello Avenali in 1950's. Hand signed in pencil on lower right margin; "P.A." (Artist Proof...

Acts of Faith SIZE: Total size of work: H:74 x W:160 x D:1 Size of image: H:64 x W:150 ADDITIONAL INFORMATION: - Archival pigment print on 305gsm 100% cotton Hahnemühle Editio...

Delicate Cowparsley by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

"4 (Recalculate Your Bank Balance)", 2018, is a limited-edition silkscreen print, double-sided by Andrew Cornell Robinson. This print is an edi...

Artist: Alex Katz Title: Goldenrod (from Flowers Portfolio) Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 86/100; signed and ...

Signed, titled and numbered from the edition of 30. A print memorializing a friend in a traditional Mexican altar. Viramontes was the subject of a 1-hou...

Sunlit Buttercups by Charlie Davies is a limited edition print made using real flowers and fauna from nature to make the etching plate. Part of the printmaking process that Charlie h...

"Butterfly Monarch #2" Photography 40x40 in Ed. of 75 by Mick Fleetwood Digital print on Aluminum Signed and numbered by the artist Mick Fleetwood, the legendary drummer and foundi...

Patrick Duegaw Study for Fire Extinguisher: Leedy-Voulkos Art Center, Crossroads, Kansas City, MO Year: 2014 3 Color, Chine Colle Edition: 20 34.25 x 17.25 inches Signed lower right...

Signed and numbered from the edition of 10. Printed on chine colle. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Artist: Hunt Slonem, American (1951 - ) Title: Managua #1 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 25 inches Size: 26 in. ...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers with highly detailed captures Flora Italiana ( Waratah Red ) 64 x 48 inches (162 x 122cm) signed edition of 7 40 x 30 inches (102 x 76cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical ...

6-layer screenprint on white paper with a white border 40 x 40 cm Edition of 50 Chris Keegan is a British illustrator and artist known for his intricate and vibrant works that blend...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Christian Furr How My Heart Sings- Jouissance Green - Blue Glissando Speculo I, 2022 Hand-finished monoprint, Acrylic paint with diamond dust on canvas Signed verso Dated 10 Jan 2023...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Monotype 32 x 25 inches framed

Monotype 44 x 30.5 inches unframed 47 x 34 inches framed

Artist: Hunt Slonem, American (1951 - ) Title: Two Chairs Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250 Image Size: 24 x 24 inches Size: 27 in. x 2...

Watercolor on paper 32 x 25 inches framed

Watercolor on paper 32 x 25 inches framed

Artist: Hunt Slonem, American (1951 - ) Title: Horns Of Plenty Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 24 x 23.5 inches Size: 28...

Forsyth’s work conveys his love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his wo...

Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing ...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Six pinhole camera Chromogenic prints (Each unique) Signed and dated, verso 24 x 20 inches, each 24 x 120 inches, overall $10,000.00 + $1500.00 mounting/framing This artwork is offe...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Artist: Hunt Slonem Title: Lobster Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250; AP 30 Image: 19 x 19 inches Paper Size: 22 x 30 inches

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Artist: Jack Brusca Title: Globe Flower Medium: Silkscreen Signed: Hand Signed Year: 1978 Edition: Edition of 200 Measurements: 26.5" x 25.5" Frame...

Des Oeufs Pout Ta Fette (Holiday Eggs) Mezzotint, 1960 Signed, dated, titled and numbered in pencil Edition: 50 (33/50) Image: 8 5/8 x 10 11/16" Condition: Mint Mario Avati is a Fren...

16 colour silkscreen print on Somerset Radiant White Tub Sized 410gsm Paper 96.7 × 70 cm Edition of 75 hand-signed and numbered by the artist on verso published by ICA London XXX, i...